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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64247C it is the complementary color #9BDB83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64247C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #64247C: #692477, #7A368A, #8B489D, #9C5AB0 and #AD6CC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64247C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #64247C: #64247C, #531269, #420056, #310043 and #200030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

Complementary color

CMYK 29 / 0 / 40 / 14

HEX #9BDB83

RGB 155 219 131

HSL 103.64, 0.55%, 0.69%

LAB 81.44, -36.32, 36.93

 

CMYK 12 / 70 / 0 / 53

HEX #692477

RGB 105 36 119

HSL 289.88, 0.54%, 0.3%

LAB 28.37, 43.09, -33.3

 

CMYK 12 / 61 / 0 / 46

HEX #7A368A

RGB 122 54 138

HSL 288.57, 0.44%, 0.38%

LAB 35.22, 42.84, -34.11

 

CMYK 11 / 54 / 0 / 38

HEX #8B489D

RGB 139 72 157

HSL 287.29, 0.37%, 0.45%

LAB 42.09, 42.23, -34.62

 

CMYK 11 / 49 / 0 / 31

HEX #9C5AB0

RGB 156 90 176

HSL 286.05, 0.35%, 0.52%

LAB 48.9, 41.47, -34.98

 

CMYK 11 / 45 / 0 / 24

HEX #AD6CC3

RGB 173 108 195

HSL 284.83, 0.42%, 0.59%

LAB 55.63, 40.68, -35.26

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 21 / 83 / 0 / 59

HEX #531269

RGB 83 18 105

HSL 284.83, 0.71%, 0.24%

LAB 21.18, 42.47, -36.04

 

CMYK 23 / 100 / 0 / 66

HEX #420056

RGB 66 0 86

HSL 286.05, 1%, 0.17%

LAB 14.57, 41.08, -34.26

 

CMYK 27 / 100 / 0 / 74

HEX #310043

RGB 49 0 67

HSL 283.88, 1%, 0.13%

LAB 9.47, 34.42, -29.55

 

CMYK 33 / 100 / 0 / 81

HEX #200030

RGB 32 0 48

HSL 280, 1%, 0.09%

LAB 4.7, 24.86, -23.6

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 8 / 71 / 0 / 52

HEX #70237A

RGB 112 35 122

HSL 293.1, 0.55%, 0.31%

LAB 29.54, 45.84, -33.26

 

CMYK 0 / 71 / 3 / 52

HEX #7A2376

RGB 122 35 118

HSL 302.76, 0.55%, 0.31%

LAB 30.99, 47.57, -28.33

 

CMYK 0 / 71 / 16 / 52

HEX #7A2367

RGB 122 35 103

HSL 313.1, 0.55%, 0.31%

LAB 30.2, 45.06, -19.99

 

CMYK 0 / 71 / 27 / 52

HEX #7A2359

RGB 122 35 89

HSL 322.76, 0.55%, 0.31%

LAB 29.57, 42.98, -11.89

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 19 / 71 / 0 / 31

HEX #8D33AF

RGB 141 51 175

HSL 283.55, 0.55%, 0.44%

LAB 39.79, 56.45, -49

 

CMYK 19 / 71 / 0 / 11

HEX #B642E2

RGB 182 66 226

HSL 283.5, 0.73%, 0.57%

LAB 51.07, 69.16, -60.07

 

CMYK 18 / 73 / 0 / 91

HEX #120616

RGB 18 6 22

HSL 285, 0.57%, 0.05%

LAB 2.86, 6.49, -6.45

 

CMYK 19 / 71 / 0 / 71

HEX #3B1549

RGB 59 21 73

HSL 283.85, 0.55%, 0.18%

LAB 15.21, 28.18, -24.39

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 0 / 71 / 66 / 52

HEX #7A232A

RGB 122 35 42

HSL 355.17, 0.55%, 0.31%

LAB 28.13, 38.05, 17.22

 

CMYK 71 / 0 / 48 / 52

HEX #237A3F

RGB 35 122 63

HSL 139.31, 0.55%, 0.31%

LAB 45.13, -39.46, 24.98

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 0 / 20 / 71 / 52

HEX #7A6123

RGB 122 97 35

HSL 42.76, 0.55%, 0.31%

LAB 42.47, 2.93, 37.85

 

CMYK 71 / 0 / 20 / 52

HEX #237A61

RGB 35 122 97

HSL 162.76, 0.55%, 0.31%

LAB 45.82, -31.94, 6.34

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 0 / 71 / 66 / 52

HEX #7A232A

RGB 122 35 42

HSL 355.17, 0.55%, 0.31%

LAB 28.13, 38.05, 17.22

 

CMYK 51 / 0 / 71 / 52

HEX #3C7A23

RGB 60 122 35

HSL 102.76, 0.55%, 0.31%

LAB 45.64, -36.71, 39.76

 

CMYK 71 / 0 / 6 / 52

HEX #237A73

RGB 35 122 115

HSL 175.17, 0.55%, 0.31%

LAB 46.33, -26.89, -3.6

 

CMYK 19 / 71 / 0 / 51

HEX #64247C

RGB 100 36 124

HSL 283.64, 0.55%, 0.31%

LAB 27.92, 42.95, -37.24

 

CMYK 0 / 56 / 71 / 52

HEX #7A3623

RGB 122 54 35

HSL 13.1, 0.55%, 0.31%

LAB 31.57, 28.19, 25.84

 

CMYK 51 / 0 / 71 / 52

HEX #3C7A23

RGB 60 122 35

HSL 102.76, 0.55%, 0.31%

LAB 45.64, -36.71, 39.76

 

CMYK 71 / 16 / 0 / 52

HEX #23677A

RGB 35 103 122

HSL 193.1, 0.55%, 0.31%

LAB 40.35, -14.52, -16.81

 

Description

Color code: HEX #64247C | qconv.com Color code: HEX #64247C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 36 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 36 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 71 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 71% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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