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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6496FA it is the complementary color #9B6905. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6496FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6496FA: #6996F5, #7AA8FF, #8BBAFF, #9CCCFF and #ADDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6496FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6496FA: #6496FA, #5384E7, #4272D4, #3160C1 and #204EAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

Complementary color

CMYK 0 / 32 / 97 / 39

HEX #9B6905

RGB 155 105 5

HSL 40, 0.94%, 0.31%

LAB 48.36, 12.84, 54.43

 

CMYK 57 / 39 / 0 / 4

HEX #6996F5

RGB 105 150 245

HSL 220.71, 0.88%, 0.69%

LAB 62.85, 12.3, -52.23

 

CMYK 52 / 34 / 0 / 0

HEX #7AA8FF

RGB 122 168 255

HSL 219.25, 1%, 0.74%

LAB 69.01, 8.5, -47.89

 

CMYK 45 / 27 / 0 / 0

HEX #8BBAFF

RGB 139 186 255

HSL 215.69, 1%, 0.77%

LAB 74.72, 2.28, -38.9

 

CMYK 39 / 20 / 0 / 0

HEX #9CCCFF

RGB 156 204 255

HSL 210.91, 1%, 0.81%

LAB 80.45, -3.26, -29.98

 

CMYK 32 / 13 / 0 / 0

HEX #ADDEFF

RGB 173 222 255

HSL 204.15, 1%, 0.84%

LAB 86.18, -8.19, -21.15

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 64 / 43 / 0 / 9

HEX #5384E7

RGB 83 132 231

HSL 220.14, 0.76%, 0.62%

LAB 56.2, 14.38, -55.14

 

CMYK 69 / 46 / 0 / 17

HEX #4272D4

RGB 66 114 212

HSL 220.27, 0.63%, 0.55%

LAB 49.43, 16.1, -55.32

 

CMYK 75 / 50 / 0 / 24

HEX #3160C1

RGB 49 96 193

HSL 220.42, 0.6%, 0.47%

LAB 42.57, 18.22, -55.5

 

CMYK 82 / 55 / 0 / 32

HEX #204EAE

RGB 32 78 174

HSL 220.56, 0.69%, 0.4%

LAB 35.62, 20.87, -55.62

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 60 / 50 / 0 / 2

HEX #657EFA

RGB 101 126 250

HSL 229.93, 0.94%, 0.69%

LAB 56.67, 27.49, -64.87

 

CMYK 60 / 60 / 0 / 2

HEX #6565FA

RGB 101 101 250

HSL 240, 0.94%, 0.69%

LAB 50.66, 42.47, -74.6

 

CMYK 50 / 60 / 0 / 2

HEX #7E65FA

RGB 126 101 250

HSL 250.07, 0.94%, 0.69%

LAB 52.56, 46.85, -71.43

 

CMYK 40 / 60 / 0 / 2

HEX #9765FA

RGB 151 101 250

HSL 260.13, 0.94%, 0.69%

LAB 54.85, 51.85, -67.61

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 61 / 39 / 0 / 82

HEX #121C2E

RGB 18 28 46

HSL 218.57, 0.44%, 0.13%

LAB 10.23, 1.98, -13.43

 

CMYK 60 / 40 / 0 / 62

HEX #273A61

RGB 39 58 97

HSL 220.34, 0.43%, 0.27%

LAB 24.7, 5.53, -25.46

 

CMYK 60 / 40 / 0 / 42

HEX #3B5994

RGB 59 89 148

HSL 219.78, 0.43%, 0.41%

LAB 38.22, 7.87, -35.82

 

CMYK 60 / 40 / 0 / 22

HEX #5077C7

RGB 80 119 199

HSL 220.34, 0.52%, 0.55%

LAB 50.71, 10.89, -45.82

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 8 / 60 / 0 / 2

HEX #E665FA

RGB 230 101 250

HSL 291.95, 0.94%, 0.69%

LAB 64.19, 69.86, -52.15

 

CMYK 16 / 0 / 60 / 2

HEX #D2FA65

RGB 210 250 101

HSL 76.11, 0.94%, 0.69%

LAB 93.02, -33.7, 65.48

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 0 / 60 / 40 / 2

HEX #FA6597

RGB 250 101 151

HSL 339.87, 0.94%, 0.69%

LAB 63.23, 61.2, 2.52

 

CMYK 40 / 0 / 60 / 2

HEX #97FA65

RGB 151 250 101

HSL 99.87, 0.94%, 0.69%

LAB 89.81, -54.34, 61.01

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 8 / 60 / 0 / 2

HEX #E665FA

RGB 230 101 250

HSL 291.95, 0.94%, 0.69%

LAB 64.19, 69.86, -52.15

 

CMYK 0 / 20 / 60 / 2

HEX #FAC865

RGB 250 200 101

HSL 39.87, 0.94%, 0.69%

LAB 83.22, 6.97, 55.33

 

CMYK 52 / 0 / 60 / 2

HEX #79FA65

RGB 121 250 101

HSL 111.95, 0.94%, 0.69%

LAB 88.63, -62.96, 59.35

 

CMYK 60 / 40 / 0 / 2

HEX #6496FA

RGB 100 150 250

HSL 220, 0.94%, 0.69%

LAB 62.86, 12.97, -54.97

 

CMYK 0 / 60 / 10 / 2

HEX #FA65E1

RGB 250 101 225

HSL 310.07, 0.94%, 0.69%

LAB 65.8, 70.7, -35.56

 

CMYK 0 / 20 / 60 / 2

HEX #FAC865

RGB 250 200 101

HSL 39.87, 0.94%, 0.69%

LAB 83.22, 6.97, 55.33

 

CMYK 60 / 0 / 50 / 2

HEX #65FA7E

RGB 101 250 126

HSL 130.07, 0.94%, 0.69%

LAB 88.28, -64.69, 47.55

 

Description

Color code: HEX #6496FA | qconv.com Color code: HEX #6496FA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 150 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 150 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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