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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66FF66 it is the complementary color #990099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66FF66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #66FF66: #6BFF61, #7CFF74, #8DFF87, #9EFF9A and #AFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66FF66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #66FF66: #66FF66, #55ED53, #44DB40, #33C92D and #22B71A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

Complementary color

CMYK 0 / 100 / 0 / 40

HEX #990099

RGB 153 0 153

HSL 300, 1%, 0.3%

LAB 36.12, 67.1, -41.55

 

CMYK 58 / 0 / 62 / 0

HEX #6BFF61

RGB 107 255 97

HSL 116.2, 1%, 0.69%

LAB 89.63, -68.57, 62.04

 

CMYK 51 / 0 / 55 / 0

HEX #7CFF74

RGB 124 255 116

HSL 116.55, 1%, 0.73%

LAB 90.35, -62.4, 54.82

 

CMYK 45 / 0 / 47 / 0

HEX #8DFF87

RGB 141 255 135

HSL 117, 1%, 0.76%

LAB 91.2, -55.47, 47.23

 

CMYK 38 / 0 / 40 / 0

HEX #9EFF9A

RGB 158 255 154

HSL 117.62, 1%, 0.8%

LAB 92.19, -47.92, 39.46

 

CMYK 31 / 0 / 32 / 0

HEX #AFFFAD

RGB 175 255 173

HSL 118.54, 1%, 0.84%

LAB 93.3, -39.87, 31.65

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 64 / 0 / 65 / 7

HEX #55ED53

RGB 85 237 83

HSL 119.22, 0.81%, 0.63%

LAB 83.51, -68.52, 60.81

 

CMYK 69 / 0 / 71 / 14

HEX #44DB40

RGB 68 219 64

HSL 118.45, 0.68%, 0.55%

LAB 77.44, -67.54, 61.55

 

CMYK 75 / 0 / 78 / 21

HEX #33C92D

RGB 51 201 45

HSL 117.69, 0.63%, 0.48%

LAB 71.33, -66.08, 61.8

 

CMYK 81 / 0 / 86 / 28

HEX #22B71A

RGB 34 183 26

HSL 116.94, 0.75%, 0.41%

LAB 65.19, -63.98, 61.18

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 60 / 0 / 50 / 0

HEX #65FF7F

RGB 101 255 127

HSL 130.13, 1%, 0.7%

LAB 89.78, -66.35, 48.92

 

CMYK 60 / 0 / 40 / 0

HEX #65FF99

RGB 101 255 153

HSL 140.26, 1%, 0.7%

LAB 90.13, -62.42, 36.88

 

CMYK 60 / 0 / 30 / 0

HEX #65FFB2

RGB 101 255 178

HSL 150, 1%, 0.7%

LAB 90.55, -57.91, 24.93

 

CMYK 60 / 0 / 20 / 0

HEX #65FFCB

RGB 101 255 203

HSL 159.74, 1%, 0.7%

LAB 91.05, -52.74, 12.84

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 61 / 0 / 61 / 80

HEX #143314

RGB 20 51 20

HSL 120, 0.44%, 0.14%

LAB 18.22, -19.39, 16.12

 

CMYK 60 / 0 / 60 / 60

HEX #296629

RGB 41 102 41

HSL 120, 0.43%, 0.28%

LAB 38.08, -33.3, 28.27

 

CMYK 60 / 0 / 60 / 40

HEX #3D993D

RGB 61 153 61

HSL 120, 0.43%, 0.42%

LAB 56.2, -46.16, 39.6

 

CMYK 60 / 0 / 60 / 20

HEX #52CC52

RGB 82 204 82

HSL 120, 0.54%, 0.56%

LAB 73.28, -57.78, 49.77

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 60 / 12 / 0 / 0

HEX #65E0FF

RGB 101 224 255

HSL 192.08, 1%, 0.7%

LAB 83.6, -25.48, -25.36

 

CMYK 0 / 60 / 36 / 0

HEX #FF65A3

RGB 255 101 163

HSL 335.84, 1%, 0.7%

LAB 64.33, 64, -2.67

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 60 / 60 / 0 / 0

HEX #6565FF

RGB 101 101 255

HSL 240, 1%, 0.7%

LAB 51.03, 44.05, -76.78

 

CMYK 0 / 60 / 60 / 0

HEX #FF6565

RGB 255 101 101

HSL 0, 1%, 0.7%

LAB 62.93, 58.61, 30.88

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 60 / 12 / 0 / 0

HEX #65E0FF

RGB 101 224 255

HSL 192.08, 1%, 0.7%

LAB 83.6, -25.48, -25.36

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 48 / 60 / 0

HEX #FF8465

RGB 255 132 101

HSL 12.08, 1%, 0.7%

LAB 68.53, 44.14, 37.95

 

CMYK 60 / 0 / 60 / 0

HEX #66FF66

RGB 102 255 102

HSL 120, 1%, 0.7%

LAB 89.54, -69.17, 59.81

 

CMYK 60 / 30 / 0 / 0

HEX #65B2FF

RGB 101 178 255

HSL 210, 1%, 0.7%

LAB 70.75, -1.32, -45.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 30 / 60 / 0

HEX #FFB265

RGB 255 178 101

HSL 30, 1%, 0.7%

LAB 78.49, 20.48, 49.97

 

Description

Color code: HEX #66FF66 | qconv.com Color code: HEX #66FF66 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 255 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 255 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 60 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 60% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

73% - ゆとりのある日記
Link: http://vhairforce.blog.shinobi.jp

34% - Wakeskater Studio - ...
Link: http://wakeskaterstudio.com

25% - Limbach-Oberfrohna I...
Link: http://limbach-oberfrohna-videos.de

56% - イラスト集
Link: http://www.geocities.jp

79% - オリジナルイラストメニュー
Link: http://www.geocities.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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