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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FEC09 it is the complementary color #B013F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FEC09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FEC09 shade: #54EC04, #65FE17, #76FF2A, #87FF3D and #98FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FEC09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FEC09 shade: #4FEC09, #3EDA00, #2DC800, #1CB600 and #0BA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FEC09 shade: #4FEC09, #8CEC09, #CAEC09, #ECD209 and #EC9409

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FEC09 shade: #4FEC09, #11EC09, #09EC3D, #09EC7B and #09ECB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FEC09 shade matches the following richer shades: #4FEC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FEC09 shade: #4FEC09, #56D81C, #5EC530, #66B144 and #6D9D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FEC09 shade: #CAEC09, #8DEC09, #51EC09, #14EC09 and #09EC3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FEC09 shade: #349D06, #41C407, #4FEC09, #67F727 and #83F94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FEC09 shade: #4FEC09, #09ECD2 and #EC09AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FEC09 shade: #4FEC09, #0951EC and #EC0951

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FEC09 shade: #4FEC09, #09ECD2, #A409EC and #EC0923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FEC09 shade: #4FEC09, #09C2EC, #A409EC and #EC3209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

Complementary color

CMYK 28 / 92 / 0 / 4

HEX #B013F6

RGB 176 19 246

HSL 281.5, 0.93%, 0.52%

LAB 47.43, 84.2, -77.29

 

CMYK 64 / 0 / 98 / 7

HEX #54EC04

RGB 84 236 4

HSL 99.31, 0.97%, 0.47%

LAB 82.85, -72.29, 79.35

 

CMYK 60 / 0 / 91 / 0

HEX #65FE17

RGB 101 254 23

HSL 99.74, 0.99%, 0.54%

LAB 88.79, -73.99, 82.49

 

CMYK 54 / 0 / 84 / 0

HEX #76FF2A

RGB 118 255 42

HSL 98.59, 1%, 0.58%

LAB 89.64, -69.61, 80.08

 

CMYK 47 / 0 / 76 / 0

HEX #87FF3D

RGB 135 255 61

HSL 97.11, 1%, 0.62%

LAB 90.33, -64.05, 76

 

CMYK 40 / 0 / 69 / 0

HEX #98FF50

RGB 152 255 80

HSL 95.31, 1%, 0.66%

LAB 91.13, -57.73, 70.74

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 72 / 0 / 100 / 15

HEX #3EDA00

RGB 62 218 0

HSL 102.94, 1%, 0.43%

LAB 76.78, -70.99, 74.66

 

CMYK 78 / 0 / 100 / 22

HEX #2DC800

RGB 45 200 0

HSL 106.5, 1%, 0.39%

LAB 70.78, -68.28, 69.75

 

CMYK 85 / 0 / 100 / 29

HEX #1CB600

RGB 28 182 0

HSL 110.77, 1%, 0.36%

LAB 64.73, -65.11, 64.81

 

CMYK 93 / 0 / 100 / 36

HEX #0BA400

RGB 11 164 0

HSL 115.98, 1%, 0.32%

LAB 58.62, -61.33, 59.86

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 41 / 0 / 96 / 7

HEX #8CEC09

RGB 140 236 9

HSL 85.37, 0.93%, 0.48%

LAB 84.78, -57.06, 81.29

 

CMYK 14 / 0 / 96 / 7

HEX #CAEC09

RGB 202 236 9

HSL 68.99, 0.93%, 0.48%

LAB 88.24, -34.17, 85.47

 

CMYK 0 / 11 / 96 / 7

HEX #ECD209

RGB 236 210 9

HSL 53.13, 0.93%, 0.48%

LAB 83.94, -7.43, 83.41

 

CMYK 0 / 37 / 96 / 7

HEX #EC9409

RGB 236 148 9

HSL 36.74, 0.93%, 0.48%

LAB 68.77, 24.96, 72.64

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 93 / 0 / 96 / 7

HEX #11EC09

RGB 17 236 9

HSL 117.89, 0.93%, 0.48%

LAB 81.91, -80.55, 77.77

 

CMYK 96 / 0 / 74 / 7

HEX #09EC3D

RGB 9 236 61

HSL 133.74, 0.93%, 0.48%

LAB 82.05, -78.63, 67.06

 

CMYK 96 / 0 / 48 / 7

HEX #09EC7B

RGB 9 236 123

HSL 150.13, 0.93%, 0.48%

LAB 82.64, -71.32, 41.63

 

CMYK 96 / 0 / 22 / 7

HEX #09ECB8

RGB 9 236 184

HSL 166.26, 0.93%, 0.48%

LAB 83.71, -59, 12.09

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 60 / 0 / 87 / 15

HEX #56D81C

RGB 86 216 28

HSL 101.49, 0.77%, 0.48%

LAB 76.78, -64.87, 71.37

 

CMYK 52 / 0 / 76 / 23

HEX #5EC530

RGB 94 197 48

HSL 101.48, 0.61%, 0.48%

LAB 71.23, -55.15, 61.13

 

CMYK 42 / 0 / 62 / 31

HEX #66B144

RGB 102 177 68

HSL 101.28, 0.44%, 0.48%

LAB 65.5, -43.18, 47.4

 

CMYK 31 / 0 / 44 / 38

HEX #6D9D58

RGB 109 157 88

HSL 101.74, 0.28%, 0.48%

LAB 59.95, -29.36, 31

 

CMYK 14 / 0 / 96 / 7

HEX #CAEC09

RGB 202 236 9

HSL 68.99, 0.93%, 0.48%

LAB 88.24, -34.17, 85.47

 

CMYK 40 / 0 / 96 / 7

HEX #8DEC09

RGB 141 236 9

HSL 85.11, 0.93%, 0.48%

LAB 84.83, -56.73, 81.34

 

CMYK 66 / 0 / 96 / 7

HEX #51EC09

RGB 81 236 9

HSL 100.97, 0.93%, 0.48%

LAB 82.79, -72.83, 78.85

 

CMYK 92 / 0 / 96 / 7

HEX #14EC09

RGB 20 236 9

HSL 117.09, 0.93%, 0.48%

LAB 81.92, -80.4, 77.79

 

CMYK 96 / 0 / 75 / 7

HEX #09EC3A

RGB 9 236 58

HSL 132.95, 0.93%, 0.48%

LAB 82.03, -78.85, 68.01

 

CMYK 67 / 0 / 96 / 38

HEX #349D06

RGB 52 157 6

HSL 101.72, 0.93%, 0.32%

LAB 56.94, -53.46, 57.86

 

CMYK 67 / 0 / 96 / 23

HEX #41C407

RGB 65 196 7

HSL 101.59, 0.93%, 0.4%

LAB 69.91, -63.49, 68.44

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 58 / 0 / 84 / 3

HEX #67F727

RGB 103 247 39

HSL 101.54, 0.93%, 0.56%

LAB 86.78, -70.76, 78.02

 

CMYK 47 / 0 / 68 / 2

HEX #83F94F

RGB 131 249 79

HSL 101.65, 0.93%, 0.64%

LAB 88.52, -61.82, 68.12

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 96 / 0 / 11 / 7

HEX #09ECD2

RGB 9 236 210

HSL 173.13, 0.93%, 0.48%

LAB 84.33, -52.4, -0.66

 

CMYK 0 / 96 / 27 / 7

HEX #EC09AC

RGB 236 9 172

HSL 316.92, 0.93%, 0.48%

LAB 52.96, 84.02, -25.37

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 96 / 66 / 0 / 7

HEX #0951EC

RGB 9 81 236

HSL 220.97, 0.93%, 0.48%

LAB 41.21, 41.55, -82.36

 

CMYK 0 / 96 / 66 / 7

HEX #EC0951

RGB 236 9 81

HSL 340.97, 0.93%, 0.48%

LAB 50.24, 76.82, 25.59

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 96 / 0 / 11 / 7

HEX #09ECD2

RGB 9 236 210

HSL 173.13, 0.93%, 0.48%

LAB 84.33, -52.4, -0.66

 

CMYK 31 / 96 / 0 / 7

HEX #A409EC

RGB 164 9 236

HSL 280.97, 0.93%, 0.48%

LAB 44.44, 81.98, -76.62

 

CMYK 0 / 96 / 85 / 7

HEX #EC0923

RGB 236 9 35

HSL 353.13, 0.93%, 0.48%

LAB 49.68, 75.27, 51.2

 

CMYK 67 / 0 / 96 / 7

HEX #4FEC09

RGB 79 236 9

HSL 101.5, 0.93%, 0.48%

LAB 82.74, -73.23, 78.79

 

CMYK 96 / 18 / 0 / 7

HEX #09C2EC

RGB 9 194 236

HSL 191.1, 0.93%, 0.48%

LAB 72.69, -25.47, -32.07

 

CMYK 31 / 96 / 0 / 7

HEX #A409EC

RGB 164 9 236

HSL 280.97, 0.93%, 0.48%

LAB 44.44, 81.98, -76.62

 

CMYK 0 / 79 / 96 / 7

HEX #EC3209

RGB 236 50 9

HSL 10.84, 0.93%, 0.48%

LAB 51.99, 67.98, 62.27

 

Description

Color code: HEX #4FEC09 | qconv.com Color code: HEX #4FEC09 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 236 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 236 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 96 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 96% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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