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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #634839 it is the complementary color #9CB7C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #634839. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #634839: #684834, #795A47, #8A6C5A, #9B7E6D and #AC9080

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #634839. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #634839: #634839, #523626, #412413, #301200 and #1F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

Complementary color

CMYK 21 / 8 / 0 / 22

HEX #9CB7C6

RGB 156 183 198

HSL 201.43, 0.27%, 0.69%

LAB 72.9, -5.9, -10.66

 

CMYK 0 / 31 / 50 / 59

HEX #684834

RGB 104 72 52

HSL 23.08, 0.33%, 0.31%

LAB 33.62, 11, 17.42

 

CMYK 0 / 26 / 41 / 53

HEX #795A47

RGB 121 90 71

HSL 22.8, 0.26%, 0.38%

LAB 40.95, 10.01, 15.92

 

CMYK 0 / 22 / 35 / 46

HEX #8A6C5A

RGB 138 108 90

HSL 22.5, 0.21%, 0.45%

LAB 48.09, 9.21, 14.62

 

CMYK 0 / 19 / 30 / 39

HEX #9B7E6D

RGB 155 126 109

HSL 22.17, 0.19%, 0.52%

LAB 55.07, 8.56, 13.47

 

CMYK 0 / 16 / 26 / 33

HEX #AC9080

RGB 172 144 128

HSL 21.82, 0.21%, 0.59%

LAB 61.89, 8, 12.42

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 0 / 34 / 54 / 68

HEX #523626

RGB 82 54 38

HSL 21.82, 0.37%, 0.24%

LAB 25.48, 10.4, 15.09

 

CMYK 0 / 45 / 71 / 75

HEX #412413

RGB 65 36 19

HSL 22.17, 0.55%, 0.16%

LAB 17.61, 11.87, 17.04

 

CMYK 0 / 63 / 100 / 81

HEX #301200

RGB 48 18 0

HSL 22.5, 1%, 0.09%

LAB 9.49, 13.72, 14.51

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 0 / 21 / 43 / 61

HEX #644F39

RGB 100 79 57

HSL 30.7, 0.27%, 0.31%

LAB 35.2, 5.44, 16.33

 

CMYK 0 / 14 / 43 / 61

HEX #645639

RGB 100 86 57

HSL 40.47, 0.27%, 0.31%

LAB 37.23, 1.16, 19

 

CMYK 0 / 7 / 43 / 61

HEX #645D39

RGB 100 93 57

HSL 50.23, 0.27%, 0.31%

LAB 39.3, -3.04, 21.68

 

CMYK 1 / 0 / 43 / 61

HEX #636439

RGB 99 100 57

HSL 61.4, 0.27%, 0.31%

LAB 41.32, -7.58, 24.23

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 0 / 27 / 43 / 41

HEX #966D56

RGB 150 109 86

HSL 21.56, 0.27%, 0.46%

LAB 49.61, 13.23, 19.25

 

CMYK 0 / 27 / 42 / 21

HEX #C99274

RGB 201 146 116

HSL 21.18, 0.44%, 0.62%

LAB 65.15, 17, 24.08

 

CMYK 0 / 27 / 42 / 1

HEX #FCB791

RGB 252 183 145

HSL 21.31, 0.95%, 0.78%

LAB 79.96, 20.46, 29.18

 

CMYK 0 / 27 / 42 / 81

HEX #30231C

RGB 48 35 28

HSL 21, 0.26%, 0.15%

LAB 15.03, 4.96, 7.08

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 24 / 0 / 43 / 61

HEX #4C6439

RGB 76 100 57

HSL 93.49, 0.27%, 0.31%

LAB 39.49, -17.56, 21.53

 

CMYK 43 / 41 / 0 / 61

HEX #393B64

RGB 57 59 100

HSL 237.21, 0.27%, 0.31%

LAB 26.5, 10.81, -24.48

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 43 / 0 / 28 / 61

HEX #396448

RGB 57 100 72

HSL 140.93, 0.27%, 0.31%

LAB 38.64, -21.89, 11.3

 

CMYK 28 / 43 / 0 / 61

HEX #483964

RGB 72 57 100

HSL 260.93, 0.27%, 0.31%

LAB 27.36, 16.88, -23.02

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 24 / 0 / 43 / 61

HEX #4C6439

RGB 76 100 57

HSL 93.49, 0.27%, 0.31%

LAB 39.49, -17.56, 21.53

 

CMYK 43 / 15 / 0 / 61

HEX #395564

RGB 57 85 100

HSL 200.93, 0.27%, 0.31%

LAB 34.57, -6.08, -11.98

 

CMYK 19 / 43 / 0 / 61

HEX #513964

RGB 81 57 100

HSL 273.49, 0.27%, 0.31%

LAB 28.37, 19.89, -21.37

 

CMYK 0 / 27 / 42 / 61

HEX #634839

RGB 99 72 57

HSL 21.43, 0.27%, 0.31%

LAB 33.1, 9.32, 13.5

 

CMYK 36 / 0 / 43 / 61

HEX #406439

RGB 64 100 57

HSL 110.23, 0.27%, 0.31%

LAB 38.72, -22.28, 20.39

 

CMYK 43 / 15 / 0 / 61

HEX #395564

RGB 57 85 100

HSL 200.93, 0.27%, 0.31%

LAB 34.57, -6.08, -11.98

 

CMYK 7 / 43 / 0 / 61

HEX #5D3964

RGB 93 57 100

HSL 290.23, 0.27%, 0.31%

LAB 29.85, 24.02, -18.96

 

Description

Color code: HEX #634839 | qconv.com Color code: HEX #634839 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 72 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 72 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 42 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 42% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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