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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5580A0 it is the complementary color #AA7F5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5580A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5580A0: #5A809B, #6B92AE, #7CA4C1, #8DB6D4 and #9EC8E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5580A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5580A0: #5580A0, #446E8D, #335C7A, #224A67 and #113854

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

Complementary color

CMYK 0 / 25 / 44 / 33

HEX #AA7F5F

RGB 170 127 95

HSL 25.6, 0.31%, 0.52%

LAB 56.64, 12.46, 23.85

 

CMYK 42 / 17 / 0 / 39

HEX #5A809B

RGB 90 128 155

HSL 204.92, 0.27%, 0.48%

LAB 51.81, -5.95, -18.67

 

CMYK 39 / 16 / 0 / 32

HEX #6B92AE

RGB 107 146 174

HSL 205.07, 0.29%, 0.55%

LAB 58.73, -6.17, -18.95

 

CMYK 36 / 15 / 0 / 24

HEX #7CA4C1

RGB 124 164 193

HSL 205.22, 0.36%, 0.62%

LAB 65.5, -6.35, -19.24

 

CMYK 33 / 14 / 0 / 17

HEX #8DB6D4

RGB 141 182 212

HSL 205.35, 0.45%, 0.69%

LAB 72.14, -6.5, -19.54

 

CMYK 32 / 13 / 0 / 9

HEX #9EC8E7

RGB 158 200 231

HSL 205.48, 0.6%, 0.76%

LAB 78.66, -6.63, -19.85

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 52 / 22 / 0 / 45

HEX #446E8D

RGB 68 110 141

HSL 205.48, 0.35%, 0.41%

LAB 44.67, -5.42, -21.5

 

CMYK 58 / 25 / 0 / 52

HEX #335C7A

RGB 51 92 122

HSL 205.35, 0.41%, 0.34%

LAB 37.41, -4.85, -21.29

 

CMYK 67 / 28 / 0 / 60

HEX #224A67

RGB 34 74 103

HSL 205.22, 0.5%, 0.27%

LAB 29.95, -4.02, -21.08

 

CMYK 80 / 33 / 0 / 67

HEX #113854

RGB 17 56 84

HSL 205.07, 0.66%, 0.2%

LAB 22.26, -2.69, -20.86

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 48 / 28 / 0 / 37

HEX #5474A0

RGB 84 116 160

HSL 214.74, 0.31%, 0.48%

LAB 48.15, 0.98, -27.26

 

CMYK 48 / 36 / 0 / 37

HEX #5467A0

RGB 84 103 160

HSL 225, 0.31%, 0.48%

LAB 44.41, 8.92, -33.11

 

CMYK 48 / 44 / 0 / 37

HEX #545AA0

RGB 84 90 160

HSL 235.26, 0.31%, 0.48%

LAB 40.79, 17.09, -38.83

 

CMYK 44 / 48 / 0 / 37

HEX #5A54A0

RGB 90 84 160

HSL 244.74, 0.31%, 0.48%

LAB 39.67, 22.41, -40.59

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 47 / 20 / 0 / 17

HEX #70A9D3

RGB 112 169 211

HSL 205.45, 0.53%, 0.63%

LAB 66.92, -7.31, -27.11

 

CMYK 43 / 14 / 0 / 97

HEX #040607

RGB 4 6 7

HSL 200, 0.27%, 0.02%

LAB 1.55, -0.38, -0.56

 

CMYK 47 / 21 / 0 / 77

HEX #1F2E3A

RGB 31 46 58

HSL 206.67, 0.3%, 0.17%

LAB 18.15, -2.44, -9.62

 

CMYK 47 / 20 / 0 / 57

HEX #3A576D

RGB 58 87 109

HSL 205.88, 0.31%, 0.33%

LAB 35.64, -4.24, -15.97

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 18 / 48 / 0 / 37

HEX #8354A0

RGB 131 84 160

HSL 277.11, 0.31%, 0.48%

LAB 43.81, 33.93, -33.77

 

CMYK 1 / 0 / 48 / 37

HEX #9FA054

RGB 159 160 84

HSL 60.79, 0.31%, 0.48%

LAB 64.28, -11.51, 39.22

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 0 / 48 / 20 / 37

HEX #A05480

RGB 160 84 128

HSL 325.26, 0.31%, 0.48%

LAB 46.14, 37.11, -10.67

 

CMYK 20 / 0 / 48 / 37

HEX #80A054

RGB 128 160 84

HSL 85.26, 0.31%, 0.48%

LAB 61.97, -24.18, 35.87

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 18 / 48 / 0 / 37

HEX #8354A0

RGB 131 84 160

HSL 277.11, 0.31%, 0.48%

LAB 43.81, 33.93, -33.77

 

CMYK 0 / 28 / 48 / 37

HEX #A07454

RGB 160 116 84

HSL 25.26, 0.31%, 0.48%

LAB 52.51, 13.26, 24.45

 

CMYK 29 / 0 / 48 / 37

HEX #71A054

RGB 113 160 84

HSL 97.11, 0.31%, 0.48%

LAB 61.04, -29.88, 34.51

 

CMYK 47 / 20 / 0 / 37

HEX #5580A0

RGB 85 128 160

HSL 205.6, 0.31%, 0.48%

LAB 51.73, -5.83, -21.72

 

CMYK 4 / 48 / 0 / 37

HEX #9A54A0

RGB 154 84 160

HSL 295.26, 0.31%, 0.48%

LAB 46.64, 40.85, -29.12

 

CMYK 0 / 28 / 48 / 37

HEX #A07454

RGB 160 116 84

HSL 25.26, 0.31%, 0.48%

LAB 52.51, 13.26, 24.45

 

CMYK 44 / 0 / 48 / 37

HEX #5AA054

RGB 90 160 84

HSL 115.26, 0.31%, 0.48%

LAB 59.85, -37.76, 32.76

 

Description

Color code: HEX #5580A0 | qconv.com Color code: HEX #5580A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 128 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 128 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 20 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 20% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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