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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4B00 it is the complementary color #B1B4FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4E4B00: #534B00, #645D0E, #756F21, #868134 and #979347

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4E4B00: #4E4B00, #3D3900, #2C2700, #1B1500 and #0A0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

Complementary color

CMYK 31 / 29 / 0 / 0

HEX #B1B4FF

RGB 177 180 255

HSL 237.69, 1%, 0.85%

LAB 75.58, 15.5, -37.37

 

CMYK 0 / 10 / 100 / 67

HEX #534B00

RGB 83 75 0

HSL 54.22, 1%, 0.16%

LAB 31.51, -4.79, 39.95

 

CMYK 0 / 7 / 86 / 61

HEX #645D0E

RGB 100 93 14

HSL 55.12, 0.75%, 0.22%

LAB 38.85, -6.43, 42.07

 

CMYK 0 / 5 / 72 / 54

HEX #756F21

RGB 117 111 33

HSL 55.71, 0.56%, 0.29%

LAB 45.99, -7.64, 42.19

 

CMYK 0 / 4 / 61 / 47

HEX #868134

RGB 134 129 52

HSL 56.34, 0.44%, 0.36%

LAB 52.97, -8.55, 41.39

 

CMYK 0 / 3 / 53 / 41

HEX #979347

RGB 151 147 71

HSL 57, 0.36%, 0.44%

LAB 59.8, -9.24, 40.26

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 0 / 7 / 100 / 76

HEX #3D3900

RGB 61 57 0

HSL 56.07, 1%, 0.12%

LAB 23.4, -5.28, 32.08

 

CMYK 0 / 11 / 100 / 83

HEX #2C2700

RGB 44 39 0

HSL 53.18, 1%, 0.09%

LAB 15.42, -3.03, 22.43

 

CMYK 0 / 22 / 100 / 89

HEX #1B1500

RGB 27 21 0

HSL 46.67, 1%, 0.05%

LAB 6.95, -0.45, 10.4

 

CMYK 0 / 70 / 100 / 96

HEX #0A0300

RGB 10 3 0

HSL 18, 1%, 0.02%

LAB 1.17, 1.41, 1.78

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 12 / 0 / 100 / 70

HEX #434C00

RGB 67 76 0

HSL 67.11, 1%, 0.15%

LAB 30.31, -13.53, 38.38

 

CMYK 29 / 0 / 100 / 70

HEX #364C00

RGB 54 76 0

HSL 77.37, 1%, 0.15%

LAB 29.29, -19.8, 37.17

 

CMYK 45 / 0 / 100 / 70

HEX #2A4C00

RGB 42 76 0

HSL 86.84, 1%, 0.15%

LAB 28.54, -25.02, 36.25

 

CMYK 62 / 0 / 100 / 70

HEX #1D4C00

RGB 29 76 0

HSL 97.11, 1%, 0.15%

LAB 27.93, -29.74, 35.49

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 0 / 4 / 100 / 49

HEX #817C00

RGB 129 124 0

HSL 57.67, 1%, 0.25%

LAB 50.78, -10.29, 55.93

 

CMYK 0 / 4 / 100 / 29

HEX #B4AD00

RGB 180 173 0

HSL 57.67, 1%, 0.35%

LAB 69.18, -13.02, 71.34

 

CMYK 0 / 4 / 100 / 9

HEX #E7DE00

RGB 231 222 0

HSL 57.66, 1%, 0.45%

LAB 86.62, -15.62, 85.95

 

CMYK 0 / 4 / 100 / 89

HEX #1B1A00

RGB 27 26 0

HSL 57.78, 1%, 0.05%

LAB 8.75, -4.09, 13.03

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 100 / 0 / 86 / 70

HEX #004C0B

RGB 0 76 11

HSL 128.68, 1%, 0.15%

LAB 27.28, -35.03, 30.36

 

CMYK 45 / 100 / 0 / 70

HEX #2A004C

RGB 42 0 76

HSL 273.16, 1%, 0.15%

LAB 9.11, 35.54, -36.5

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 100 / 0 / 5 / 70

HEX #004C48

RGB 0 76 72

HSL 176.84, 1%, 0.15%

LAB 28.48, -21.43, -3.52

 

CMYK 5 / 100 / 0 / 70

HEX #48004C

RGB 72 0 76

HSL 296.84, 1%, 0.15%

LAB 14.95, 40.17, -26.74

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 100 / 0 / 86 / 70

HEX #004C0B

RGB 0 76 11

HSL 128.68, 1%, 0.15%

LAB 27.28, -35.03, 30.36

 

CMYK 100 / 96 / 0 / 70

HEX #00034C

RGB 0 3 76

HSL 237.63, 1%, 0.15%

LAB 5.3, 28.88, -42.93

 

CMYK 0 / 100 / 14 / 70

HEX #4C0041

RGB 76 0 65

HSL 308.68, 1%, 0.15%

LAB 15.05, 39.12, -18.86

 

CMYK 0 / 4 / 100 / 69

HEX #4E4B00

RGB 78 75 0

HSL 57.69, 1%, 0.15%

LAB 31, -7.36, 39.35

 

CMYK 100 / 0 / 55 / 70

HEX #004C22

RGB 0 76 34

HSL 146.84, 1%, 0.15%

LAB 27.53, -31.87, 19.12

 

CMYK 100 / 96 / 0 / 70

HEX #00034C

RGB 0 3 76

HSL 237.63, 1%, 0.15%

LAB 5.3, 28.88, -42.93

 

CMYK 0 / 100 / 45 / 70

HEX #4C002A

RGB 76 0 42

HSL 326.84, 1%, 0.15%

LAB 13.85, 36.06, -4.14

 

Description

Color code: HEX #4E4B00 | qconv.com Color code: HEX #4E4B00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 75 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 75 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 100 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 100% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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