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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #677AFB it is the complementary color #988504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #677AFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #677AFB: #6C7AF6, #7D8CFF, #8E9EFF, #9FB0FF and #B0C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #677AFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #677AFB: #677AFB, #5668E8, #4556D5, #3444C2 and #2332AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

Complementary color

CMYK 0 / 13 / 97 / 40

HEX #988504

RGB 152 133 4

HSL 52.3, 0.95%, 0.31%

LAB 55.54, -4.39, 59.65

 

CMYK 56 / 50 / 0 / 4

HEX #6C7AF6

RGB 108 122 246

HSL 233.91, 0.88%, 0.69%

LAB 55.85, 29.9, -63.96

 

CMYK 51 / 45 / 0 / 0

HEX #7D8CFF

RGB 125 140 255

HSL 233.08, 1%, 0.75%

LAB 61.94, 25.42, -59.09

 

CMYK 44 / 38 / 0 / 0

HEX #8E9EFF

RGB 142 158 255

HSL 231.5, 1%, 0.78%

LAB 67.59, 18.79, -50.05

 

CMYK 38 / 31 / 0 / 0

HEX #9FB0FF

RGB 159 176 255

HSL 229.38, 1%, 0.81%

LAB 73.31, 12.85, -41

 

CMYK 31 / 24 / 0 / 0

HEX #B0C2FF

RGB 176 194 255

HSL 226.33, 1%, 0.85%

LAB 79.06, 7.53, -32

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 63 / 55 / 0 / 9

HEX #5668E8

RGB 86 104 232

HSL 232.6, 0.76%, 0.62%

LAB 49.14, 32.4, -67.05

 

CMYK 68 / 60 / 0 / 16

HEX #4556D5

RGB 69 86 213

HSL 232.92, 0.63%, 0.55%

LAB 42.35, 34.53, -67.35

 

CMYK 73 / 65 / 0 / 24

HEX #3444C2

RGB 52 68 194

HSL 233.24, 0.58%, 0.48%

LAB 35.52, 37.01, -67.54

 

CMYK 80 / 71 / 0 / 31

HEX #2332AF

RGB 35 50 175

HSL 233.57, 0.67%, 0.41%

LAB 28.73, 39.82, -67.49

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 58 / 60 / 0 / 2

HEX #6964FB

RGB 105 100 251

HSL 241.99, 0.95%, 0.69%

LAB 50.78, 44.02, -74.94

 

CMYK 48 / 60 / 0 / 2

HEX #8264FB

RGB 130 100 251

HSL 251.92, 0.95%, 0.69%

LAB 52.76, 48.45, -71.65

 

CMYK 38 / 60 / 0 / 2

HEX #9B64FB

RGB 155 100 251

HSL 261.85, 0.95%, 0.69%

LAB 55.12, 53.48, -67.71

 

CMYK 28 / 60 / 0 / 2

HEX #B464FB

RGB 180 100 251

HSL 271.79, 0.95%, 0.69%

LAB 57.83, 58.92, -63.21

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 60 / 51 / 0 / 82

HEX #13172F

RGB 19 23 47

HSL 231.43, 0.42%, 0.13%

LAB 8.62, 6.55, -16.7

 

CMYK 59 / 51 / 0 / 62

HEX #283062

RGB 40 48 98

HSL 231.72, 0.42%, 0.27%

LAB 21.75, 13.15, -30.81

 

CMYK 59 / 52 / 0 / 42

HEX #3D4895

RGB 61 72 149

HSL 232.5, 0.42%, 0.41%

LAB 33.56, 19.79, -43.87

 

CMYK 59 / 52 / 0 / 22

HEX #5261C8

RGB 82 97 200

HSL 232.37, 0.52%, 0.55%

LAB 44.96, 25.32, -55.6

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 0 / 60 / 4 / 2

HEX #FB64F1

RGB 251 100 241

HSL 303.97, 0.95%, 0.69%

LAB 66.5, 73.83, -43.34

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 0 / 60 / 52 / 2

HEX #FB6478

RGB 251 100 120

HSL 352.05, 0.95%, 0.69%

LAB 62.49, 59.11, 19.35

 

CMYK 52 / 0 / 60 / 2

HEX #78FB64

RGB 120 251 100

HSL 112.05, 0.95%, 0.69%

LAB 88.88, -63.69, 60.06

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 0 / 60 / 4 / 2

HEX #FB64F1

RGB 251 100 241

HSL 303.97, 0.95%, 0.69%

LAB 66.5, 73.83, -43.34

 

CMYK 0 / 8 / 60 / 2

HEX #FBE764

RGB 251 231 100

HSL 52.05, 0.95%, 0.69%

LAB 91.04, -8.45, 64.59

 

CMYK 60 / 0 / 56 / 2

HEX #64FB6E

RGB 100 251 110

HSL 123.97, 0.95%, 0.69%

LAB 88.37, -67.31, 54.97

 

CMYK 59 / 51 / 0 / 2

HEX #677AFB

RGB 103 122 251

HSL 232.3, 0.95%, 0.69%

LAB 55.85, 30.59, -66.74

 

CMYK 0 / 60 / 22 / 2

HEX #FB64C3

RGB 251 100 195

HSL 322.25, 0.95%, 0.69%

LAB 64.61, 67.13, -20.53

 

CMYK 0 / 8 / 60 / 2

HEX #FBE764

RGB 251 231 100

HSL 52.05, 0.95%, 0.69%

LAB 91.04, -8.45, 64.59

 

CMYK 60 / 0 / 38 / 2

HEX #64FB9B

RGB 100 251 155

HSL 141.85, 0.95%, 0.69%

LAB 88.96, -60.78, 34.34

 

Description

Color code: HEX #677AFB | qconv.com Color code: HEX #677AFB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 122 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 122 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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