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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #696554 it is the complementary color #969AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #696554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #696554: #6E654F, #7F7762, #908975, #A19B88 and #B2AD9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #696554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #696554: #696554, #585341, #47412E, #362F1B and #251D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

Complementary color

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 0 / 8 / 28 / 57

HEX #6E654F

RGB 110 101 79

HSL 42.58, 0.16%, 0.37%

LAB 43.04, -0.26, 13.77

 

CMYK 0 / 6 / 23 / 50

HEX #7F7762

RGB 127 119 98

HSL 43.45, 0.13%, 0.44%

LAB 50.2, -0.61, 12.67

 

CMYK 0 / 5 / 19 / 44

HEX #908975

RGB 144 137 117

HSL 44.44, 0.11%, 0.51%

LAB 57.18, -0.9, 11.67

 

CMYK 0 / 4 / 16 / 37

HEX #A19B88

RGB 161 155 136

HSL 45.6, 0.12%, 0.58%

LAB 64, -1.15, 10.75

 

CMYK 0 / 3 / 13 / 30

HEX #B2AD9B

RGB 178 173 155

HSL 46.96, 0.13%, 0.65%

LAB 70.68, -1.36, 9.88

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 0 / 6 / 26 / 65

HEX #585341

RGB 88 83 65

HSL 46.96, 0.15%, 0.3%

LAB 35.29, -1.29, 11.3

 

CMYK 0 / 8 / 35 / 72

HEX #47412E

RGB 71 65 46

HSL 45.6, 0.21%, 0.23%

LAB 27.62, -0.9, 12.55

 

CMYK 0 / 13 / 50 / 79

HEX #362F1B

RGB 54 47 27

HSL 44.44, 0.33%, 0.16%

LAB 19.62, -0.32, 14

 

CMYK 0 / 22 / 78 / 85

HEX #251D08

RGB 37 29 8

HSL 43.45, 0.64%, 0.09%

LAB 11.2, 0.65, 13.41

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 0 / 0 / 20 / 59

HEX #686853

RGB 104 104 83

HSL 60, 0.11%, 0.37%

LAB 43.46, -3.93, 11.87

 

CMYK 3 / 0 / 20 / 59

HEX #656853

RGB 101 104 83

HSL 68.57, 0.11%, 0.37%

LAB 43.2, -5.19, 11.46

 

CMYK 6 / 0 / 20 / 59

HEX #626853

RGB 98 104 83

HSL 77.14, 0.11%, 0.37%

LAB 42.95, -6.43, 11.07

 

CMYK 9 / 0 / 20 / 59

HEX #5F6853

RGB 95 104 83

HSL 85.71, 0.11%, 0.37%

LAB 42.7, -7.66, 10.69

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 0 / 4 / 20 / 39

HEX #9C967D

RGB 156 150 125

HSL 48.39, 0.14%, 0.55%

LAB 61.96, -2.11, 14

 

CMYK 0 / 4 / 20 / 19

HEX #CFC7A6

RGB 207 199 166

HSL 48.29, 0.3%, 0.73%

LAB 80.1, -2.6, 17.55

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 0 / 4 / 20 / 79

HEX #36342B

RGB 54 52 43

HSL 49.09, 0.11%, 0.19%

LAB 21.63, -1.01, 6.02

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 20 / 0 / 20 / 59

HEX #536853

RGB 83 104 83

HSL 120, 0.11%, 0.37%

LAB 41.79, -12.43, 9.28

 

CMYK 12 / 20 / 0 / 59

HEX #5C5368

RGB 92 83 104

HSL 265.71, 0.11%, 0.37%

LAB 36.86, 8.25, -10.75

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 20 / 0 / 4 / 59

HEX #536864

RGB 83 104 100

HSL 168.57, 0.11%, 0.37%

LAB 42.25, -8.75, -0.35

 

CMYK 4 / 20 / 0 / 59

HEX #645368

RGB 100 83 104

HSL 288.57, 0.11%, 0.37%

LAB 37.65, 11.26, -9.47

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 20 / 0 / 20 / 59

HEX #536853

RGB 83 104 83

HSL 120, 0.11%, 0.37%

LAB 41.79, -12.43, 9.28

 

CMYK 20 / 15 / 0 / 59

HEX #535868

RGB 83 88 104

HSL 225.71, 0.11%, 0.37%

LAB 37.51, 1.83, -9.84

 

CMYK 0 / 20 / 0 / 59

HEX #685368

RGB 104 83 104

HSL 300, 0.11%, 0.37%

LAB 38.07, 12.79, -8.8

 

CMYK 0 / 4 / 20 / 59

HEX #696554

RGB 105 101 84

HSL 48.57, 0.11%, 0.37%

LAB 42.69, -1.58, 10.2

 

CMYK 20 / 0 / 13 / 59

HEX #53685A

RGB 83 104 90

HSL 140, 0.11%, 0.37%

LAB 41.97, -10.99, 5.31

 

CMYK 20 / 15 / 0 / 59

HEX #535868

RGB 83 88 104

HSL 225.71, 0.11%, 0.37%

LAB 37.51, 1.83, -9.84

 

CMYK 0 / 20 / 6 / 59

HEX #685362

RGB 104 83 98

HSL 317.14, 0.11%, 0.37%

LAB 37.86, 11.54, -5.38

 

Description

Color code: HEX #696554 | qconv.com Color code: HEX #696554 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 101 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 101 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 20 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 20% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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