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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507838 it is the complementary color #AF87C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #507838: #557833, #668A46, #779C59, #88AE6C and #99C07F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #507838: #507838, #3F6625, #2E5412, #1D4200 and #0C3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

Complementary color

CMYK 12 / 32 / 0 / 22

HEX #AF87C7

RGB 175 135 199

HSL 277.5, 0.36%, 0.65%

LAB 62.14, 27.13, -27.4

 

CMYK 29 / 0 / 58 / 53

HEX #557833

RGB 85 120 51

HSL 90.43, 0.4%, 0.34%

LAB 46.45, -25.07, 33.47

 

CMYK 26 / 0 / 49 / 46

HEX #668A46

RGB 102 138 70

HSL 91.76, 0.33%, 0.41%

LAB 53.43, -25.09, 32.24

 

CMYK 24 / 0 / 43 / 39

HEX #779C59

RGB 119 156 89

HSL 93.13, 0.27%, 0.48%

LAB 60.27, -25.03, 31

 

CMYK 22 / 0 / 38 / 32

HEX #88AE6C

RGB 136 174 108

HSL 94.55, 0.29%, 0.55%

LAB 66.97, -24.94, 29.79

 

CMYK 20 / 0 / 34 / 25

HEX #99C07F

RGB 153 192 127

HSL 96, 0.34%, 0.63%

LAB 73.55, -24.83, 28.63

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 38 / 0 / 64 / 60

HEX #3F6625

RGB 63 102 37

HSL 96, 0.47%, 0.27%

LAB 39.06, -26.4, 31.71

 

CMYK 45 / 0 / 79 / 67

HEX #2E5412

RGB 46 84 18

HSL 94.55, 0.65%, 0.2%

LAB 31.73, -26.11, 32.45

 

CMYK 56 / 0 / 100 / 74

HEX #1D4200

RGB 29 66 0

HSL 93.64, 1%, 0.13%

LAB 24.19, -25.42, 32.07

 

CMYK 75 / 0 / 100 / 81

HEX #0C3000

RGB 12 48 0

HSL 105, 1%, 0.09%

LAB 16.46, -23.23, 23.25

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 41 / 0 / 53 / 53

HEX #477939

RGB 71 121 57

HSL 106.88, 0.36%, 0.35%

LAB 46.06, -30.07, 29.68

 

CMYK 50 / 0 / 53 / 53

HEX #3C7939

RGB 60 121 57

HSL 117.19, 0.36%, 0.35%

LAB 45.54, -33.71, 28.93

 

CMYK 53 / 0 / 47 / 53

HEX #397940

RGB 57 121 64

HSL 126.56, 0.36%, 0.35%

LAB 45.52, -33.53, 25.07

 

CMYK 53 / 0 / 38 / 53

HEX #39794B

RGB 57 121 75

HSL 136.88, 0.36%, 0.35%

LAB 45.71, -31.56, 19.12

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 33 / 0 / 53 / 33

HEX #72AB50

RGB 114 171 80

HSL 97.58, 0.36%, 0.49%

LAB 64.39, -35.15, 40.62

 

CMYK 33 / 0 / 53 / 13

HEX #94DE68

RGB 148 222 104

HSL 97.63, 0.64%, 0.64%

LAB 81.59, -43.35, 50.12

 

CMYK 33 / 0 / 56 / 93

HEX #0C1208

RGB 12 18 8

HSL 96, 0.38%, 0.05%

LAB 4.77, -3.7, 3.79

 

CMYK 33 / 0 / 54 / 73

HEX #2E4520

RGB 46 69 32

HSL 97.3, 0.37%, 0.2%

LAB 26.57, -16.89, 19.46

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 53 / 0 / 10 / 53

HEX #39796D

RGB 57 121 109

HSL 168.75, 0.36%, 0.35%

LAB 46.51, -23.69, 0.31

 

CMYK 0 / 53 / 12 / 53

HEX #79396B

RGB 121 57 107

HSL 313.13, 0.36%, 0.35%

LAB 34.09, 34.93, -16.54

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 53 / 33 / 0 / 53

HEX #395179

RGB 57 81 121

HSL 217.5, 0.36%, 0.35%

LAB 34.26, 3.21, -25.56

 

CMYK 0 / 53 / 33 / 53

HEX #793951

RGB 121 57 81

HSL 337.5, 0.36%, 0.35%

LAB 33.1, 30.77, -1.41

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 53 / 0 / 10 / 53

HEX #39796D

RGB 57 121 109

HSL 168.75, 0.36%, 0.35%

LAB 46.51, -23.69, 0.31

 

CMYK 21 / 53 / 0 / 53

HEX #603979

RGB 96 57 121

HSL 276.56, 0.36%, 0.35%

LAB 31.33, 29.95, -29.93

 

CMYK 0 / 53 / 44 / 53

HEX #793944

RGB 121 57 68

HSL 349.69, 0.36%, 0.35%

LAB 32.72, 29.09, 6.44

 

CMYK 33 / 0 / 53 / 53

HEX #507838

RGB 80 120 56

HSL 97.5, 0.36%, 0.35%

LAB 46.21, -26.43, 30.51

 

CMYK 53 / 7 / 0 / 53

HEX #397179

RGB 57 113 121

HSL 187.5, 0.36%, 0.35%

LAB 44.32, -16.01, -10.11

 

CMYK 21 / 53 / 0 / 53

HEX #603979

RGB 96 57 121

HSL 276.56, 0.36%, 0.35%

LAB 31.33, 29.95, -29.93

 

CMYK 0 / 47 / 53 / 53

HEX #794039

RGB 121 64 57

HSL 6.56, 0.36%, 0.35%

LAB 34.04, 23.9, 15.29

 

Description

Color code: HEX #507838 | qconv.com Color code: HEX #507838 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 120 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 120 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 53 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 53% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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