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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CEF3E it is the complementary color #A310C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CEF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CEF3E shade: #61EF39, #72FF4C, #83FF5F, #94FF72 and #A5FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CEF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CEF3E shade: #5CEF3E, #4BDD2B, #3ACB18, #29B905 and #18A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CEF3E shade: #5CEF3E, #8CEF3E, #BCEF3E, #EBEF3E and #EFC33E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CEF3E shade: #5CEF3E, #3EEF4F, #3EEF7F, #3EEFAF and #3EEFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CEF3E shade matches the following richer shades: #5CEF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CEF3E shade: #5CEF3E, #67DE4E, #72CD5F, #7DBD70 and #88AC81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CEF3E shade: #BDEF3E, #8EEF3E, #5EEF3E, #3EEF4C and #3EEF7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CEF3E shade: #30CA10, #3BEC17, #5CEF3E, #7CF264 and #9CF68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CEF3E shade: #5CEF3E, #3EECEF and #EF3EA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CEF3E shade: #5CEF3E, #3E5EEF and #EF3E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CEF3E shade: #5CEF3E, #3EECEF, #CF3EEF and #EF413E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CEF3E shade: #5CEF3E, #3EB7EF, #CF3EEF and #EF763E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

Complementary color

CMYK 16 / 92 / 0 / 24

HEX #A310C1

RGB 163 16 193

HSL 289.83, 0.85%, 0.41%

LAB 41.23, 73.32, -57.12

 

CMYK 59 / 0 / 76 / 6

HEX #61EF39

RGB 97 239 57

HSL 106.81, 0.85%, 0.58%

LAB 84.26, -68.62, 70.95

 

CMYK 55 / 0 / 70 / 0

HEX #72FF4C

RGB 114 255 76

HSL 107.26, 1%, 0.65%

LAB 89.68, -68.73, 70.23

 

CMYK 49 / 0 / 63 / 0

HEX #83FF5F

RGB 131 255 95

HSL 106.5, 1%, 0.69%

LAB 90.4, -62.72, 63.93

 

CMYK 42 / 0 / 55 / 0

HEX #94FF72

RGB 148 255 114

HSL 105.53, 1%, 0.72%

LAB 91.25, -55.95, 57

 

CMYK 35 / 0 / 48 / 0

HEX #A5FF85

RGB 165 255 133

HSL 104.26, 1%, 0.76%

LAB 92.23, -48.55, 49.67

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 66 / 0 / 81 / 13

HEX #4BDD2B

RGB 75 221 43

HSL 109.21, 0.72%, 0.52%

LAB 78.1, -68.25, 68.95

 

CMYK 71 / 0 / 88 / 20

HEX #3ACB18

RGB 58 203 24

HSL 108.6, 0.79%, 0.45%

LAB 72.01, -66.59, 67.74

 

CMYK 78 / 0 / 97 / 27

HEX #29B905

RGB 41 185 5

HSL 108, 0.95%, 0.37%

LAB 65.89, -64.3, 65.21

 

CMYK 86 / 0 / 100 / 35

HEX #18A700

RGB 24 167 0

HSL 111.38, 1%, 0.33%

LAB 59.74, -61.17, 60.8

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 41 / 0 / 74 / 6

HEX #8CEF3E

RGB 140 239 62

HSL 93.56, 0.85%, 0.59%

LAB 85.83, -56.44, 71.43

 

CMYK 21 / 0 / 74 / 6

HEX #BCEF3E

RGB 188 239 62

HSL 77.29, 0.85%, 0.59%

LAB 88.34, -39.56, 74.71

 

CMYK 2 / 0 / 74 / 6

HEX #EBEF3E

RGB 235 239 62

HSL 61.36, 0.85%, 0.59%

LAB 91.57, -20.9, 78.9

 

CMYK 0 / 18 / 74 / 6

HEX #EFC33E

RGB 239 195 62

HSL 45.08, 0.85%, 0.59%

LAB 80.59, 2.79, 68.68

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 74 / 0 / 67 / 6

HEX #3EEF4F

RGB 62 239 79

HSL 125.76, 0.85%, 0.59%

LAB 83.61, -73.51, 62.36

 

CMYK 74 / 0 / 47 / 6

HEX #3EEF7F

RGB 62 239 127

HSL 142.03, 0.85%, 0.59%

LAB 84.12, -67.5, 41.68

 

CMYK 74 / 0 / 27 / 6

HEX #3EEFAF

RGB 62 239 175

HSL 158.31, 0.85%, 0.59%

LAB 84.92, -58.47, 18.55

 

CMYK 74 / 0 / 7 / 6

HEX #3EEFDF

RGB 62 239 223

HSL 174.58, 0.85%, 0.59%

LAB 86.05, -46.81, -4.91

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 54 / 0 / 65 / 13

HEX #67DE4E

RGB 103 222 78

HSL 109.58, 0.69%, 0.59%

LAB 79.43, -59.59, 58.53

 

CMYK 44 / 0 / 54 / 20

HEX #72CD5F

RGB 114 205 95

HSL 109.64, 0.52%, 0.59%

LAB 74.87, -48.1, 45.94

 

CMYK 34 / 0 / 41 / 26

HEX #7DBD70

RGB 125 189 112

HSL 109.87, 0.37%, 0.59%

LAB 70.82, -35.39, 32.57

 

CMYK 21 / 0 / 25 / 33

HEX #88AC81

RGB 136 172 129

HSL 110.23, 0.21%, 0.59%

LAB 66.77, -20.66, 18.21

 

CMYK 21 / 0 / 74 / 6

HEX #BDEF3E

RGB 189 239 62

HSL 76.95, 0.85%, 0.59%

LAB 88.4, -39.18, 74.79

 

CMYK 41 / 0 / 74 / 6

HEX #8EEF3E

RGB 142 239 62

HSL 92.88, 0.85%, 0.59%

LAB 85.92, -55.81, 71.55

 

CMYK 61 / 0 / 74 / 6

HEX #5EEF3E

RGB 94 239 62

HSL 109.15, 0.85%, 0.59%

LAB 84.2, -68.98, 69.28

 

CMYK 74 / 0 / 68 / 6

HEX #3EEF4C

RGB 62 239 76

HSL 124.75, 0.85%, 0.59%

LAB 83.59, -73.78, 63.48

 

CMYK 74 / 0 / 48 / 6

HEX #3EEF7C

RGB 62 239 124

HSL 141.02, 0.85%, 0.59%

LAB 84.08, -67.96, 43.07

 

CMYK 76 / 0 / 92 / 21

HEX #30CA10

RGB 48 202 16

HSL 109.68, 0.85%, 0.43%

LAB 71.49, -68.12, 68.54

 

CMYK 75 / 0 / 90 / 7

HEX #3BEC17

RGB 59 236 23

HSL 109.86, 0.85%, 0.51%

LAB 82.37, -76.34, 76.75

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 49 / 0 / 59 / 5

HEX #7CF264

RGB 124 242 100

HSL 109.86, 0.85%, 0.67%

LAB 86.36, -59.27, 57.22

 

CMYK 37 / 0 / 44 / 4

HEX #9CF68A

RGB 156 246 138

HSL 110, 0.86%, 0.75%

LAB 89.31, -46.93, 43.54

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 74 / 1 / 0 / 6

HEX #3EECEF

RGB 62 236 239

HSL 181.02, 0.85%, 0.59%

LAB 85.63, -41.1, -13.95

 

CMYK 0 / 74 / 31 / 6

HEX #EF3EA5

RGB 239 62 165

HSL 325.08, 0.85%, 0.59%

LAB 56.6, 74.19, -15.65

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 74 / 61 / 0 / 6

HEX #3E5EEF

RGB 62 94 239

HSL 229.15, 0.85%, 0.59%

LAB 45.99, 37.78, -76.16

 

CMYK 0 / 74 / 61 / 6

HEX #EF3E5E

RGB 239 62 94

HSL 349.15, 0.85%, 0.59%

LAB 54.66, 68.04, 23.65

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 74 / 1 / 0 / 6

HEX #3EECEF

RGB 62 236 239

HSL 181.02, 0.85%, 0.59%

LAB 85.63, -41.1, -13.95

 

CMYK 13 / 74 / 0 / 6

HEX #CF3EEF

RGB 207 62 239

HSL 289.15, 0.85%, 0.59%

LAB 55.01, 77.85, -60.86

 

CMYK 0 / 73 / 74 / 6

HEX #EF413E

RGB 239 65 62

HSL 1.02, 0.85%, 0.59%

LAB 54.53, 65.47, 41.97

 

CMYK 62 / 0 / 74 / 6

HEX #5CEF3E

RGB 92 239 62

HSL 109.83, 0.85%, 0.59%

LAB 84.15, -69.42, 69.21

 

CMYK 74 / 23 / 0 / 6

HEX #3EB7EF

RGB 62 183 239

HSL 198.98, 0.85%, 0.59%

LAB 70.26, -15.15, -37.41

 

CMYK 13 / 74 / 0 / 6

HEX #CF3EEF

RGB 207 62 239

HSL 289.15, 0.85%, 0.59%

LAB 55.01, 77.85, -60.86

 

CMYK 0 / 51 / 74 / 6

HEX #EF763E

RGB 239 118 62

HSL 18.98, 0.85%, 0.59%

LAB 63.06, 42.91, 51.15

 

Description

Color code: HEX #5CEF3E | qconv.com Color code: HEX #5CEF3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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