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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #577967 it is the complementary color #A88698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #577967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #577967: #5C7962, #6D8B75, #7E9D88, #8FAF9B and #A0C1AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #577967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #577967: #577967, #466754, #355541, #24432E and #13311B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

Complementary color

CMYK 0 / 20 / 10 / 34

HEX #A88698

RGB 168 134 152

HSL 328.24, 0.16%, 0.59%

LAB 59.56, 16.01, -4.66

 

CMYK 24 / 0 / 19 / 53

HEX #5C7962

RGB 92 121 98

HSL 132.41, 0.14%, 0.42%

LAB 48.05, -15.48, 9.25

 

CMYK 22 / 0 / 16 / 45

HEX #6D8B75

RGB 109 139 117

HSL 136, 0.12%, 0.49%

LAB 55.07, -15.28, 8.32

 

CMYK 20 / 0 / 13 / 38

HEX #7E9D88

RGB 126 157 136

HSL 139.35, 0.14%, 0.55%

LAB 61.94, -15.12, 7.46

 

CMYK 18 / 0 / 11 / 31

HEX #8FAF9B

RGB 143 175 155

HSL 142.5, 0.17%, 0.62%

LAB 68.65, -14.99, 6.65

 

CMYK 17 / 0 / 10 / 24

HEX #A0C1AE

RGB 160 193 174

HSL 145.45, 0.21%, 0.69%

LAB 75.25, -14.87, 5.88

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 32 / 0 / 18 / 60

HEX #466754

RGB 70 103 84

HSL 145.45, 0.19%, 0.34%

LAB 40.64, -16.45, 6.94

 

CMYK 38 / 0 / 24 / 67

HEX #355541

RGB 53 85 65

HSL 142.5, 0.23%, 0.27%

LAB 33.21, -16.74, 8

 

CMYK 46 / 0 / 31 / 74

HEX #24432E

RGB 36 67 46

HSL 139.35, 0.3%, 0.2%

LAB 25.52, -17.06, 9.24

 

CMYK 61 / 0 / 45 / 81

HEX #13311B

RGB 19 49 27

HSL 136, 0.44%, 0.13%

LAB 17.53, -17.31, 10.72

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 28 / 0 / 10 / 53

HEX #57796D

RGB 87 121 109

HSL 158.82, 0.16%, 0.41%

LAB 48.01, -14.86, 2.68

 

CMYK 28 / 0 / 6 / 53

HEX #577972

RGB 87 121 114

HSL 167.65, 0.16%, 0.41%

LAB 48.15, -13.7, -0.08

 

CMYK 28 / 0 / 1 / 53

HEX #577978

RGB 87 121 120

HSL 178.24, 0.16%, 0.41%

LAB 48.33, -12.24, -3.37

 

CMYK 28 / 4 / 0 / 53

HEX #577479

RGB 87 116 121

HSL 188.82, 0.16%, 0.41%

LAB 46.84, -9.17, -6.17

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 28 / 0 / 15 / 33

HEX #7CAC92

RGB 124 172 146

HSL 147.5, 0.22%, 0.58%

LAB 66.42, -21.55, 8.26

 

CMYK 28 / 0 / 15 / 13

HEX #A0DFBE

RGB 160 223 190

HSL 148.57, 0.5%, 0.75%

LAB 83.95, -26.7, 9.81

 

CMYK 26 / 0 / 16 / 93

HEX #0E1310

RGB 14 19 16

HSL 144, 0.15%, 0.06%

LAB 5.39, -2.44, 1.01

 

CMYK 29 / 0 / 14 / 73

HEX #32463C

RGB 50 70 60

HSL 150, 0.17%, 0.24%

LAB 27.8, -10.36, 3.49

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 28 / 19 / 0 / 53

HEX #576279

RGB 87 98 121

HSL 220.59, 0.16%, 0.41%

LAB 41.44, 1.48, -14.3

 

CMYK 0 / 26 / 28 / 53

HEX #795A57

RGB 121 90 87

HSL 5.29, 0.16%, 0.41%

LAB 41.32, 12.26, 6.69

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 15 / 28 / 0 / 53

HEX #675779

RGB 103 87 121

HSL 268.24, 0.16%, 0.41%

LAB 39.72, 13.8, -16.81

 

CMYK 0 / 15 / 28 / 53

HEX #796757

RGB 121 103 87

HSL 28.24, 0.16%, 0.41%

LAB 44.88, 4.49, 11.69

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 28 / 19 / 0 / 53

HEX #576279

RGB 87 98 121

HSL 220.59, 0.16%, 0.41%

LAB 41.44, 1.48, -14.3

 

CMYK 0 / 28 / 13 / 53

HEX #795769

RGB 121 87 105

HSL 328.24, 0.16%, 0.41%

LAB 41.06, 17.13, -4.76

 

CMYK 0 / 9 / 28 / 53

HEX #796E57

RGB 121 110 87

HSL 40.59, 0.16%, 0.41%

LAB 46.85, 0.38, 14.41

 

CMYK 28 / 0 / 15 / 53

HEX #577967

RGB 87 121 103

HSL 148.24, 0.16%, 0.41%

LAB 47.85, -16.2, 5.99

 

CMYK 28 / 27 / 0 / 53

HEX #575879

RGB 87 88 121

HSL 238.24, 0.16%, 0.41%

LAB 38.53, 7.68, -18.76

 

CMYK 0 / 28 / 13 / 53

HEX #795769

RGB 121 87 105

HSL 328.24, 0.16%, 0.41%

LAB 41.06, 17.13, -4.76

 

CMYK 0 / 1 / 28 / 53

HEX #797857

RGB 121 120 87

HSL 58.24, 0.16%, 0.41%

LAB 49.72, -5.36, 18.32

 

Description

Color code: HEX #577967 | qconv.com Color code: HEX #577967 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 121 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 121 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 15 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 15% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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