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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E90FC it is the complementary color #A16F03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E90FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E90FC shade: #6390F7, #74A2FF, #85B4FF, #96C6FF and #A7D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E90FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E90FC shade: #5E90FC, #4D7EE9, #3C6CD6, #2B5AC3 and #1A48B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E90FC shade: #5F91FC, #5F66FC, #825FFC, #AC5FFC and #D65FFC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E90FC shade: #5F91FC, #5F66FC and #5F5FFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E90FC shade matches the following richer shades: #5F91FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E90FC shade: #5F91FC, #6C95EF, #799AE1, #879FD4 and #94A4C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E90FC shade: #5FE4FC, #5FBAFC, #5F91FC, #5F67FC and #815FFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E90FC shade: #0E59FA, #3775FB, #5F91FC, #87ADFD and #B0C8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E90FC shade: #5E90FC, #E95FFC and #CFFC5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E90FC shade: #5E90FC, #FC5F91 and #91FC5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E90FC shade: #5E90FC, #E95FFC, #FCCA5F and #71FC5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E90FC shade: #5E90FC, #FC5FDF, #FCCA5F and #5FFC7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 43 / 0 / 1

HEX #5E90FC

RGB 94 144 252

HSL 221.01, 0.96%, 0.68%

LAB 61.09, 16.12, -58.9

 

Complementary color

CMYK 0 / 31 / 98 / 37

HEX #A16F03

RGB 161 111 3

HSL 41.01, 0.96%, 0.32%

LAB 50.63, 12.15, 56.78

 

CMYK 60 / 42 / 0 / 3

HEX #6390F7

RGB 99 144 247

HSL 221.76, 0.9%, 0.68%

LAB 61.06, 15.35, -56.2

 

CMYK 55 / 36 / 0 / 0

HEX #74A2FF

RGB 116 162 255

HSL 220.14, 1%, 0.73%

LAB 67.11, 10.68, -50.92

 

CMYK 48 / 29 / 0 / 0

HEX #85B4FF

RGB 133 180 255

HSL 216.89, 1%, 0.76%

LAB 72.79, 4.19, -41.93

 

CMYK 41 / 22 / 0 / 0

HEX #96C6FF

RGB 150 198 255

HSL 212.57, 1%, 0.79%

LAB 78.52, -1.57, -32.97

 

CMYK 35 / 15 / 0 / 0

HEX #A7D8FF

RGB 167 216 255

HSL 206.59, 1%, 0.83%

LAB 84.25, -6.7, -24.11

 

CMYK 63 / 43 / 0 / 1

HEX #5E90FC

RGB 94 144 252

HSL 221.01, 0.96%, 0.68%

LAB 61.09, 16.12, -58.9

 

CMYK 67 / 46 / 0 / 9

HEX #4D7EE9

RGB 77 126 233

HSL 221.15, 0.78%, 0.61%

LAB 54.43, 17.76, -59.1

 

CMYK 72 / 50 / 0 / 16

HEX #3C6CD6

RGB 60 108 214

HSL 221.3, 0.65%, 0.54%

LAB 47.68, 19.74, -59.3

 

CMYK 78 / 54 / 0 / 24

HEX #2B5AC3

RGB 43 90 195

HSL 221.45, 0.64%, 0.47%

LAB 40.84, 22.17, -59.46

 

CMYK 85 / 59 / 0 / 31

HEX #1A48B0

RGB 26 72 176

HSL 221.6, 0.74%, 0.4%

LAB 33.96, 25.18, -59.52

 

CMYK 62 / 42 / 0 / 1

HEX #5F91FC

RGB 95 145 252

HSL 220.89, 0.96%, 0.68%

LAB 61.4, 15.69, -58.4

 

CMYK 62 / 60 / 0 / 1

HEX #5F66FC

RGB 95 102 252

HSL 237.32, 0.96%, 0.68%

LAB 50.64, 41.59, -75.76

 

CMYK 48 / 62 / 0 / 1

HEX #825FFC

RGB 130 95 252

HSL 253.38, 0.96%, 0.68%

LAB 51.79, 51.49, -73.77

 

CMYK 32 / 62 / 0 / 1

HEX #AC5FFC

RGB 172 95 252

HSL 269.43, 0.96%, 0.68%

LAB 56.07, 59.86, -66.64

 

CMYK 15 / 62 / 0 / 1

HEX #D65FFC

RGB 214 95 252

HSL 285.48, 0.96%, 0.68%

LAB 61.23, 69.11, -58.08

 

CMYK 62 / 42 / 0 / 1

HEX #5F91FC

RGB 95 145 252

HSL 220.89, 0.96%, 0.68%

LAB 61.4, 15.69, -58.4

 

CMYK 62 / 60 / 0 / 1

HEX #5F66FC

RGB 95 102 252

HSL 237.32, 0.96%, 0.68%

LAB 50.64, 41.59, -75.76

 

CMYK 62 / 62 / 0 / 1

HEX #5F5FFC

RGB 95 95 252

HSL 240, 0.96%, 0.68%

LAB 49.06, 45.71, -78.33

 

CMYK 62 / 42 / 0 / 1

HEX #5F91FC

RGB 95 145 252

HSL 220.89, 0.96%, 0.68%

LAB 61.4, 15.69, -58.4

 

CMYK 62 / 42 / 0 / 1

HEX #5F91FC

RGB 95 145 252

HSL 220.89, 0.96%, 0.68%

LAB 61.4, 15.69, -58.4

 

CMYK 55 / 38 / 0 / 6

HEX #6C95EF

RGB 108 149 239

HSL 221.22, 0.8%, 0.68%

LAB 62.44, 11.59, -49.58

 

CMYK 46 / 32 / 0 / 12

HEX #799AE1

RGB 121 154 225

HSL 220.96, 0.63%, 0.68%

LAB 63.85, 7.37, -39.58

 

CMYK 36 / 25 / 0 / 17

HEX #879FD4

RGB 135 159 212

HSL 221.3, 0.47%, 0.68%

LAB 65.51, 4.53, -29.72

 

CMYK 26 / 18 / 0 / 22

HEX #94A4C7

RGB 148 164 199

HSL 221.18, 0.31%, 0.68%

LAB 67.25, 2.23, -19.77

 

CMYK 62 / 10 / 0 / 1

HEX #5FE4FC

RGB 95 228 252

HSL 189.17, 0.96%, 0.68%

LAB 84.46, -29.29, -22.49

 

CMYK 62 / 26 / 0 / 1

HEX #5FBAFC

RGB 95 186 252

HSL 205.22, 0.96%, 0.68%

LAB 72.61, -7.73, -40.71

 

CMYK 62 / 42 / 0 / 1

HEX #5F91FC

RGB 95 145 252

HSL 220.89, 0.96%, 0.68%

LAB 61.4, 15.69, -58.4

 

CMYK 62 / 59 / 0 / 1

HEX #5F67FC

RGB 95 103 252

HSL 236.94, 0.96%, 0.68%

LAB 50.88, 40.99, -75.38

 

CMYK 49 / 62 / 0 / 1

HEX #815FFC

RGB 129 95 252

HSL 252.99, 0.96%, 0.68%

LAB 51.7, 51.31, -73.92

 

CMYK 94 / 64 / 0 / 2

HEX #0E59FA

RGB 14 89 250

HSL 220.93, 0.96%, 0.52%

LAB 44.43, 41.82, -84.93

 

CMYK 78 / 53 / 0 / 2

HEX #3775FB

RGB 55 117 251

HSL 221.02, 0.96%, 0.6%

LAB 52.4, 27.03, -72.43

 

CMYK 62 / 42 / 0 / 1

HEX #5F91FC

RGB 95 145 252

HSL 220.89, 0.96%, 0.68%

LAB 61.4, 15.69, -58.4

 

CMYK 47 / 32 / 0 / 1

HEX #87ADFD

RGB 135 173 253

HSL 220.68, 0.97%, 0.76%

LAB 70.96, 8.01, -43.7

 

CMYK 30 / 21 / 0 / 1

HEX #B0C8FD

RGB 176 200 253

HSL 221.3, 0.95%, 0.84%

LAB 80.53, 3.79, -28.67

 

CMYK 63 / 43 / 0 / 1

HEX #5E90FC

RGB 94 144 252

HSL 221.01, 0.96%, 0.68%

LAB 61.09, 16.12, -58.9

 

CMYK 8 / 62 / 0 / 1

HEX #E95FFC

RGB 233 95 252

HSL 292.74, 0.96%, 0.68%

LAB 63.78, 73.43, -53.86

 

CMYK 18 / 0 / 62 / 1

HEX #CFFC5F

RGB 207 252 95

HSL 77.2, 0.96%, 0.68%

LAB 93.33, -36.19, 68.21

 

CMYK 63 / 43 / 0 / 1

HEX #5E90FC

RGB 94 144 252

HSL 221.01, 0.96%, 0.68%

LAB 61.09, 16.12, -58.9

 

CMYK 0 / 62 / 42 / 1

HEX #FC5F91

RGB 252 95 145

HSL 340.89, 0.96%, 0.68%

LAB 62.44, 63.75, 4.88

 

CMYK 42 / 0 / 62 / 1

HEX #91FC5F

RGB 145 252 95

HSL 100.89, 0.96%, 0.68%

LAB 90.08, -57.53, 63.73

 

CMYK 63 / 43 / 0 / 1

HEX #5E90FC

RGB 94 144 252

HSL 221.01, 0.96%, 0.68%

LAB 61.09, 16.12, -58.9

 

CMYK 8 / 62 / 0 / 1

HEX #E95FFC

RGB 233 95 252

HSL 292.74, 0.96%, 0.68%

LAB 63.78, 73.43, -53.86

 

CMYK 0 / 20 / 62 / 1

HEX #FCCA5F

RGB 252 202 95

HSL 40.89, 0.96%, 0.68%

LAB 83.84, 6.36, 58.84

 

CMYK 55 / 0 / 62 / 1

HEX #71FC5F

RGB 113 252 95

HSL 113.12, 0.96%, 0.68%

LAB 88.9, -66.3, 62.1

 

CMYK 63 / 43 / 0 / 1

HEX #5E90FC

RGB 94 144 252

HSL 221.01, 0.96%, 0.68%

LAB 61.09, 16.12, -58.9

 

CMYK 0 / 62 / 12 / 1

HEX #FC5FDF

RGB 252 95 223

HSL 311.08, 0.96%, 0.68%

LAB 65.13, 73.33, -35.48

 

CMYK 0 / 20 / 62 / 1

HEX #FCCA5F

RGB 252 202 95

HSL 40.89, 0.96%, 0.68%

LAB 83.84, 6.36, 58.84

 

CMYK 62 / 0 / 51 / 1

HEX #5FFC7C

RGB 95 252 124

HSL 131.08, 0.96%, 0.68%

LAB 88.69, -66.91, 48.95

 

Description

Color code: HEX #5E90FC | qconv.com Color code: HEX #5E90FC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 144 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 144 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 43 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 43% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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