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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E86C0 it is the complementary color #A1793F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E86C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E86C0 shade: #6386BB, #7498CE, #85AAE1, #96BCF4 and #A7CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E86C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E86C0 shade: #5E86C0, #4D74AD, #3C629A, #2B5087 and #1A3E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E86C0 shade: #5D86C0, #5D6BC0, #6A5DC0, #855DC0 and #A05DC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E86C0 shade: #5D86C0, #5D6BC0 and #5D5DC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E86C0 shade matches the following richer shades: #5D86C0, #4B82D2, #397FE4 and #277CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E86C0 shade: #5D86C0, #7089AE, #828C9C, #94908A and #A69378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E86C0 shade: #5DBBC0, #5DA1C0, #5D87C0, #5D6CC0 and #695DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E86C0 shade: #395D92, #4470B0, #5D86C0, #7B9CCC and #99B2D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E86C0 shade: #5E86C0, #AB5DC0 and #AEC05D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E86C0 shade: #5E86C0, #C05D87 and #87C05D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E86C0 shade: #5E86C0, #AB5DC0, #C0975D and #73C05D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E86C0 shade: #5E86C0, #C05DB8, #C0975D and #5DC066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 30 / 0 / 25

HEX #5E86C0

RGB 94 134 192

HSL 215.51, 0.44%, 0.56%

LAB 55.31, 2.63, -34.53

 

Complementary color

CMYK 0 / 25 / 61 / 37

HEX #A1793F

RGB 161 121 63

HSL 35.51, 0.44%, 0.44%

LAB 53.61, 8.94, 37.34

 

CMYK 47 / 28 / 0 / 27

HEX #6386BB

RGB 99 134 187

HSL 216.14, 0.39%, 0.56%

LAB 55.37, 2.31, -31.57

 

CMYK 44 / 26 / 0 / 19

HEX #7498CE

RGB 116 152 206

HSL 216, 0.48%, 0.63%

LAB 62.19, 1.78, -31.62

 

CMYK 41 / 24 / 0 / 12

HEX #85AAE1

RGB 133 170 225

HSL 215.87, 0.61%, 0.7%

LAB 68.88, 1.33, -31.7

 

CMYK 39 / 23 / 0 / 4

HEX #96BCF4

RGB 150 188 244

HSL 215.74, 0.81%, 0.77%

LAB 75.44, 0.94, -31.81

 

CMYK 35 / 19 / 0 / 0

HEX #A7CEFF

RGB 167 206 255

HSL 213.41, 1%, 0.83%

LAB 81.61, -1.42, -28.14

 

CMYK 51 / 30 / 0 / 25

HEX #5E86C0

RGB 94 134 192

HSL 215.51, 0.44%, 0.56%

LAB 55.31, 2.63, -34.53

 

CMYK 55 / 33 / 0 / 32

HEX #4D74AD

RGB 77 116 173

HSL 215.63, 0.38%, 0.49%

LAB 48.37, 3.43, -34.55

 

CMYK 61 / 36 / 0 / 40

HEX #3C629A

RGB 60 98 154

HSL 215.74, 0.44%, 0.42%

LAB 41.26, 4.46, -34.6

 

CMYK 68 / 41 / 0 / 47

HEX #2B5087

RGB 43 80 135

HSL 215.87, 0.52%, 0.35%

LAB 33.98, 5.83, -34.69

 

CMYK 78 / 47 / 0 / 55

HEX #1A3E74

RGB 26 62 116

HSL 216, 0.63%, 0.28%

LAB 26.52, 7.75, -34.79

 

CMYK 52 / 30 / 0 / 25

HEX #5D86C0

RGB 93 134 192

HSL 215.15, 0.44%, 0.56%

LAB 55.26, 2.39, -34.62

 

CMYK 52 / 44 / 0 / 25

HEX #5D6BC0

RGB 93 107 192

HSL 231.52, 0.44%, 0.56%

LAB 47.81, 18.76, -46.37

 

CMYK 45 / 52 / 0 / 25

HEX #6A5DC0

RGB 106 93 192

HSL 247.88, 0.44%, 0.56%

LAB 45.22, 30.38, -50.47

 

CMYK 31 / 52 / 0 / 25

HEX #855DC0

RGB 133 93 192

HSL 264.24, 0.44%, 0.56%

LAB 47.78, 37.13, -46.23

 

CMYK 17 / 52 / 0 / 25

HEX #A05DC0

RGB 160 93 192

HSL 280.61, 0.44%, 0.56%

LAB 50.81, 44.41, -41.22

 

CMYK 52 / 30 / 0 / 25

HEX #5D86C0

RGB 93 134 192

HSL 215.15, 0.44%, 0.56%

LAB 55.26, 2.39, -34.62

 

CMYK 52 / 44 / 0 / 25

HEX #5D6BC0

RGB 93 107 192

HSL 231.52, 0.44%, 0.56%

LAB 47.81, 18.76, -46.37

 

CMYK 52 / 52 / 0 / 25

HEX #5D5DC0

RGB 93 93 192

HSL 240, 0.44%, 0.56%

LAB 44.18, 27.44, -52.19

 

CMYK 52 / 30 / 0 / 25

HEX #5D86C0

RGB 93 134 192

HSL 215.15, 0.44%, 0.56%

LAB 55.26, 2.39, -34.62

 

CMYK 64 / 38 / 0 / 18

HEX #4B82D2

RGB 75 130 210

HSL 215.56, 0.6%, 0.56%

LAB 54.15, 7.02, -46.64

 

CMYK 75 / 44 / 0 / 11

HEX #397FE4

RGB 57 127 228

HSL 215.44, 0.76%, 0.56%

LAB 53.65, 12.61, -57.59

 

CMYK 84 / 50 / 0 / 3

HEX #277CF7

RGB 39 124 247

HSL 215.48, 0.93%, 0.56%

LAB 53.56, 19.82, -68.36

 

CMYK 52 / 30 / 0 / 25

HEX #5D86C0

RGB 93 134 192

HSL 215.15, 0.44%, 0.56%

LAB 55.26, 2.39, -34.62

 

CMYK 36 / 21 / 0 / 32

HEX #7089AE

RGB 112 137 174

HSL 215.81, 0.28%, 0.56%

LAB 56.48, 0.38, -22.37

 

CMYK 17 / 10 / 0 / 39

HEX #828C9C

RGB 130 140 156

HSL 216.92, 0.12%, 0.56%

LAB 57.94, -0.15, -9.72

 

CMYK 0 / 3 / 7 / 42

HEX #94908A

RGB 148 144 138

HSL 36, 0.04%, 0.56%

LAB 59.96, 0.35, 3.7

 

CMYK 0 / 11 / 28 / 35

HEX #A69378

RGB 166 147 120

HSL 35.22, 0.21%, 0.56%

LAB 61.94, 2.78, 16.9

 

CMYK 52 / 3 / 0 / 25

HEX #5DBBC0

RGB 93 187 192

HSL 183.03, 0.44%, 0.56%

LAB 70.65, -26.37, -11.08

 

CMYK 52 / 16 / 0 / 25

HEX #5DA1C0

RGB 93 161 192

HSL 198.79, 0.44%, 0.56%

LAB 63.03, -12.88, -22.6

 

CMYK 52 / 30 / 0 / 25

HEX #5D87C0

RGB 93 135 192

HSL 214.55, 0.44%, 0.56%

LAB 55.54, 1.8, -34.17

 

CMYK 52 / 44 / 0 / 25

HEX #5D6CC0

RGB 93 108 192

HSL 230.91, 0.44%, 0.56%

LAB 48.08, 18.14, -45.95

 

CMYK 45 / 52 / 0 / 25

HEX #695DC0

RGB 105 93 192

HSL 247.27, 0.44%, 0.56%

LAB 45.13, 30.14, -50.61

 

CMYK 61 / 36 / 0 / 43

HEX #395D92

RGB 57 93 146

HSL 215.73, 0.44%, 0.4%

LAB 39.2, 4.18, -33.07

 

CMYK 61 / 36 / 0 / 31

HEX #4470B0

RGB 68 112 176

HSL 215.56, 0.44%, 0.48%

LAB 46.91, 4.99, -38.62

 

CMYK 52 / 30 / 0 / 25

HEX #5D86C0

RGB 93 134 192

HSL 215.15, 0.44%, 0.56%

LAB 55.26, 2.39, -34.62

 

CMYK 40 / 24 / 0 / 20

HEX #7B9CCC

RGB 123 156 204

HSL 215.56, 0.44%, 0.64%

LAB 63.63, 0.78, -28.25

 

CMYK 29 / 17 / 0 / 16

HEX #99B2D7

RGB 153 178 215

HSL 215.81, 0.44%, 0.72%

LAB 71.91, -0.12, -21.47

 

CMYK 51 / 30 / 0 / 25

HEX #5E86C0

RGB 94 134 192

HSL 215.51, 0.44%, 0.56%

LAB 55.31, 2.63, -34.53

 

CMYK 11 / 52 / 0 / 25

HEX #AB5DC0

RGB 171 93 192

HSL 287.27, 0.44%, 0.56%

LAB 52.17, 47.46, -39

 

CMYK 9 / 0 / 52 / 25

HEX #AEC05D

RGB 174 192 93

HSL 70.91, 0.44%, 0.56%

LAB 74.5, -20.84, 47.29

 

CMYK 51 / 30 / 0 / 25

HEX #5E86C0

RGB 94 134 192

HSL 215.51, 0.44%, 0.56%

LAB 55.31, 2.63, -34.53

 

CMYK 0 / 52 / 30 / 25

HEX #C05D87

RGB 192 93 135

HSL 334.55, 0.44%, 0.56%

LAB 52.71, 44.35, -4.57

 

CMYK 30 / 0 / 52 / 25

HEX #87C05D

RGB 135 192 93

HSL 94.55, 0.44%, 0.56%

LAB 71.99, -35.76, 43.68

 

CMYK 51 / 30 / 0 / 25

HEX #5E86C0

RGB 94 134 192

HSL 215.51, 0.44%, 0.56%

LAB 55.31, 2.63, -34.53

 

CMYK 11 / 52 / 0 / 25

HEX #AB5DC0

RGB 171 93 192

HSL 287.27, 0.44%, 0.56%

LAB 52.17, 47.46, -39

 

CMYK 0 / 21 / 52 / 25

HEX #C0975D

RGB 192 151 93

HSL 35.15, 0.44%, 0.56%

LAB 65.07, 8.21, 36.22

 

CMYK 40 / 0 / 52 / 25

HEX #73C05D

RGB 115 192 93

HSL 106.67, 0.44%, 0.56%

LAB 70.96, -42.56, 42.2

 

CMYK 51 / 30 / 0 / 25

HEX #5E86C0

RGB 94 134 192

HSL 215.51, 0.44%, 0.56%

LAB 55.31, 2.63, -34.53

 

CMYK 0 / 52 / 4 / 25

HEX #C05DB8

RGB 192 93 184

HSL 304.85, 0.44%, 0.56%

LAB 54.55, 51.9, -30.45

 

CMYK 0 / 21 / 52 / 25

HEX #C0975D

RGB 192 151 93

HSL 35.15, 0.44%, 0.56%

LAB 65.07, 8.21, 36.22

 

CMYK 52 / 0 / 47 / 25

HEX #5DC066

RGB 93 192 102

HSL 125.45, 0.44%, 0.56%

LAB 70.17, -47.82, 36.56

 

Description

Color code: HEX #5E86C0 | qconv.com Color code: HEX #5E86C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 134 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 134 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 30 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 30% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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