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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A83B5 it is the complementary color #A57C4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A83B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A83B5 shade: #5F83B0, #7095C3, #81A7D6, #92B9E9 and #A3CBFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A83B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A83B5 shade: #5A83B5, #4971A2, #385F8F, #274D7C and #163B69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A83B5 shade: #5A83B5, #5A6AB5, #625AB5, #7A5AB5 and #935AB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A83B5 shade: #5A83B5, #5A6AB5 and #5A5AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A83B5 shade matches the following richer shades: #5A83B5, #4681C8, #337FDB and #1F7DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A83B5 shade: #5A83B5, #6D85A1, #80868E, #94887B and #A78A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A83B5 shade: #5AB5B5, #5A9CB5, #5A84B5, #5A6CB5 and #605AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A83B5 shade: #3A5A82, #476E9E, #5A83B5, #7698C1 and #93ADCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A83B5 shade: #5A83B5, #9C5AB5 and #A9B55A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A83B5 shade: #5A83B5, #B55A84 and #84B55A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A83B5 shade: #5A83B5, #9C5AB5, #B58A5A and #72B55A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A83B5 shade: #5A83B5, #B55AB2, #B58A5A and #5AB55D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

Complementary color

CMYK 0 / 25 / 55 / 35

HEX #A57C4A

RGB 165 124 74

HSL 32.97, 0.38%, 0.47%

LAB 54.98, 9.92, 33.24

 

CMYK 46 / 26 / 0 / 31

HEX #5F83B0

RGB 95 131 176

HSL 213.33, 0.34%, 0.53%

LAB 53.81, -0.23, -27.71

 

CMYK 43 / 24 / 0 / 24

HEX #7095C3

RGB 112 149 195

HSL 213.25, 0.41%, 0.6%

LAB 60.68, -0.68, -27.82

 

CMYK 40 / 22 / 0 / 16

HEX #81A7D6

RGB 129 167 214

HSL 213.18, 0.51%, 0.67%

LAB 67.4, -1.05, -27.96

 

CMYK 37 / 21 / 0 / 9

HEX #92B9E9

RGB 146 185 233

HSL 213.1, 0.66%, 0.74%

LAB 73.99, -1.37, -28.12

 

CMYK 35 / 19 / 0 / 1

HEX #A3CBFC

RGB 163 203 252

HSL 213.03, 0.94%, 0.81%

LAB 80.47, -1.65, -28.3

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 55 / 30 / 0 / 36

HEX #4971A2

RGB 73 113 162

HSL 213.03, 0.38%, 0.46%

LAB 46.76, 0.74, -30.65

 

CMYK 61 / 34 / 0 / 44

HEX #385F8F

RGB 56 95 143

HSL 213.1, 0.44%, 0.39%

LAB 39.59, 1.65, -30.64

 

CMYK 69 / 38 / 0 / 51

HEX #274D7C

RGB 39 77 124

HSL 213.18, 0.52%, 0.32%

LAB 32.25, 2.91, -30.66

 

CMYK 79 / 44 / 0 / 59

HEX #163B69

RGB 22 59 105

HSL 213.25, 0.65%, 0.25%

LAB 24.7, 4.72, -30.69

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 50 / 41 / 0 / 29

HEX #5A6AB5

RGB 90 106 181

HSL 229.45, 0.38%, 0.53%

LAB 46.73, 15.18, -41.73

 

CMYK 46 / 50 / 0 / 29

HEX #625AB5

RGB 98 90 181

HSL 245.27, 0.38%, 0.53%

LAB 43.13, 27.03, -47.44

 

CMYK 33 / 50 / 0 / 29

HEX #7A5AB5

RGB 122 90 181

HSL 261.1, 0.38%, 0.53%

LAB 45.34, 33.11, -43.78

 

CMYK 19 / 50 / 0 / 29

HEX #935AB5

RGB 147 90 181

HSL 277.58, 0.38%, 0.53%

LAB 48.07, 39.98, -39.28

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 50 / 41 / 0 / 29

HEX #5A6AB5

RGB 90 106 181

HSL 229.45, 0.38%, 0.53%

LAB 46.73, 15.18, -41.73

 

CMYK 50 / 50 / 0 / 29

HEX #5A5AB5

RGB 90 90 181

HSL 240, 0.38%, 0.53%

LAB 42.49, 25.17, -48.49

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 65 / 36 / 0 / 22

HEX #4681C8

RGB 70 129 200

HSL 212.77, 0.54%, 0.53%

LAB 53.14, 3.31, -42.58

 

CMYK 77 / 42 / 0 / 14

HEX #337FDB

RGB 51 127 219

HSL 212.86, 0.7%, 0.53%

LAB 52.95, 8.6, -53.68

 

CMYK 87 / 48 / 0 / 6

HEX #1F7DEF

RGB 31 125 239

HSL 212.88, 0.87%, 0.53%

LAB 53.16, 15.63, -64.57

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 32 / 17 / 0 / 37

HEX #6D85A1

RGB 109 133 161

HSL 212.31, 0.22%, 0.53%

LAB 54.66, -1.68, -17.7

 

CMYK 10 / 6 / 0 / 44

HEX #80868E

RGB 128 134 142

HSL 214.29, 0.06%, 0.53%

LAB 55.68, -0.53, -5.05

 

CMYK 0 / 8 / 17 / 42

HEX #94887B

RGB 148 136 123

HSL 31.2, 0.1%, 0.53%

LAB 57.4, 2.23, 8.6

 

CMYK 0 / 17 / 38 / 35

HEX #A78A67

RGB 167 138 103

HSL 32.81, 0.27%, 0.53%

LAB 59.32, 5.95, 22.87

 

CMYK 50 / 0 / 0 / 29

HEX #5AB5B5

RGB 90 181 181

HSL 180, 0.38%, 0.53%

LAB 68.43, -27, -8.35

 

CMYK 50 / 14 / 0 / 29

HEX #5A9CB5

RGB 90 156 181

HSL 196.48, 0.38%, 0.53%

LAB 61.03, -14.07, -19.48

 

CMYK 50 / 27 / 0 / 29

HEX #5A84B5

RGB 90 132 181

HSL 212.31, 0.38%, 0.53%

LAB 54.04, -0.55, -30.25

 

CMYK 50 / 40 / 0 / 29

HEX #5A6CB5

RGB 90 108 181

HSL 228.13, 0.38%, 0.53%

LAB 47.28, 13.94, -40.86

 

CMYK 47 / 50 / 0 / 29

HEX #605AB5

RGB 96 90 181

HSL 243.96, 0.38%, 0.53%

LAB 42.97, 26.55, -47.71

 

CMYK 55 / 31 / 0 / 49

HEX #3A5A82

RGB 58 90 130

HSL 213.33, 0.38%, 0.37%

LAB 37.52, 0.77, -25.99

 

CMYK 55 / 30 / 0 / 38

HEX #476E9E

RGB 71 110 158

HSL 213.1, 0.38%, 0.45%

LAB 45.58, 0.79, -30.15

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 39 / 21 / 0 / 24

HEX #7698C1

RGB 118 152 193

HSL 212.8, 0.38%, 0.61%

LAB 61.79, -1.33, -24.95

 

CMYK 29 / 16 / 0 / 19

HEX #93ADCE

RGB 147 173 206

HSL 213.56, 0.38%, 0.69%

LAB 69.86, -1.35, -19.69

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 14 / 50 / 0 / 29

HEX #9C5AB5

RGB 156 90 181

HSL 283.52, 0.38%, 0.53%

LAB 49.15, 42.53, -37.5

 

CMYK 7 / 0 / 50 / 29

HEX #A9B55A

RGB 169 181 90

HSL 67.91, 0.38%, 0.53%

LAB 71.02, -17.64, 44.52

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 0 / 50 / 27 / 29

HEX #B55A84

RGB 181 90 132

HSL 332.31, 0.38%, 0.53%

LAB 50.45, 41.74, -6.31

 

CMYK 27 / 0 / 50 / 29

HEX #84B55A

RGB 132 181 90

HSL 92.31, 0.38%, 0.53%

LAB 68.53, -32.1, 40.92

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 14 / 50 / 0 / 29

HEX #9C5AB5

RGB 156 90 181

HSL 283.52, 0.38%, 0.53%

LAB 49.15, 42.53, -37.5

 

CMYK 0 / 24 / 50 / 29

HEX #B58A5A

RGB 181 138 90

HSL 31.65, 0.38%, 0.53%

LAB 60.55, 10.44, 31.91

 

CMYK 37 / 0 / 50 / 29

HEX #72B55A

RGB 114 181 90

HSL 104.18, 0.38%, 0.53%

LAB 67.55, -38.45, 39.51

 

CMYK 50 / 28 / 0 / 29

HEX #5A83B5

RGB 90 131 181

HSL 212.97, 0.38%, 0.53%

LAB 53.75, 0.04, -30.7

 

CMYK 0 / 50 / 2 / 29

HEX #B55AB2

RGB 181 90 178

HSL 301.98, 0.38%, 0.53%

LAB 52.23, 49.14, -30.7

 

CMYK 0 / 24 / 50 / 29

HEX #B58A5A

RGB 181 138 90

HSL 31.65, 0.38%, 0.53%

LAB 60.55, 10.44, 31.91

 

CMYK 50 / 0 / 49 / 29

HEX #5AB55D

RGB 90 181 93

HSL 121.98, 0.38%, 0.53%

LAB 66.53, -45.44, 36.51

 

Description

Color code: HEX #5A83B5 | qconv.com Color code: HEX #5A83B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 131 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 131 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 28 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 28% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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