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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52678C it is the complementary color #AD9873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52678C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #52678C: #576787, #68799A, #798BAD, #8A9DC0 and #9BAFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52678C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #52678C: #52678C, #415579, #304366, #1F3153 and #0E1F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

Complementary color

CMYK 0 / 12 / 34 / 32

HEX #AD9873

RGB 173 152 115

HSL 38.28, 0.26%, 0.56%

LAB 63.82, 2.18, 22.35

 

CMYK 36 / 24 / 0 / 47

HEX #576787

RGB 87 103 135

HSL 220, 0.22%, 0.44%

LAB 43.47, 2.28, -19.65

 

CMYK 32 / 21 / 0 / 40

HEX #68799A

RGB 104 121 154

HSL 219.6, 0.2%, 0.51%

LAB 50.63, 1.94, -19.82

 

CMYK 30 / 20 / 0 / 32

HEX #798BAD

RGB 121 139 173

HSL 219.23, 0.24%, 0.58%

LAB 57.6, 1.64, -20.02

 

CMYK 28 / 18 / 0 / 25

HEX #8A9DC0

RGB 138 157 192

HSL 218.89, 0.3%, 0.65%

LAB 64.42, 1.38, -20.25

 

CMYK 27 / 17 / 0 / 17

HEX #9BAFD3

RGB 155 175 211

HSL 218.57, 0.39%, 0.72%

LAB 71.1, 1.15, -20.5

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 46 / 30 / 0 / 53

HEX #415579

RGB 65 85 121

HSL 218.57, 0.3%, 0.36%

LAB 35.99, 2.8, -22.83

 

CMYK 53 / 34 / 0 / 60

HEX #304366

RGB 48 67 102

HSL 218.89, 0.36%, 0.29%

LAB 28.39, 3.53, -22.84

 

CMYK 63 / 41 / 0 / 67

HEX #1F3153

RGB 31 49 83

HSL 219.23, 0.46%, 0.22%

LAB 20.49, 4.59, -22.95

 

CMYK 78 / 52 / 0 / 75

HEX #0E1F40

RGB 14 31 64

HSL 219.6, 0.64%, 0.15%

LAB 12.24, 6.31, -23.14

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 41 / 33 / 0 / 45

HEX #535E8D

RGB 83 94 141

HSL 228.62, 0.26%, 0.44%

LAB 40.84, 8.42, -27.36

 

CMYK 41 / 40 / 0 / 45

HEX #53548D

RGB 83 84 141

HSL 238.97, 0.26%, 0.44%

LAB 38.03, 14.75, -31.79

 

CMYK 36 / 41 / 0 / 45

HEX #5A538D

RGB 90 83 141

HSL 247.24, 0.26%, 0.44%

LAB 38.35, 17.4, -31.24

 

CMYK 29 / 41 / 0 / 45

HEX #64538D

RGB 100 83 141

HSL 257.59, 0.26%, 0.44%

LAB 39.27, 20.4, -29.72

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 41 / 26 / 0 / 25

HEX #708DBF

RGB 112 141 191

HSL 217.97, 0.38%, 0.59%

LAB 58.28, 2.78, -29.27

 

CMYK 41 / 26 / 0 / 5

HEX #8EB2F2

RGB 142 178 242

HSL 218.4, 0.79%, 0.75%

LAB 72.23, 3.84, -35.73

 

CMYK 42 / 26 / 0 / 85

HEX #161C26

RGB 22 28 38

HSL 217.5, 0.27%, 0.12%

LAB 10.11, 0.4, -7.71

 

CMYK 42 / 27 / 0 / 65

HEX #344159

RGB 52 65 89

HSL 218.92, 0.26%, 0.28%

LAB 27.39, 1.7, -16.01

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 7 / 41 / 0 / 45

HEX #83538D

RGB 131 83 141

HSL 289.66, 0.26%, 0.44%

LAB 42.66, 30.28, -24.17

 

CMYK 10 / 0 / 41 / 45

HEX #7F8D53

RGB 127 141 83

HSL 74.48, 0.26%, 0.44%

LAB 56.27, -14.93, 29.24

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 0 / 41 / 26 / 45

HEX #8D5368

RGB 141 83 104

HSL 338.28, 0.26%, 0.44%

LAB 42.53, 27.05, -1.69

 

CMYK 26 / 0 / 41 / 45

HEX #688D53

RGB 104 141 83

HSL 98.28, 0.26%, 0.44%

LAB 54.68, -24.06, 26.87

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 7 / 41 / 0 / 45

HEX #83538D

RGB 131 83 141

HSL 289.66, 0.26%, 0.44%

LAB 42.66, 30.28, -24.17

 

CMYK 0 / 16 / 41 / 45

HEX #8D7753

RGB 141 119 83

HSL 37.24, 0.26%, 0.44%

LAB 51.25, 3.23, 22.98

 

CMYK 35 / 0 / 41 / 45

HEX #5C8D53

RGB 92 141 83

HSL 110.69, 0.26%, 0.44%

LAB 53.97, -28.44, 25.82

 

CMYK 41 / 26 / 0 / 45

HEX #52678C

RGB 82 103 140

HSL 218.28, 0.26%, 0.44%

LAB 43.34, 2.25, -22.88

 

CMYK 0 / 41 / 6 / 45

HEX #8D5385

RGB 141 83 133

HSL 308.28, 0.26%, 0.44%

LAB 43.57, 32.01, -17.84

 

CMYK 0 / 16 / 41 / 45

HEX #8D7753

RGB 141 119 83

HSL 37.24, 0.26%, 0.44%

LAB 51.25, 3.23, 22.98

 

CMYK 41 / 0 / 36 / 45

HEX #538D5A

RGB 83 141 90

HSL 127.24, 0.26%, 0.44%

LAB 53.63, -30.3, 21.42

 

Description

Color code: HEX #52678C | qconv.com Color code: HEX #52678C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 103 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 103 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 26 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 26% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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