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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C1B5B it is the complementary color #B3E4A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C1B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4C1B5B: #511B56, #622D69, #733F7C, #84518F and #9563A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C1B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4C1B5B: #4C1B5B, #3B0948, #2A0035, #190022 and #08000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

Complementary color

CMYK 21 / 0 / 28 / 11

HEX #B3E4A4

RGB 179 228 164

HSL 105.94, 0.54%, 0.77%

LAB 85.88, -27.51, 26.24

 

CMYK 6 / 69 / 0 / 66

HEX #511B56

RGB 81 27 86

HSL 294.92, 0.52%, 0.22%

LAB 20.85, 34.16, -24.02

 

CMYK 7 / 57 / 0 / 59

HEX #622D69

RGB 98 45 105

HSL 293, 0.4%, 0.29%

LAB 28.1, 33.75, -24.86

 

CMYK 7 / 49 / 0 / 51

HEX #733F7C

RGB 115 63 124

HSL 291.15, 0.33%, 0.37%

LAB 35.31, 33, -25.38

 

CMYK 8 / 43 / 0 / 44

HEX #84518F

RGB 132 81 143

HSL 289.35, 0.28%, 0.44%

LAB 42.42, 32.18, -25.75

 

CMYK 8 / 39 / 0 / 36

HEX #9563A2

RGB 149 99 162

HSL 287.62, 0.25%, 0.51%

LAB 49.4, 31.37, -26.06

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 18 / 88 / 0 / 72

HEX #3B0948

RGB 59 9 72

HSL 287.62, 0.78%, 0.16%

LAB 13.19, 33.44, -26.94

 

CMYK 21 / 100 / 0 / 79

HEX #2A0035

RGB 42 0 53

HSL 287.55, 1%, 0.1%

LAB 6.77, 29.94, -23.9

 

CMYK 26 / 100 / 0 / 87

HEX #190022

RGB 25 0 34

HSL 284.12, 1%, 0.07%

LAB 2.91, 15.71, -15.76

 

CMYK 47 / 100 / 0 / 94

HEX #08000F

RGB 8 0 15

HSL 272, 1%, 0.03%

LAB 0.78, 4.28, -5.22

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 6 / 71 / 0 / 65

HEX #551A5A

RGB 85 26 90

HSL 295.31, 0.55%, 0.23%

LAB 21.61, 36.54, -25.44

 

CMYK 0 / 71 / 6 / 65

HEX #5A1A55

RGB 90 26 85

HSL 304.69, 0.55%, 0.23%

LAB 22.19, 36.94, -21.13

 

CMYK 0 / 71 / 18 / 65

HEX #5A1A4A

RGB 90 26 74

HSL 315, 0.55%, 0.23%

LAB 21.6, 35.01, -14.63

 

CMYK 0 / 71 / 30 / 65

HEX #5A1A3F

RGB 90 26 63

HSL 325.31, 0.55%, 0.23%

LAB 21.1, 33.28, -7.87

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 16 / 70 / 0 / 44

HEX #772A8E

RGB 119 42 142

HSL 286.2, 0.54%, 0.36%

LAB 32.99, 48.55, -40.16

 

CMYK 17 / 70 / 0 / 24

HEX #A139C1

RGB 161 57 193

HSL 285.88, 0.54%, 0.49%

LAB 44.74, 61.89, -51.48

 

CMYK 16 / 70 / 0 / 4

HEX #CC48F4

RGB 204 72 244

HSL 286.05, 0.89%, 0.62%

LAB 56.09, 74.72, -61.95

 

CMYK 18 / 70 / 0 / 84

HEX #210C28

RGB 33 12 40

HSL 285, 0.54%, 0.1%

LAB 6.68, 16.75, -14.45

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 0 / 71 / 67 / 65

HEX #5A1A1E

RGB 90 26 30

HSL 356.25, 0.55%, 0.23%

LAB 20.07, 29.61, 13.67

 

CMYK 71 / 0 / 46 / 65

HEX #1A5A31

RGB 26 90 49

HSL 141.56, 0.55%, 0.23%

LAB 33.46, -30.52, 17.93

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 0 / 18 / 71 / 65

HEX #5A4A1A

RGB 90 74 26

HSL 45, 0.55%, 0.23%

LAB 32.14, 0.61, 30.26

 

CMYK 71 / 0 / 18 / 65

HEX #1A5A4A

RGB 26 90 74

HSL 165, 0.55%, 0.23%

LAB 34.04, -24.44, 3.4

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 0 / 71 / 67 / 65

HEX #5A1A1E

RGB 90 26 30

HSL 356.25, 0.55%, 0.23%

LAB 20.07, 29.61, 13.67

 

CMYK 53 / 0 / 71 / 65

HEX #2A5A1A

RGB 42 90 26

HSL 105, 0.55%, 0.23%

LAB 33.73, -29.57, 30.9

 

CMYK 71 / 0 / 3 / 65

HEX #1A5A57

RGB 26 90 87

HSL 177.19, 0.55%, 0.23%

LAB 34.44, -20.52, -4.16

 

CMYK 16 / 70 / 0 / 64

HEX #4C1B5B

RGB 76 27 91

HSL 285.94, 0.54%, 0.23%

LAB 20.34, 33.89, -28.21

 

CMYK 0 / 53 / 71 / 65

HEX #5A2A1A

RGB 90 42 26

HSL 15, 0.55%, 0.23%

LAB 23.35, 20.57, 20.39

 

CMYK 53 / 0 / 71 / 65

HEX #2A5A1A

RGB 42 90 26

HSL 105, 0.55%, 0.23%

LAB 33.73, -29.57, 30.9

 

CMYK 71 / 18 / 0 / 65

HEX #1A4A5A

RGB 26 74 90

HSL 195, 0.55%, 0.23%

LAB 29.04, -10.37, -14.21

 

Description

Color code: HEX #4C1B5B | qconv.com Color code: HEX #4C1B5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 27 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 27 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 70 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 70% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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