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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3CC9 it is the complementary color #A1C336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3CC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3CC9 shade: #633CC4, #744ED7, #8560EA, #9672FD and #A784FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3CC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3CC9 shade: #5E3CC9, #4D2AB6, #3C18A3, #2B0690 and #1A007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3CC9 shade: #5D3BC9, #843BC9, #AA3BC9, #C93BC2 and #C93B9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3CC9 shade: #5D3BC9 and #3B3BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3CC9 shade matches the following richer shades: #5D3BC9, #5327DD and #4812F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3CC9 shade: #5D3BC9, #684FB5, #7263A1, #7D778D and #878C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3CC9 shade: #3B66C9, #3B40C9, #5C3BC9, #823BC9 and #A83BC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3CC9 shade: #3F268B, #4D2FAC, #5D3BC9, #785BD2 and #937CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3CC9 shade: #5E3CC9, #C93B8C and #53C93B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3CC9 shade: #5E3CC9, #C95C3B and #3BC95C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3CC9 shade: #5E3CC9, #C93B8C, #A8C93B and #3BC979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3CC9 shade: #5E3CC9, #C93B61, #A8C93B and #3BC9A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 70 / 0 / 21

HEX #5E3CC9

RGB 94 60 201

HSL 254.47, 0.57%, 0.51%

LAB 37.53, 49.72, -68.2

 

Complementary color

CMYK 17 / 0 / 72 / 24

HEX #A1C336

RGB 161 195 54

HSL 74.47, 0.57%, 0.49%

LAB 74.11, -30.43, 63.07

 

CMYK 49 / 69 / 0 / 23

HEX #633CC4

RGB 99 60 196

HSL 257.21, 0.54%, 0.5%

LAB 37.61, 49.12, -65.14

 

CMYK 46 / 64 / 0 / 16

HEX #744ED7

RGB 116 78 215

HSL 256.64, 0.63%, 0.57%

LAB 44.33, 47.84, -65.1

 

CMYK 43 / 59 / 0 / 8

HEX #8560EA

RGB 133 96 234

HSL 256.09, 0.77%, 0.65%

LAB 51.03, 46.56, -64.94

 

CMYK 41 / 55 / 0 / 1

HEX #9672FD

RGB 150 114 253

HSL 255.54, 0.97%, 0.72%

LAB 57.67, 45.32, -64.74

 

CMYK 35 / 48 / 0 / 0

HEX #A784FF

RGB 167 132 255

HSL 257.07, 1%, 0.76%

LAB 63.29, 39.78, -56.75

 

CMYK 53 / 70 / 0 / 21

HEX #5E3CC9

RGB 94 60 201

HSL 254.47, 0.57%, 0.51%

LAB 37.53, 49.72, -68.2

 

CMYK 58 / 77 / 0 / 29

HEX #4D2AB6

RGB 77 42 182

HSL 255, 0.63%, 0.44%

LAB 30.9, 50.95, -67.97

 

CMYK 63 / 85 / 0 / 36

HEX #3C18A3

RGB 60 24 163

HSL 255.54, 0.74%, 0.37%

LAB 24.51, 51.6, -67.17

 

CMYK 70 / 96 / 0 / 44

HEX #2B0690

RGB 43 6 144

HSL 256.09, 0.92%, 0.29%

LAB 18.62, 50.93, -65.31

 

CMYK 79 / 100 / 0 / 51

HEX #1A007D

RGB 26 0 125

HSL 252.48, 1%, 0.25%

LAB 13.83, 47.18, -61.33

 

CMYK 54 / 71 / 0 / 21

HEX #5D3BC9

RGB 93 59 201

HSL 254.37, 0.57%, 0.51%

LAB 37.25, 50.09, -68.67

 

CMYK 34 / 71 / 0 / 21

HEX #843BC9

RGB 132 59 201

HSL 270.85, 0.57%, 0.51%

LAB 41.61, 56.9, -61.37

 

CMYK 15 / 71 / 0 / 21

HEX #AA3BC9

RGB 170 59 201

HSL 286.9, 0.57%, 0.51%

LAB 46.83, 64.56, -52.68

 

CMYK 0 / 71 / 3 / 21

HEX #C93BC2

RGB 201 59 194

HSL 302.96, 0.57%, 0.51%

LAB 51.2, 70.06, -41.39

 

CMYK 0 / 71 / 22 / 21

HEX #C93B9C

RGB 201 59 156

HSL 319.01, 0.57%, 0.51%

LAB 49.43, 64.54, -21.87

 

CMYK 54 / 71 / 0 / 21

HEX #5D3BC9

RGB 93 59 201

HSL 254.37, 0.57%, 0.51%

LAB 37.25, 50.09, -68.67

 

CMYK 71 / 71 / 0 / 21

HEX #3B3BC9

RGB 59 59 201

HSL 240, 0.57%, 0.51%

LAB 34.55, 45.61, -73.2

 

CMYK 54 / 71 / 0 / 21

HEX #5D3BC9

RGB 93 59 201

HSL 254.37, 0.57%, 0.51%

LAB 37.25, 50.09, -68.67

 

CMYK 62 / 82 / 0 / 13

HEX #5327DD

RGB 83 39 221

HSL 254.51, 0.73%, 0.51%

LAB 35.02, 63.67, -83.93

 

CMYK 70 / 93 / 0 / 5

HEX #4812F2

RGB 72 18 242

HSL 254.46, 0.9%, 0.51%

LAB 34.44, 74.51, -96.9

 

CMYK 54 / 71 / 0 / 21

HEX #5D3BC9

RGB 93 59 201

HSL 254.37, 0.57%, 0.51%

LAB 37.25, 50.09, -68.67

 

CMYK 43 / 56 / 0 / 29

HEX #684FB5

RGB 104 79 181

HSL 254.71, 0.41%, 0.51%

LAB 41.01, 35.12, -50.81

 

CMYK 29 / 39 / 0 / 37

HEX #7263A1

RGB 114 99 161

HSL 254.52, 0.25%, 0.51%

LAB 45.74, 20.15, -31.45

 

CMYK 11 / 16 / 0 / 45

HEX #7D778D

RGB 125 119 141

HSL 256.36, 0.09%, 0.51%

LAB 51.24, 6.88, -11.12

 

CMYK 4 / 0 / 14 / 45

HEX #878C78

RGB 135 140 120

HSL 75, 0.08%, 0.51%

LAB 57.33, -5.59, 10.07

 

CMYK 71 / 49 / 0 / 21

HEX #3B66C9

RGB 59 102 201

HSL 221.83, 0.57%, 0.51%

LAB 45.15, 18.67, -55.93

 

CMYK 71 / 68 / 0 / 21

HEX #3B40C9

RGB 59 64 201

HSL 237.89, 0.57%, 0.51%

LAB 35.62, 42.67, -71.44

 

CMYK 54 / 71 / 0 / 21

HEX #5C3BC9

RGB 92 59 201

HSL 253.94, 0.57%, 0.51%

LAB 37.15, 49.93, -68.83

 

CMYK 35 / 71 / 0 / 21

HEX #823BC9

RGB 130 59 201

HSL 270, 0.57%, 0.51%

LAB 41.36, 56.52, -61.79

 

CMYK 16 / 71 / 0 / 21

HEX #A83BC9

RGB 168 59 201

HSL 286.06, 0.57%, 0.51%

LAB 46.54, 64.14, -53.17

 

CMYK 55 / 73 / 0 / 45

HEX #3F268B

RGB 63 38 139

HSL 254.85, 0.57%, 0.35%

LAB 24.66, 38.27, -52.14

 

CMYK 55 / 73 / 0 / 33

HEX #4D2FAC

RGB 77 47 172

HSL 254.4, 0.57%, 0.43%

LAB 30.85, 45.51, -62.09

 

CMYK 54 / 71 / 0 / 21

HEX #5D3BC9

RGB 93 59 201

HSL 254.37, 0.57%, 0.51%

LAB 37.25, 50.09, -68.67

 

CMYK 43 / 57 / 0 / 18

HEX #785BD2

RGB 120 91 210

HSL 254.62, 0.57%, 0.59%

LAB 47.14, 39.95, -57.67

 

CMYK 33 / 43 / 0 / 14

HEX #937CDB

RGB 147 124 219

HSL 254.53, 0.57%, 0.67%

LAB 57.78, 29.9, -45.65

 

CMYK 53 / 70 / 0 / 21

HEX #5E3CC9

RGB 94 60 201

HSL 254.47, 0.57%, 0.51%

LAB 37.53, 49.72, -68.2

 

CMYK 0 / 71 / 30 / 21

HEX #C93B8C

RGB 201 59 140

HSL 325.77, 0.57%, 0.51%

LAB 48.81, 62.54, -13.25

 

CMYK 59 / 0 / 71 / 21

HEX #53C93B

RGB 83 201 59

HSL 109.86, 0.57%, 0.51%

LAB 72.18, -58.69, 58.09

 

CMYK 53 / 70 / 0 / 21

HEX #5E3CC9

RGB 94 60 201

HSL 254.47, 0.57%, 0.51%

LAB 37.53, 49.72, -68.2

 

CMYK 0 / 54 / 71 / 21

HEX #C95C3B

RGB 201 92 59

HSL 13.94, 0.57%, 0.51%

LAB 52.27, 41.18, 39.31

 

CMYK 71 / 0 / 54 / 21

HEX #3BC95C

RGB 59 201 92

HSL 133.94, 0.57%, 0.51%

LAB 71.88, -60.04, 43.36

 

CMYK 53 / 70 / 0 / 21

HEX #5E3CC9

RGB 94 60 201

HSL 254.47, 0.57%, 0.51%

LAB 37.53, 49.72, -68.2

 

CMYK 0 / 71 / 30 / 21

HEX #C93B8C

RGB 201 59 140

HSL 325.77, 0.57%, 0.51%

LAB 48.81, 62.54, -13.25

 

CMYK 16 / 0 / 71 / 21

HEX #A8C93B

RGB 168 201 59

HSL 73.94, 0.57%, 0.51%

LAB 76.32, -30.17, 63.62

 

CMYK 71 / 0 / 40 / 21

HEX #3BC979

RGB 59 201 121

HSL 146.2, 0.57%, 0.51%

LAB 72.28, -55.37, 29.39

 

CMYK 53 / 70 / 0 / 21

HEX #5E3CC9

RGB 94 60 201

HSL 254.47, 0.57%, 0.51%

LAB 37.53, 49.72, -68.2

 

CMYK 0 / 71 / 52 / 21

HEX #C93B61

RGB 201 59 97

HSL 343.94, 0.57%, 0.51%

LAB 47.51, 58.2, 10.98

 

CMYK 16 / 0 / 71 / 21

HEX #A8C93B

RGB 168 201 59

HSL 73.94, 0.57%, 0.51%

LAB 76.32, -30.17, 63.62

 

CMYK 71 / 0 / 19 / 21

HEX #3BC9A3

RGB 59 201 163

HSL 163.94, 0.57%, 0.51%

LAB 73.12, -46.37, 8.23

 

Description

Color code: HEX #5E3CC9 | qconv.com Color code: HEX #5E3CC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 60 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 60 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 70 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 70% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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