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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ECC7E it is the complementary color #B13381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ECC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ECC7E shade: #53CC79, #64DE8C, #75F09F, #86FFB2 and #97FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ECC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ECC7E shade: #4ECC7E, #3DBA6B, #2CA858, #1B9645 and #0A8432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ECC7E shade: #4DCB7D, #4DCB5B, #61CB4D, #83CB4D and #A5CB4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ECC7E shade: #4DCB7D, #4DCB9F, #4DCBC1, #4DB3CB and #4D91CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ECC7E shade matches the following richer shades: #4DCB7D, #3BDE79 and #28F074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ECC7E shade: #4DCB7D, #60B982, #72A686, #85948A and #97818F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ECC7E shade: #62CB4D, #4DCB5A, #4DCB7B, #4DCB9D and #4DCBBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ECC7E shade: #2D9956, #36B968, #4DCB7D, #6DD595 and #8DDEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ECC7E shade: #4ECC7E, #4D84CB and #CB4D51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ECC7E shade: #4ECC7E, #7B4DCB and #CB7B4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ECC7E shade: #4ECC7E, #4D84CB, #CB4D9D and #CB954D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ECC7E shade: #4ECC7E, #4D5ECB, #CB4D9D and #CBBB4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 38 / 20

HEX #4ECC7E

RGB 78 204 126

HSL 142.86, 0.55%, 0.55%

LAB 73.75, -52.18, 28.81

 

Complementary color

CMYK 0 / 71 / 27 / 31

HEX #B13381

RGB 177 51 129

HSL 322.86, 0.55%, 0.45%

LAB 43.21, 57.61, -15.46

 

CMYK 59 / 0 / 41 / 20

HEX #53CC79

RGB 83 204 121

HSL 138.84, 0.54%, 0.56%

LAB 73.81, -52.01, 31.5

 

CMYK 55 / 0 / 37 / 13

HEX #64DE8C

RGB 100 222 140

HSL 139.67, 0.65%, 0.63%

LAB 80.09, -52.06, 30.15

 

CMYK 51 / 0 / 34 / 6

HEX #75F09F

RGB 117 240 159

HSL 140.49, 0.8%, 0.7%

LAB 86.31, -52, 28.88

 

CMYK 47 / 0 / 30 / 0

HEX #86FFB2

RGB 134 255 178

HSL 141.82, 1%, 0.76%

LAB 91.6, -50.62, 26.52

 

CMYK 41 / 0 / 23 / 0

HEX #97FFC5

RGB 151 255 197

HSL 146.54, 1%, 0.8%

LAB 92.63, -42.69, 18.39

 

CMYK 62 / 0 / 38 / 20

HEX #4ECC7E

RGB 78 204 126

HSL 142.86, 0.55%, 0.55%

LAB 73.75, -52.18, 28.81

 

CMYK 67 / 0 / 42 / 27

HEX #3DBA6B

RGB 61 186 107

HSL 142.08, 0.51%, 0.48%

LAB 67.41, -51.87, 30.27

 

CMYK 74 / 0 / 48 / 34

HEX #2CA858

RGB 44 168 88

HSL 141.29, 0.58%, 0.42%

LAB 61, -51.27, 31.83

 

CMYK 82 / 0 / 54 / 41

HEX #1B9645

RGB 27 150 69

HSL 140.49, 0.69%, 0.35%

LAB 54.53, -50.19, 33.48

 

CMYK 92 / 0 / 62 / 48

HEX #0A8432

RGB 10 132 50

HSL 139.67, 0.86%, 0.28%

LAB 48, -48.39, 35.15

 

CMYK 62 / 0 / 38 / 20

HEX #4DCB7D

RGB 77 203 125

HSL 142.86, 0.55%, 0.55%

LAB 73.4, -52.17, 28.86

 

CMYK 62 / 0 / 55 / 20

HEX #4DCB5B

RGB 77 203 91

HSL 126.67, 0.55%, 0.55%

LAB 72.92, -57.44, 45.19

 

CMYK 52 / 0 / 62 / 20

HEX #61CB4D

RGB 97 203 77

HSL 110.48, 0.55%, 0.55%

LAB 73.41, -54.18, 52.25

 

CMYK 35 / 0 / 62 / 20

HEX #83CB4D

RGB 131 203 77

HSL 94.29, 0.55%, 0.55%

LAB 74.87, -43.65, 54.28

 

CMYK 19 / 0 / 62 / 20

HEX #A5CB4D

RGB 165 203 77

HSL 78.1, 0.55%, 0.55%

LAB 76.83, -31.09, 56.99

 

CMYK 62 / 0 / 38 / 20

HEX #4DCB7D

RGB 77 203 125

HSL 142.86, 0.55%, 0.55%

LAB 73.4, -52.17, 28.86

 

CMYK 62 / 0 / 22 / 20

HEX #4DCB9F

RGB 77 203 159

HSL 159.05, 0.55%, 0.55%

LAB 74.06, -45.21, 11.77

 

CMYK 62 / 0 / 5 / 20

HEX #4DCBC1

RGB 77 203 193

HSL 175.24, 0.55%, 0.55%

LAB 74.91, -36.78, -5.33

 

CMYK 62 / 12 / 0 / 20

HEX #4DB3CB

RGB 77 179 203

HSL 191.43, 0.55%, 0.55%

LAB 68.12, -22.29, -20.99

 

CMYK 62 / 29 / 0 / 20

HEX #4D91CB

RGB 77 145 203

HSL 207.62, 0.55%, 0.55%

LAB 58.17, -3.82, -36.35

 

CMYK 62 / 0 / 38 / 20

HEX #4DCB7D

RGB 77 203 125

HSL 142.86, 0.55%, 0.55%

LAB 73.4, -52.17, 28.86

 

CMYK 73 / 0 / 45 / 13

HEX #3BDE79

RGB 59 222 121

HSL 142.82, 0.71%, 0.55%

LAB 78.78, -62.99, 37.82

 

CMYK 83 / 0 / 52 / 6

HEX #28F074

RGB 40 240 116

HSL 142.8, 0.87%, 0.55%

LAB 83.98, -71.94, 46.69

 

CMYK 62 / 0 / 38 / 20

HEX #4DCB7D

RGB 77 203 125

HSL 142.86, 0.55%, 0.55%

LAB 73.4, -52.17, 28.86

 

CMYK 48 / 0 / 30 / 27

HEX #60B982

RGB 96 185 130

HSL 142.92, 0.39%, 0.55%

LAB 68.6, -39.26, 19.87

 

CMYK 31 / 0 / 19 / 35

HEX #72A686

RGB 114 166 134

HSL 143.08, 0.23%, 0.55%

LAB 63.81, -24.18, 11.14

 

CMYK 10 / 0 / 7 / 42

HEX #85948A

RGB 133 148 138

HSL 140, 0.07%, 0.55%

LAB 59.89, -7.39, 3.45

 

CMYK 0 / 15 / 5 / 41

HEX #97818F

RGB 151 129 143

HSL 321.82, 0.1%, 0.55%

LAB 56.35, 10.92, -4.41

 

CMYK 52 / 0 / 62 / 20

HEX #62CB4D

RGB 98 203 77

HSL 110, 0.55%, 0.55%

LAB 73.44, -53.91, 52.3

 

CMYK 62 / 0 / 56 / 20

HEX #4DCB5A

RGB 77 203 90

HSL 126.19, 0.55%, 0.55%

LAB 72.91, -57.57, 45.64

 

CMYK 62 / 0 / 39 / 20

HEX #4DCB7B

RGB 77 203 123

HSL 141.9, 0.55%, 0.55%

LAB 73.36, -52.53, 29.85

 

CMYK 62 / 0 / 23 / 20

HEX #4DCB9D

RGB 77 203 157

HSL 158.1, 0.55%, 0.55%

LAB 74.01, -45.66, 12.78

 

CMYK 62 / 0 / 6 / 20

HEX #4DCBBF

RGB 77 203 191

HSL 174.29, 0.55%, 0.55%

LAB 74.86, -37.32, -4.33

 

CMYK 71 / 0 / 44 / 40

HEX #2D9956

RGB 45 153 86

HSL 142.78, 0.55%, 0.39%

LAB 56.1, -45.76, 26.61

 

CMYK 71 / 0 / 44 / 27

HEX #36B968

RGB 54 185 104

HSL 142.9, 0.55%, 0.47%

LAB 66.89, -53.24, 31.12

 

CMYK 62 / 0 / 38 / 20

HEX #4DCB7D

RGB 77 203 125

HSL 142.86, 0.55%, 0.55%

LAB 73.4, -52.17, 28.86

 

CMYK 49 / 0 / 30 / 16

HEX #6DD595

RGB 109 213 149

HSL 143.08, 0.55%, 0.63%

LAB 77.88, -44.49, 22.56

 

CMYK 36 / 0 / 23 / 13

HEX #8DDEAC

RGB 141 222 172

HSL 142.96, 0.55%, 0.71%

LAB 82.32, -35.38, 16.84

 

CMYK 62 / 0 / 38 / 20

HEX #4ECC7E

RGB 78 204 126

HSL 142.86, 0.55%, 0.55%

LAB 73.75, -52.18, 28.81

 

CMYK 62 / 35 / 0 / 20

HEX #4D84CB

RGB 77 132 203

HSL 213.81, 0.55%, 0.55%

LAB 54.44, 3.8, -42.21

 

CMYK 0 / 62 / 60 / 20

HEX #CB4D51

RGB 203 77 81

HSL 358.1, 0.55%, 0.55%

LAB 50.21, 50.3, 24.36

 

CMYK 62 / 0 / 38 / 20

HEX #4ECC7E

RGB 78 204 126

HSL 142.86, 0.55%, 0.55%

LAB 73.75, -52.18, 28.81

 

CMYK 39 / 62 / 0 / 20

HEX #7B4DCB

RGB 123 77 203

HSL 261.9, 0.55%, 0.55%

LAB 43.99, 46.56, -58.73

 

CMYK 0 / 39 / 62 / 20

HEX #CB7B4D

RGB 203 123 77

HSL 21.9, 0.55%, 0.55%

LAB 59.34, 26.86, 37.99

 

CMYK 62 / 0 / 38 / 20

HEX #4ECC7E

RGB 78 204 126

HSL 142.86, 0.55%, 0.55%

LAB 73.75, -52.18, 28.81

 

CMYK 62 / 35 / 0 / 20

HEX #4D84CB

RGB 77 132 203

HSL 213.81, 0.55%, 0.55%

LAB 54.44, 3.8, -42.21

 

CMYK 0 / 62 / 23 / 20

HEX #CB4D9D

RGB 203 77 157

HSL 321.9, 0.55%, 0.55%

LAB 52.33, 58.2, -17.99

 

CMYK 0 / 27 / 62 / 20

HEX #CB954D

RGB 203 149 77

HSL 34.29, 0.55%, 0.55%

LAB 65.54, 12.7, 45.25

 

CMYK 62 / 0 / 38 / 20

HEX #4ECC7E

RGB 78 204 126

HSL 142.86, 0.55%, 0.55%

LAB 73.75, -52.18, 28.81

 

CMYK 62 / 54 / 0 / 20

HEX #4D5ECB

RGB 77 94 203

HSL 231.9, 0.55%, 0.55%

LAB 44.08, 27.32, -58.76

 

CMYK 0 / 62 / 23 / 20

HEX #CB4D9D

RGB 203 77 157

HSL 321.9, 0.55%, 0.55%

LAB 52.33, 58.2, -17.99

 

CMYK 0 / 8 / 62 / 20

HEX #CBBB4D

RGB 203 187 77

HSL 52.38, 0.55%, 0.55%

LAB 75.31, -7.56, 56.17

 

Description

Color code: HEX #4ECC7E | qconv.com Color code: HEX #4ECC7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 204 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 204 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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