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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626206 it is the complementary color #9D9DF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #626206: #676201, #787414, #898627, #9A983A and #ABAA4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #626206: #626206, #515000, #403E00, #2F2C00 and #1E1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

Complementary color

CMYK 37 / 37 / 0 / 2

HEX #9D9DF9

RGB 157 157 249

HSL 240, 0.88%, 0.8%

LAB 68.11, 21.47, -45.9

 

CMYK 0 / 5 / 99 / 60

HEX #676201

RGB 103 98 1

HSL 57.06, 0.98%, 0.2%

LAB 40.61, -8.22, 47.16

 

CMYK 0 / 3 / 83 / 53

HEX #787414

RGB 120 116 20

HSL 57.6, 0.71%, 0.27%

LAB 47.67, -9.64, 48.64

 

CMYK 0 / 2 / 72 / 46

HEX #898627

RGB 137 134 39

HSL 58.16, 0.56%, 0.35%

LAB 54.57, -10.76, 48.86

 

CMYK 0 / 1 / 62 / 40

HEX #9A983A

RGB 154 152 58

HSL 58.75, 0.45%, 0.42%

LAB 61.34, -11.63, 48.24

 

CMYK 0 / 1 / 55 / 33

HEX #ABAA4D

RGB 171 170 77

HSL 59.36, 0.38%, 0.49%

LAB 67.98, -12.31, 47.25

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 0 / 1 / 100 / 68

HEX #515000

RGB 81 80 0

HSL 59.26, 1%, 0.16%

LAB 32.89, -8.79, 40.86

 

CMYK 0 / 3 / 100 / 75

HEX #403E00

RGB 64 62 0

HSL 58.13, 1%, 0.13%

LAB 25.37, -6.79, 34.11

 

CMYK 0 / 6 / 100 / 82

HEX #2F2C00

RGB 47 44 0

HSL 56.17, 1%, 0.09%

LAB 17.49, -4.64, 25.07

 

CMYK 0 / 13 / 100 / 88

HEX #1E1A00

RGB 30 26 0

HSL 52, 1%, 0.06%

LAB 9.11, -2.28, 13.59

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 16 / 0 / 94 / 63

HEX #505F06

RGB 80 95 6

HSL 70.11, 0.88%, 0.2%

LAB 37.67, -17.51, 42.62

 

CMYK 32 / 0 / 94 / 63

HEX #415F06

RGB 65 95 6

HSL 80.22, 0.88%, 0.2%

LAB 36.6, -24.3, 41.3

 

CMYK 46 / 0 / 94 / 63

HEX #335F06

RGB 51 95 6

HSL 89.66, 0.88%, 0.2%

LAB 35.79, -29.97, 40.3

 

CMYK 62 / 0 / 94 / 63

HEX #245F06

RGB 36 95 6

HSL 99.78, 0.88%, 0.2%

LAB 35.15, -34.98, 39.49

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 0 / 0 / 94 / 42

HEX #959509

RGB 149 149 9

HSL 60, 0.89%, 0.31%

LAB 59.8, -14.29, 61.95

 

CMYK 0 / 0 / 94 / 22

HEX #C8C80C

RGB 200 200 12

HSL 60, 0.89%, 0.42%

LAB 78.24, -17.83, 77.51

 

CMYK 0 / 0 / 94 / 2

HEX #FBFB0F

RGB 251 251 15

HSL 60, 0.97%, 0.52%

LAB 95.8, -21.18, 92.27

 

CMYK 0 / 0 / 94 / 82

HEX #2F2F03

RGB 47 47 3

HSL 60, 0.88%, 0.1%

LAB 18.56, -6.35, 25.13

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 94 / 0 / 75 / 63

HEX #065F18

RGB 6 95 24

HSL 132.13, 0.88%, 0.2%

LAB 34.58, -39.4, 32.44

 

CMYK 38 / 94 / 0 / 63

HEX #3B065F

RGB 59 6 95

HSL 275.73, 0.88%, 0.2%

LAB 14.88, 39.86, -39.86

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 94 / 0 / 0 / 63

HEX #065F5F

RGB 6 95 95

HSL 180, 0.88%, 0.2%

LAB 36.08, -22.85, -6.75

 

CMYK 0 / 94 / 0 / 63

HEX #5F065F

RGB 95 6 95

HSL 300, 0.88%, 0.2%

LAB 21.54, 46.26, -28.76

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 94 / 0 / 75 / 63

HEX #065F18

RGB 6 95 24

HSL 132.13, 0.88%, 0.2%

LAB 34.58, -39.4, 32.44

 

CMYK 94 / 94 / 0 / 63

HEX #06065F

RGB 6 6 95

HSL 240, 0.88%, 0.2%

LAB 8.95, 35.07, -49.85

 

CMYK 0 / 94 / 19 / 63

HEX #5F064D

RGB 95 6 77

HSL 312.13, 0.88%, 0.2%

LAB 20.44, 43.4, -18.42

 

CMYK 0 / 0 / 94 / 62

HEX #626206

RGB 98 98 6

HSL 60, 0.88%, 0.2%

LAB 40.16, -10.52, 45.27

 

CMYK 94 / 0 / 46 / 63

HEX #065F33

RGB 6 95 51

HSL 150.34, 0.88%, 0.2%

LAB 34.93, -35.15, 18.59

 

CMYK 94 / 94 / 0 / 63

HEX #06065F

RGB 6 6 95

HSL 240, 0.88%, 0.2%

LAB 8.95, 35.07, -49.85

 

CMYK 0 / 94 / 46 / 63

HEX #5F0633

RGB 95 6 51

HSL 329.66, 0.88%, 0.2%

LAB 19.23, 40.13, -2.17

 

Description

Color code: HEX #626206 | qconv.com Color code: HEX #626206 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 98 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 98 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 94 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 94% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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