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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59139C it is the complementary color #A6EC63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59139C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #59139C: #5E1397, #6F25AA, #8037BD, #9149D0 and #A25BE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59139C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #59139C: #59139C, #480189, #370076, #260063 and #150050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

Complementary color

CMYK 30 / 0 / 58 / 7

HEX #A6EC63

RGB 166 236 99

HSL 90.66, 0.78%, 0.66%

LAB 86.5, -43.73, 58.32

 

CMYK 38 / 87 / 0 / 41

HEX #5E1397

RGB 94 19 151

HSL 274.09, 0.78%, 0.33%

LAB 26.96, 54.24, -55.65

 

CMYK 35 / 78 / 0 / 33

HEX #6F25AA

RGB 111 37 170

HSL 273.38, 0.64%, 0.41%

LAB 33.15, 55.16, -56.98

 

CMYK 32 / 71 / 0 / 26

HEX #8037BD

RGB 128 55 189

HSL 272.69, 0.55%, 0.48%

LAB 39.57, 55.12, -57.7

 

CMYK 30 / 65 / 0 / 18

HEX #9149D0

RGB 145 73 208

HSL 272, 0.59%, 0.55%

LAB 46.09, 54.6, -58.08

 

CMYK 29 / 60 / 0 / 11

HEX #A25BE3

RGB 162 91 227

HSL 271.32, 0.71%, 0.62%

LAB 52.63, 53.84, -58.27

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 47 / 99 / 0 / 46

HEX #480189

RGB 72 1 137

HSL 271.32, 0.99%, 0.27%

LAB 20.85, 52.72, -57.12

 

CMYK 53 / 100 / 0 / 54

HEX #370076

RGB 55 0 118

HSL 267.97, 1%, 0.23%

LAB 16.11, 47.01, -52.96

 

CMYK 62 / 100 / 0 / 61

HEX #260063

RGB 38 0 99

HSL 263.03, 1%, 0.19%

LAB 11.37, 40.96, -48.43

 

CMYK 74 / 100 / 0 / 69

HEX #150050

RGB 21 0 80

HSL 255.75, 1%, 0.16%

LAB 6.67, 34.49, -43.4

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 15 / 88 / 0 / 40

HEX #83139A

RGB 131 19 154

HSL 289.78, 0.78%, 0.34%

LAB 33.19, 60.72, -47.09

 

CMYK 0 / 88 / 0 / 40

HEX #9A139A

RGB 154 19 154

HSL 300, 0.78%, 0.34%

LAB 37.24, 64.86, -40.36

 

CMYK 0 / 88 / 15 / 40

HEX #9A1383

RGB 154 19 131

HSL 310.22, 0.78%, 0.34%

LAB 35.94, 61.43, -28.3

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 43 / 88 / 0 / 19

HEX #7619CF

RGB 118 25 207

HSL 270.66, 0.78%, 0.45%

LAB 36.08, 68.27, -73.96

 

CMYK 33 / 100 / 0 / 99

HEX #020003

RGB 2 0 3

HSL 280, 1%, 0.01%

LAB 0.18, 0.94, -0.95

 

CMYK 43 / 87 / 0 / 79

HEX #1F0736

RGB 31 7 54

HSL 270.64, 0.77%, 0.12%

LAB 6.41, 23.19, -25.3

 

CMYK 43 / 88 / 0 / 59

HEX #3C0D69

RGB 60 13 105

HSL 270.65, 0.78%, 0.23%

LAB 16.84, 40.11, -43.27

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 0 / 88 / 62 / 40

HEX #9A133B

RGB 154 19 59

HSL 342.22, 0.78%, 0.34%

LAB 33.25, 53.96, 13.97

 

CMYK 88 / 0 / 79 / 40

HEX #139A20

RGB 19 154 32

HSL 125.78, 0.78%, 0.34%

LAB 55.44, -56.49, 50.43

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 0 / 44 / 88 / 40

HEX #9A5613

RGB 154 86 19

HSL 29.78, 0.78%, 0.34%

LAB 43.61, 23.49, 47.08

 

CMYK 88 / 0 / 44 / 40

HEX #139A56

RGB 19 154 86

HSL 149.78, 0.78%, 0.34%

LAB 56.01, -49.48, 26.41

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 0 / 88 / 62 / 40

HEX #9A133B

RGB 154 19 59

HSL 342.22, 0.78%, 0.34%

LAB 33.25, 53.96, 13.97

 

CMYK 44 / 0 / 88 / 40

HEX #569A13

RGB 86 154 19

HSL 90.22, 0.78%, 0.34%

LAB 57.21, -42.32, 56.31

 

CMYK 88 / 0 / 27 / 40

HEX #139A71

RGB 19 154 113

HSL 161.78, 0.78%, 0.34%

LAB 56.53, -43.59, 12.2

 

CMYK 43 / 88 / 0 / 39

HEX #59139C

RGB 89 19 156

HSL 270.66, 0.78%, 0.34%

LAB 26.71, 54.71, -59.16

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 44 / 0 / 88 / 40

HEX #569A13

RGB 86 154 19

HSL 90.22, 0.78%, 0.34%

LAB 57.21, -42.32, 56.31

 

CMYK 88 / 0 / 0 / 40

HEX #139A9A

RGB 19 154 154

HSL 180, 0.78%, 0.34%

LAB 57.64, -32.11, -9.49

 

Description

Color code: HEX #59139C | qconv.com Color code: HEX #59139C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 19 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 19 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 88 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 88% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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