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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628474 it is the complementary color #9D7B8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #628474: #67846F, #789682, #89A895, #9ABAA8 and #ABCCBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #628474: #628474, #517261, #40604E, #2F4E3B and #1E3C28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

Complementary color

CMYK 0 / 22 / 11 / 38

HEX #9D7B8B

RGB 157 123 139

HSL 331.76, 0.15%, 0.55%

LAB 55.28, 15.88, -3.61

 

CMYK 22 / 0 / 16 / 48

HEX #67846F

RGB 103 132 111

HSL 136.55, 0.12%, 0.46%

LAB 52.44, -14.86, 7.98

 

CMYK 20 / 0 / 13 / 41

HEX #789682

RGB 120 150 130

HSL 140, 0.13%, 0.53%

LAB 59.36, -14.69, 7.11

 

CMYK 18 / 0 / 11 / 34

HEX #89A895

RGB 137 168 149

HSL 143.23, 0.15%, 0.6%

LAB 66.13, -14.55, 6.3

 

CMYK 17 / 0 / 10 / 27

HEX #9ABAA8

RGB 154 186 168

HSL 146.25, 0.19%, 0.67%

LAB 72.77, -14.44, 5.53

 

CMYK 16 / 0 / 8 / 20

HEX #ABCCBB

RGB 171 204 187

HSL 149.09, 0.24%, 0.74%

LAB 79.29, -14.34, 4.8

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 29 / 0 / 15 / 55

HEX #517261

RGB 81 114 97

HSL 149.09, 0.17%, 0.38%

LAB 45.15, -15.78, 5.63

 

CMYK 33 / 0 / 19 / 62

HEX #40604E

RGB 64 96 78

HSL 146.25, 0.2%, 0.31%

LAB 37.85, -16.03, 6.59

 

CMYK 40 / 0 / 24 / 69

HEX #2F4E3B

RGB 47 78 59

HSL 143.23, 0.25%, 0.25%

LAB 30.32, -16.33, 7.68

 

CMYK 50 / 0 / 33 / 76

HEX #1E3C28

RGB 30 60 40

HSL 140, 0.33%, 0.18%

LAB 22.52, -16.65, 8.96

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 26 / 0 / 8 / 49

HEX #618379

RGB 97 131 121

HSL 162.35, 0.15%, 0.45%

LAB 52.01, -14.24, 1.51

 

CMYK 26 / 0 / 4 / 49

HEX #61837E

RGB 97 131 126

HSL 171.18, 0.15%, 0.45%

LAB 52.15, -13.09, -1.2

 

CMYK 26 / 0 / 0 / 49

HEX #618383

RGB 97 131 131

HSL 180, 0.15%, 0.45%

LAB 52.3, -11.9, -3.9

 

CMYK 26 / 5 / 0 / 49

HEX #617D83

RGB 97 125 131

HSL 190.59, 0.15%, 0.45%

LAB 50.51, -8.54, -6.56

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 26 / 0 / 12 / 28

HEX #88B7A1

RGB 136 183 161

HSL 151.91, 0.25%, 0.63%

LAB 70.65, -20.22, 6.16

 

CMYK 26 / 0 / 12 / 8

HEX #AEEACE

RGB 174 234 206

HSL 152, 0.59%, 0.8%

LAB 88.11, -24.62, 7.48

 

CMYK 27 / 0 / 13 / 88

HEX #161E1A

RGB 22 30 26

HSL 150, 0.15%, 0.1%

LAB 10.36, -4.74, 1.54

 

CMYK 26 / 0 / 12 / 68

HEX #3C5147

RGB 60 81 71

HSL 151.43, 0.15%, 0.28%

LAB 32.48, -10.51, 3.25

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 26 / 18 / 0 / 49

HEX #616B83

RGB 97 107 131

HSL 222.35, 0.15%, 0.45%

LAB 45.21, 1.98, -14.52

 

CMYK 0 / 23 / 26 / 49

HEX #836561

RGB 131 101 97

HSL 7.06, 0.15%, 0.45%

LAB 45.63, 11.42, 6.89

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 12 / 26 / 0 / 49

HEX #736183

RGB 115 97 131

HSL 271.76, 0.15%, 0.45%

LAB 43.99, 14.24, -16.24

 

CMYK 0 / 12 / 26 / 49

HEX #837361

RGB 131 115 97

HSL 31.76, 0.15%, 0.45%

LAB 49.44, 3.2, 12.25

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 26 / 18 / 0 / 49

HEX #616B83

RGB 97 107 131

HSL 222.35, 0.15%, 0.45%

LAB 45.21, 1.98, -14.52

 

CMYK 0 / 26 / 13 / 49

HEX #836172

RGB 131 97 114

HSL 330, 0.15%, 0.45%

LAB 45.07, 16.67, -4.19

 

CMYK 0 / 7 / 26 / 49

HEX #837A61

RGB 131 122 97

HSL 44.12, 0.15%, 0.45%

LAB 51.39, -0.83, 14.96

 

CMYK 26 / 0 / 12 / 48

HEX #628474

RGB 98 132 116

HSL 151.76, 0.15%, 0.45%

LAB 52.24, -15.56, 4.76

 

CMYK 25 / 26 / 0 / 49

HEX #626183

RGB 98 97 131

HSL 241.76, 0.15%, 0.45%

LAB 42.44, 8.4, -18.76

 

CMYK 0 / 26 / 13 / 49

HEX #836172

RGB 131 97 114

HSL 330, 0.15%, 0.45%

LAB 45.07, 16.67, -4.19

 

CMYK 0 / 0 / 26 / 49

HEX #838361

RGB 131 131 97

HSL 60, 0.15%, 0.45%

LAB 53.94, -5.91, 18.45

 

Description

Color code: HEX #628474 | qconv.com Color code: HEX #628474 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 132 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 132 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 12 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 12% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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