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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FDBA3 it is the complementary color #A0245C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FDBA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FDBA3 shade: #64DB9E, #75EDB1, #86FFC4, #97FFD7 and #A8FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FDBA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FDBA3 shade: #5FDBA3, #4EC990, #3DB77D, #2CA56A and #1B9357

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FDBA3 shade: #61DBA4, #61DB83, #61DB62, #81DB61 and #A2DB61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FDBA3 shade: #61DBA4, #61DBC5, #61D0DB, #61B0DB and #618FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FDBA3 shade matches the following richer shades: #61DBA4, #51EBA6 and #42FBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FDBA3 shade: #61DBA4, #71CBA2, #80BCA1, #90AC9F and #A09C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FDBA3 shade: #61DB61, #61DB82, #61DBA2, #61DBC3 and #61D3DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FDBA3 shade: #2BBE7C, #3FD491, #61DBA4, #83E3B7 and #A4EACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FDBA3 shade: #5FDBA3, #6182DB and #DB7161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FDBA3 shade: #5FDBA3, #A261DB and #DBA261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FDBA3 shade: #5FDBA3, #6182DB, #DB619A and #DBBB61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FDBA3 shade: #5FDBA3, #6561DB, #DB619A and #D7DB61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 26 / 14

HEX #5FDBA3

RGB 95 219 163

HSL 152.9, 0.63%, 0.62%

LAB 79.47, -47.52, 17.32

 

Complementary color

CMYK 0 / 78 / 43 / 37

HEX #A0245C

RGB 160 36 92

HSL 332.9, 0.63%, 0.38%

LAB 36.94, 53.83, -2.04

 

CMYK 54 / 0 / 28 / 14

HEX #64DB9E

RGB 100 219 158

HSL 149.24, 0.62%, 0.63%

LAB 79.52, -47.45, 20.05

 

CMYK 51 / 0 / 25 / 7

HEX #75EDB1

RGB 117 237 177

HSL 150, 0.77%, 0.69%

LAB 85.77, -47.36, 18.9

 

CMYK 47 / 0 / 23 / 0

HEX #86FFC4

RGB 134 255 196

HSL 150.74, 1%, 0.76%

LAB 91.94, -47.21, 17.83

 

CMYK 41 / 0 / 16 / 0

HEX #97FFD7

RGB 151 255 215

HSL 156.92, 1%, 0.8%

LAB 93.02, -39.11, 9.69

 

CMYK 34 / 0 / 8 / 0

HEX #A8FFEA

RGB 168 255 234

HSL 165.52, 1%, 0.83%

LAB 94.22, -30.63, 1.73

 

CMYK 57 / 0 / 26 / 14

HEX #5FDBA3

RGB 95 219 163

HSL 152.9, 0.63%, 0.62%

LAB 79.47, -47.52, 17.32

 

CMYK 61 / 0 / 28 / 21

HEX #4EC990

RGB 78 201 144

HSL 152.2, 0.53%, 0.55%

LAB 73.16, -47.46, 18.55

 

CMYK 67 / 0 / 32 / 28

HEX #3DB77D

RGB 61 183 125

HSL 151.48, 0.5%, 0.48%

LAB 66.78, -47.23, 19.88

 

CMYK 73 / 0 / 36 / 35

HEX #2CA56A

RGB 44 165 106

HSL 150.74, 0.58%, 0.41%

LAB 60.33, -46.75, 21.36

 

CMYK 82 / 0 / 41 / 42

HEX #1B9357

RGB 27 147 87

HSL 150, 0.69%, 0.34%

LAB 53.8, -45.88, 22.99

 

CMYK 56 / 0 / 25 / 14

HEX #61DBA4

RGB 97 219 164

HSL 152.95, 0.63%, 0.62%

LAB 79.55, -46.89, 16.92

 

CMYK 56 / 0 / 40 / 14

HEX #61DB83

RGB 97 219 131

HSL 136.72, 0.63%, 0.62%

LAB 78.95, -53.09, 33.21

 

CMYK 56 / 0 / 55 / 14

HEX #61DB62

RGB 97 219 98

HSL 120.49, 0.63%, 0.62%

LAB 78.51, -57.86, 48.73

 

CMYK 41 / 0 / 56 / 14

HEX #81DB61

RGB 129 219 97

HSL 104.26, 0.63%, 0.62%

LAB 79.72, -49.03, 50.92

 

CMYK 26 / 0 / 56 / 14

HEX #A2DB61

RGB 162 219 97

HSL 88.03, 0.63%, 0.62%

LAB 81.41, -37.84, 53.31

 

CMYK 56 / 0 / 25 / 14

HEX #61DBA4

RGB 97 219 164

HSL 152.95, 0.63%, 0.62%

LAB 79.55, -46.89, 16.92

 

CMYK 56 / 0 / 10 / 14

HEX #61DBC5

RGB 97 219 197

HSL 169.18, 0.63%, 0.62%

LAB 80.31, -39.39, 0.51

 

CMYK 56 / 5 / 0 / 14

HEX #61D0DB

RGB 97 208 219

HSL 185.41, 0.63%, 0.62%

LAB 77.74, -28.5, -15.08

 

CMYK 56 / 20 / 0 / 14

HEX #61B0DB

RGB 97 176 219

HSL 201.15, 0.63%, 0.62%

LAB 68.54, -12.11, -29.08

 

CMYK 56 / 35 / 0 / 14

HEX #618FDB

RGB 97 143 219

HSL 217.38, 0.63%, 0.62%

LAB 59.25, 6.49, -43.55

 

CMYK 56 / 0 / 25 / 14

HEX #61DBA4

RGB 97 219 164

HSL 152.95, 0.63%, 0.62%

LAB 79.55, -46.89, 16.92

 

CMYK 66 / 0 / 29 / 8

HEX #51EBA6

RGB 81 235 166

HSL 153.12, 0.79%, 0.62%

LAB 83.92, -56.06, 21.88

 

CMYK 74 / 0 / 33 / 2

HEX #42FBA7

RGB 66 251 167

HSL 152.76, 0.96%, 0.62%

LAB 88.42, -64.12, 27.47

 

CMYK 56 / 0 / 25 / 14

HEX #61DBA4

RGB 97 219 164

HSL 152.95, 0.63%, 0.62%

LAB 79.55, -46.89, 16.92

 

CMYK 44 / 0 / 20 / 20

HEX #71CBA2

RGB 113 203 162

HSL 152.67, 0.46%, 0.62%

LAB 75.35, -36.42, 12.16

 

CMYK 32 / 0 / 14 / 26

HEX #80BCA1

RGB 128 188 161

HSL 153, 0.31%, 0.62%

LAB 71.64, -25.22, 7.53

 

CMYK 16 / 0 / 8 / 33

HEX #90AC9F

RGB 144 172 159

HSL 152.14, 0.14%, 0.62%

LAB 67.97, -12.28, 3.47

 

CMYK 0 / 2 / 1 / 37

HEX #A09C9E

RGB 160 156 158

HSL 330, 0.02%, 0.62%

LAB 64.74, 1.83, -0.54

 

CMYK 56 / 0 / 56 / 14

HEX #61DB61

RGB 97 219 97

HSL 120, 0.63%, 0.62%

LAB 78.5, -57.99, 49.17

 

CMYK 56 / 0 / 41 / 14

HEX #61DB82

RGB 97 219 130

HSL 136.23, 0.63%, 0.62%

LAB 78.94, -53.26, 33.7

 

CMYK 56 / 0 / 26 / 14

HEX #61DBA2

RGB 97 219 162

HSL 151.97, 0.63%, 0.62%

LAB 79.51, -47.3, 17.91

 

CMYK 56 / 0 / 11 / 14

HEX #61DBC3

RGB 97 219 195

HSL 168.2, 0.63%, 0.62%

LAB 80.26, -39.87, 1.5

 

CMYK 56 / 4 / 0 / 14

HEX #61D3DB

RGB 97 211 219

HSL 183.93, 0.63%, 0.62%

LAB 78.6, -29.95, -13.78

 

CMYK 77 / 0 / 35 / 25

HEX #2BBE7C

RGB 43 190 124

HSL 153.06, 0.63%, 0.46%

LAB 68.6, -52.87, 22.84

 

CMYK 70 / 0 / 32 / 17

HEX #3FD491

RGB 63 212 145

HSL 153.02, 0.63%, 0.54%

LAB 76.18, -54.27, 22.12

 

CMYK 56 / 0 / 25 / 14

HEX #61DBA4

RGB 97 219 164

HSL 152.95, 0.63%, 0.62%

LAB 79.55, -46.89, 16.92

 

CMYK 42 / 0 / 19 / 11

HEX #83E3B7

RGB 131 227 183

HSL 152.5, 0.63%, 0.7%

LAB 83.54, -38.26, 12.72

 

CMYK 30 / 0 / 13 / 8

HEX #A4EACB

RGB 164 234 203

HSL 153.43, 0.63%, 0.78%

LAB 87.51, -28.21, 8.11

 

CMYK 57 / 0 / 26 / 14

HEX #5FDBA3

RGB 95 219 163

HSL 152.9, 0.63%, 0.62%

LAB 79.47, -47.52, 17.32

 

CMYK 56 / 41 / 0 / 14

HEX #6182DB

RGB 97 130 219

HSL 223.77, 0.63%, 0.62%

LAB 55.71, 14.24, -49.17

 

CMYK 0 / 48 / 56 / 14

HEX #DB7161

RGB 219 113 97

HSL 7.87, 0.63%, 0.62%

LAB 59.65, 39.92, 27.83

 

CMYK 57 / 0 / 26 / 14

HEX #5FDBA3

RGB 95 219 163

HSL 152.9, 0.63%, 0.62%

LAB 79.47, -47.52, 17.32

 

CMYK 26 / 56 / 0 / 14

HEX #A261DB

RGB 162 97 219

HSL 271.97, 0.63%, 0.62%

LAB 53.33, 48.88, -52.64

 

CMYK 0 / 26 / 56 / 14

HEX #DBA261

RGB 219 162 97

HSL 31.97, 0.63%, 0.62%

LAB 70.71, 13.9, 41.73

 

CMYK 57 / 0 / 26 / 14

HEX #5FDBA3

RGB 95 219 163

HSL 152.9, 0.63%, 0.62%

LAB 79.47, -47.52, 17.32

 

CMYK 56 / 41 / 0 / 14

HEX #6182DB

RGB 97 130 219

HSL 223.77, 0.63%, 0.62%

LAB 55.71, 14.24, -49.17

 

CMYK 0 / 56 / 30 / 14

HEX #DB619A

RGB 219 97 154

HSL 331.97, 0.63%, 0.62%

LAB 57.98, 53.67, -7.47

 

CMYK 0 / 15 / 56 / 14

HEX #DBBB61

RGB 219 187 97

HSL 44.26, 0.63%, 0.62%

LAB 76.96, 0.62, 49.2

 

CMYK 57 / 0 / 26 / 14

HEX #5FDBA3

RGB 95 219 163

HSL 152.9, 0.63%, 0.62%

LAB 79.47, -47.52, 17.32

 

CMYK 54 / 56 / 0 / 14

HEX #6561DB

RGB 101 97 219

HSL 241.97, 0.63%, 0.62%

LAB 47.53, 35.12, -62.25

 

CMYK 0 / 56 / 30 / 14

HEX #DB619A

RGB 219 97 154

HSL 331.97, 0.63%, 0.62%

LAB 57.98, 53.67, -7.47

 

CMYK 2 / 0 / 56 / 14

HEX #D7DB61

RGB 215 219 97

HSL 61.97, 0.63%, 0.62%

LAB 84.98, -17.32, 58.34

 

Description

Color code: HEX #5FDBA3 | qconv.com Color code: HEX #5FDBA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 219 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 219 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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