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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #523700 it is the complementary color #ADC8FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #523700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #523700: #573700, #68490E, #795B21, #8A6D34 and #9B7F47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #523700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #523700: #523700, #412500, #301300, #1F0100 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

Complementary color

CMYK 32 / 22 / 0 / 0

HEX #ADC8FF

RGB 173 200 255

HSL 220.24, 1%, 0.84%

LAB 80.41, 3.45, -29.94

 

CMYK 0 / 37 / 100 / 66

HEX #573700

RGB 87 55 0

HSL 37.93, 1%, 0.17%

LAB 26.04, 9.79, 35.74

 

CMYK 0 / 30 / 87 / 59

HEX #68490E

RGB 104 73 14

HSL 39.33, 0.76%, 0.23%

LAB 33.44, 7.59, 37.52

 

CMYK 0 / 25 / 73 / 53

HEX #795B21

RGB 121 91 33

HSL 39.55, 0.57%, 0.3%

LAB 40.67, 5.89, 36.88

 

CMYK 0 / 21 / 62 / 46

HEX #8A6D34

RGB 138 109 52

HSL 39.77, 0.45%, 0.37%

LAB 47.74, 4.59, 35.61

 

CMYK 0 / 18 / 54 / 39

HEX #9B7F47

RGB 155 127 71

HSL 40, 0.37%, 0.44%

LAB 54.66, 3.56, 34.22

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 0 / 43 / 100 / 75

HEX #412500

RGB 65 37 0

HSL 34.15, 1%, 0.13%

LAB 17.68, 10.02, 25.86

 

CMYK 0 / 60 / 100 / 81

HEX #301300

RGB 48 19 0

HSL 23.75, 1%, 0.09%

LAB 9.75, 13.06, 14.89

 

CMYK 0 / 97 / 100 / 88

HEX #1F0100

RGB 31 1 0

HSL 1.94, 1%, 0.06%

LAB 2.83, 11.41, 4.44

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 0 / 16 / 100 / 68

HEX #514400

RGB 81 68 0

HSL 50.37, 1%, 0.16%

LAB 29.12, -1.54, 38.07

 

CMYK 0 / 0 / 100 / 68

HEX #515100

RGB 81 81 0

HSL 60, 1%, 0.16%

LAB 33.21, -9.38, 41.09

 

CMYK 16 / 0 / 100 / 68

HEX #445100

RGB 68 81 0

HSL 69.63, 1%, 0.16%

LAB 32.06, -15.84, 39.73

 

CMYK 33 / 0 / 100 / 68

HEX #365100

RGB 54 81 0

HSL 80, 1%, 0.16%

LAB 31.04, -22.37, 38.51

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 0 / 33 / 100 / 48

HEX #855900

RGB 133 89 0

HSL 40.15, 1%, 0.26%

LAB 41.42, 11.71, 49.58

 

CMYK 0 / 33 / 100 / 28

HEX #B87B00

RGB 184 123 0

HSL 40.11, 1%, 0.36%

LAB 56.44, 15.82, 62.63

 

CMYK 0 / 33 / 100 / 8

HEX #EB9E00

RGB 235 158 0

HSL 40.34, 1%, 0.46%

LAB 70.95, 19.16, 75.19

 

CMYK 0 / 32 / 100 / 88

HEX #1F1500

RGB 31 21 0

HSL 40.65, 1%, 0.06%

LAB 7.48, 1.91, 11.23

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 88 / 0 / 100 / 68

HEX #0A5100

RGB 10 81 0

HSL 112.59, 1%, 0.16%

LAB 29.28, -36, 36.38

 

CMYK 74 / 100 / 0 / 68

HEX #150051

RGB 21 0 81

HSL 255.56, 1%, 0.16%

LAB 6.81, 34.83, -43.87

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 100 / 0 / 33 / 68

HEX #005136

RGB 0 81 54

HSL 160, 1%, 0.16%

LAB 29.79, -29.33, 9.87

 

CMYK 33 / 100 / 0 / 68

HEX #360051

RGB 54 0 81

HSL 280, 1%, 0.16%

LAB 11.81, 38.25, -35.44

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 88 / 0 / 100 / 68

HEX #0A5100

RGB 10 81 0

HSL 112.59, 1%, 0.16%

LAB 29.28, -36, 36.38

 

CMYK 100 / 67 / 0 / 68

HEX #001B51

RGB 0 27 81

HSL 220, 1%, 0.16%

LAB 11.81, 15.28, -35.65

 

CMYK 14 / 100 / 0 / 68

HEX #460051

RGB 70 0 81

HSL 291.85, 1%, 0.16%

LAB 14.93, 40.75, -30.22

 

CMYK 0 / 33 / 100 / 68

HEX #523700

RGB 82 55 0

HSL 40.24, 1%, 0.16%

LAB 25.34, 7.21, 34.85

 

CMYK 100 / 0 / 84 / 68

HEX #00510D

RGB 0 81 13

HSL 129.63, 1%, 0.16%

LAB 29.19, -36.52, 31.48

 

CMYK 100 / 67 / 0 / 68

HEX #001B51

RGB 0 27 81

HSL 220, 1%, 0.16%

LAB 11.81, 15.28, -35.65

 

CMYK 0 / 100 / 17 / 68

HEX #510043

RGB 81 0 67

HSL 310.37, 1%, 0.16%

LAB 16.28, 40.49, -18.25

 

Description

Color code: HEX #523700 | qconv.com Color code: HEX #523700 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 55 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 55 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 100 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 100% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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