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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C6330 it is the complementary color #A39CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C6330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5C6330: #61632B, #72753E, #838751, #949964 and #A5AB77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C6330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5C6330: #5C6330, #4B511D, #3A3F0A, #292D00 and #181B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

Complementary color

CMYK 21 / 25 / 0 / 19

HEX #A39CCF

RGB 163 156 207

HSL 248.24, 0.35%, 0.71%

LAB 66.57, 13.25, -25.15

 

CMYK 2 / 0 / 57 / 61

HEX #61632B

RGB 97 99 43

HSL 62.14, 0.39%, 0.28%

LAB 40.64, -9.45, 31.09

 

CMYK 3 / 0 / 47 / 54

HEX #72753E

RGB 114 117 62

HSL 63.27, 0.31%, 0.35%

LAB 47.81, -9.93, 29.81

 

CMYK 3 / 0 / 40 / 47

HEX #838751

RGB 131 135 81

HSL 64.44, 0.25%, 0.42%

LAB 54.81, -10.28, 28.53

 

CMYK 3 / 0 / 35 / 40

HEX #949964

RGB 148 153 100

HSL 65.66, 0.21%, 0.5%

LAB 61.65, -10.53, 27.3

 

CMYK 4 / 0 / 30 / 33

HEX #A5AB77

RGB 165 171 119

HSL 66.92, 0.24%, 0.57%

LAB 68.36, -10.73, 26.13

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 7 / 0 / 64 / 68

HEX #4B511D

RGB 75 81 29

HSL 66.92, 0.47%, 0.22%

LAB 32.85, -10.76, 29.07

 

CMYK 8 / 0 / 84 / 75

HEX #3A3F0A

RGB 58 63 10

HSL 65.66, 0.73%, 0.14%

LAB 25.19, -9.97, 29.66

 

CMYK 9 / 0 / 100 / 82

HEX #292D00

RGB 41 45 0

HSL 65.33, 1%, 0.09%

LAB 17.22, -8.61, 24.6

 

CMYK 11 / 0 / 100 / 89

HEX #181B00

RGB 24 27 0

HSL 66.67, 1%, 0.05%

LAB 8.81, -6.48, 13.06

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 15 / 0 / 52 / 61

HEX #546330

RGB 84 99 48

HSL 77.65, 0.35%, 0.29%

LAB 39.62, -14.81, 26.91

 

CMYK 24 / 0 / 52 / 61

HEX #4B6330

RGB 75 99 48

HSL 88.24, 0.35%, 0.29%

LAB 38.96, -18.7, 25.95

 

CMYK 32 / 0 / 52 / 61

HEX #436330

RGB 67 99 48

HSL 97.65, 0.35%, 0.29%

LAB 38.43, -21.97, 25.18

 

CMYK 41 / 0 / 52 / 61

HEX #3A6330

RGB 58 99 48

HSL 108.24, 0.35%, 0.29%

LAB 37.91, -25.4, 24.43

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 7 / 0 / 51 / 41

HEX #8B9649

RGB 139 150 73

HSL 68.57, 0.35%, 0.44%

LAB 59.69, -15.78, 38.89

 

CMYK 7 / 0 / 52 / 21

HEX #BBC961

RGB 187 201 97

HSL 68.08, 0.49%, 0.58%

LAB 77.99, -19.71, 49.74

 

CMYK 7 / 0 / 52 / 1

HEX #EAFC7A

RGB 234 252 122

HSL 68.31, 0.96%, 0.73%

LAB 95.38, -23.75, 59.49

 

CMYK 6 / 0 / 52 / 81

HEX #2D3017

RGB 45 48 23

HSL 67.2, 0.35%, 0.14%

LAB 18.94, -6.13, 15.53

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 52 / 0 / 34 / 61

HEX #306341

RGB 48 99 65

HSL 140, 0.35%, 0.29%

LAB 37.72, -25.69, 14.19

 

CMYK 13 / 52 / 0 / 61

HEX #563063

RGB 86 48 99

HSL 284.71, 0.35%, 0.29%

LAB 26.72, 26.92, -23.27

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 52 / 7 / 0 / 61

HEX #305C63

RGB 48 92 99

HSL 188.24, 0.35%, 0.29%

LAB 36.34, -13.06, -8.73

 

CMYK 0 / 52 / 7 / 61

HEX #63305C

RGB 99 48 92

HSL 308.24, 0.35%, 0.29%

LAB 28.22, 29.74, -16.24

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 52 / 0 / 34 / 61

HEX #306341

RGB 48 99 65

HSL 140, 0.35%, 0.29%

LAB 37.72, -25.69, 14.19

 

CMYK 45 / 52 / 0 / 61

HEX #363063

RGB 54 48 99

HSL 247.06, 0.35%, 0.29%

LAB 23, 17.12, -29.4

 

CMYK 0 / 52 / 17 / 61

HEX #633052

RGB 99 48 82

HSL 320, 0.35%, 0.29%

LAB 27.78, 27.88, -10.37

 

CMYK 7 / 0 / 52 / 61

HEX #5C6330

RGB 92 99 48

HSL 68.24, 0.35%, 0.29%

LAB 40.27, -11.23, 27.85

 

CMYK 52 / 0 / 19 / 61

HEX #306350

RGB 48 99 80

HSL 157.65, 0.35%, 0.29%

LAB 38.08, -22.23, 5.57

 

CMYK 45 / 52 / 0 / 61

HEX #363063

RGB 54 48 99

HSL 247.06, 0.35%, 0.29%

LAB 23, 17.12, -29.4

 

CMYK 0 / 52 / 32 / 61

HEX #633043

RGB 99 48 67

HSL 337.65, 0.35%, 0.29%

LAB 27.22, 25.43, -1.29

 

Description

Color code: HEX #5C6330 | qconv.com Color code: HEX #5C6330 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 99 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 99 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 52 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 52% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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