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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61993B it is the complementary color #9E66C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61993B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #61993B: #669936, #77AB49, #88BD5C, #99CF6F and #AAE182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61993B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #61993B: #61993B, #508728, #3F7515, #2E6302 and #1D5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

Complementary color

CMYK 19 / 48 / 0 / 23

HEX #9E66C4

RGB 158 102 196

HSL 275.74, 0.44%, 0.58%

LAB 52.68, 39.85, -40.58

 

CMYK 33 / 0 / 65 / 40

HEX #669936

RGB 102 153 54

HSL 90.91, 0.48%, 0.41%

LAB 57.92, -33.96, 45.24

 

CMYK 30 / 0 / 57 / 33

HEX #77AB49

RGB 119 171 73

HSL 91.84, 0.4%, 0.48%

LAB 64.59, -34.1, 44.29

 

CMYK 28 / 0 / 51 / 26

HEX #88BD5C

RGB 136 189 92

HSL 92.78, 0.42%, 0.55%

LAB 71.15, -34.14, 43.17

 

CMYK 26 / 0 / 46 / 19

HEX #99CF6F

RGB 153 207 111

HSL 93.75, 0.5%, 0.62%

LAB 77.61, -34.1, 42

 

CMYK 24 / 0 / 42 / 12

HEX #AAE182

RGB 170 225 130

HSL 94.74, 0.61%, 0.7%

LAB 83.97, -34.03, 40.83

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 41 / 0 / 70 / 47

HEX #508728

RGB 80 135 40

HSL 94.74, 0.54%, 0.34%

LAB 50.9, -35.1, 43.45

 

CMYK 46 / 0 / 82 / 54

HEX #3F7515

RGB 63 117 21

HSL 93.75, 0.7%, 0.27%

LAB 43.99, -34.59, 43.51

 

CMYK 54 / 0 / 98 / 61

HEX #2E6302

RGB 46 99 2

HSL 92.78, 0.96%, 0.2%

LAB 36.95, -33.66, 42.32

 

CMYK 64 / 0 / 100 / 68

HEX #1D5100

RGB 29 81 0

HSL 98.52, 1%, 0.16%

LAB 29.78, -31.78, 36.98

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 46 / 0 / 62 / 40

HEX #539A3B

RGB 83 154 59

HSL 104.84, 0.45%, 0.42%

LAB 57.33, -40.52, 42.06

 

CMYK 56 / 0 / 62 / 40

HEX #439A3B

RGB 67 154 59

HSL 114.95, 0.45%, 0.42%

LAB 56.7, -45.23, 41.18

 

CMYK 62 / 0 / 56 / 40

HEX #3B9A43

RGB 59 154 67

HSL 125.05, 0.45%, 0.42%

LAB 56.53, -46.26, 37.07

 

CMYK 62 / 0 / 46 / 40

HEX #3B9A53

RGB 59 154 83

HSL 135.16, 0.45%, 0.42%

LAB 56.75, -43.85, 29.12

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 37 / 0 / 61 / 20

HEX #81CC4F

RGB 129 204 79

HSL 96, 0.55%, 0.55%

LAB 75.09, -44.57, 53.63

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 37 / 0 / 61 / 80

HEX #203314

RGB 32 51 20

HSL 96.77, 0.44%, 0.14%

LAB 18.91, -14.63, 17.12

 

CMYK 36 / 0 / 62 / 60

HEX #416627

RGB 65 102 39

HSL 95.24, 0.45%, 0.28%

LAB 39.2, -25.4, 30.89

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 62 / 0 / 14 / 40

HEX #3B9A85

RGB 59 154 133

HSL 166.74, 0.45%, 0.42%

LAB 57.78, -33.08, 2.77

 

CMYK 0 / 62 / 12 / 40

HEX #9A3B88

RGB 154 59 136

HSL 311.37, 0.45%, 0.42%

LAB 40.86, 48.98, -23.69

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 62 / 36 / 0 / 40

HEX #3B639A

RGB 59 99 154

HSL 214.74, 0.45%, 0.42%

LAB 41.51, 3.62, -34.21

 

CMYK 0 / 62 / 36 / 40

HEX #9A3B63

RGB 154 59 99

HSL 334.74, 0.45%, 0.42%

LAB 39.41, 43.66, -2.96

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 62 / 0 / 14 / 40

HEX #3B9A85

RGB 59 154 133

HSL 166.74, 0.45%, 0.42%

LAB 57.78, -33.08, 2.77

 

CMYK 26 / 62 / 0 / 40

HEX #723B9A

RGB 114 59 154

HSL 274.74, 0.45%, 0.42%

LAB 36.06, 41.77, -42.61

 

CMYK 0 / 62 / 48 / 40

HEX #9A3B50

RGB 154 59 80

HSL 346.74, 0.45%, 0.42%

LAB 38.86, 41.55, 8.21

 

CMYK 37 / 0 / 61 / 40

HEX #61993B

RGB 97 153 59

HSL 95.74, 0.44%, 0.42%

LAB 57.69, -35.32, 42.65

 

CMYK 62 / 5 / 0 / 40

HEX #3B929A

RGB 59 146 154

HSL 185.05, 0.45%, 0.42%

LAB 55.91, -23.27, -12.01

 

CMYK 26 / 62 / 0 / 40

HEX #723B9A

RGB 114 59 154

HSL 274.74, 0.45%, 0.42%

LAB 36.06, 41.77, -42.61

 

CMYK 0 / 56 / 62 / 40

HEX #9A433B

RGB 154 67 59

HSL 5.05, 0.45%, 0.42%

LAB 39.92, 35.77, 22.7

 

Description

Color code: HEX #61993B | qconv.com Color code: HEX #61993B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 153 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 153 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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