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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6EB6 it is the complementary color #B49149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6EB6 shade: #506EB1, #6180C4, #7292D7, #83A4EA and #94B6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6EB6 shade: #4B6EB6, #3A5CA3, #294A90, #18387D and #07266A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6EB6 shade: #4A6DB5, #4A50B5, #614AB5, #7E4AB5 and #9A4AB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6EB6 shade: #4A6DB5, #4A50B5 and #4A4AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6EB6 shade matches the following richer shades: #4A6DB5, #3566CA, #215FDE and #0C58F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6EB6 shade: #4A6DB5, #5F74A0, #737B8C, #888277 and #9C8A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6EB6 shade: #4AA7B5, #4A8AB5, #4A6EB5, #4A51B5 and #5F4AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6EB6 shade: #324A7A, #3E5B98, #4A6DB5, #6785C1 and #859CCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6EB6 shade: #4B6EB6, #A74AB5 and #98B54A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6EB6 shade: #4B6EB6, #B54A6E and #6EB54A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6EB6 shade: #4B6EB6, #A74AB5, #B5914A and #58B54A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6EB6 shade: #4B6EB6, #B54AA3, #B5914A and #4AB55C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 40 / 0 / 29

HEX #4B6EB6

RGB 75 110 182

HSL 220.37, 0.42%, 0.5%

LAB 47.01, 9.69, -41.93

 

Complementary color

CMYK 0 / 19 / 59 / 29

HEX #B49149

RGB 180 145 73

HSL 40.37, 0.42%, 0.5%

LAB 62.03, 4.67, 42.56

 

CMYK 55 / 38 / 0 / 31

HEX #506EB1

RGB 80 110 177

HSL 221.44, 0.38%, 0.5%

LAB 47.02, 9.09, -38.99

 

CMYK 51 / 35 / 0 / 23

HEX #6180C4

RGB 97 128 196

HSL 221.21, 0.46%, 0.57%

LAB 53.99, 8.14, -38.87

 

CMYK 47 / 32 / 0 / 16

HEX #7292D7

RGB 114 146 215

HSL 220.99, 0.56%, 0.65%

LAB 60.82, 7.36, -38.79

 

CMYK 44 / 30 / 0 / 8

HEX #83A4EA

RGB 131 164 234

HSL 220.78, 0.71%, 0.72%

LAB 67.51, 6.7, -38.76

 

CMYK 42 / 28 / 0 / 1

HEX #94B6FD

RGB 148 182 253

HSL 220.57, 0.96%, 0.79%

LAB 74.09, 6.14, -38.76

 

CMYK 59 / 40 / 0 / 29

HEX #4B6EB6

RGB 75 110 182

HSL 220.37, 0.42%, 0.5%

LAB 47.01, 9.69, -41.93

 

CMYK 64 / 44 / 0 / 36

HEX #3A5CA3

RGB 58 92 163

HSL 220.57, 0.48%, 0.43%

LAB 39.91, 11.1, -42.11

 

CMYK 72 / 49 / 0 / 44

HEX #294A90

RGB 41 74 144

HSL 220.78, 0.56%, 0.36%

LAB 32.66, 12.94, -42.32

 

CMYK 81 / 55 / 0 / 51

HEX #18387D

RGB 24 56 125

HSL 220.99, 0.68%, 0.29%

LAB 25.27, 15.42, -42.5

 

CMYK 93 / 64 / 0 / 58

HEX #07266A

RGB 7 38 106

HSL 221.21, 0.88%, 0.22%

LAB 17.79, 18.81, -42.53

 

CMYK 59 / 40 / 0 / 29

HEX #4A6DB5

RGB 74 109 181

HSL 220.37, 0.42%, 0.5%

LAB 46.62, 9.77, -41.97

 

CMYK 59 / 56 / 0 / 29

HEX #4A50B5

RGB 74 80 181

HSL 236.64, 0.42%, 0.5%

LAB 38.78, 28.16, -54.54

 

CMYK 46 / 59 / 0 / 29

HEX #614AB5

RGB 97 74 181

HSL 252.9, 0.42%, 0.5%

LAB 39.2, 36.52, -53.77

 

CMYK 30 / 59 / 0 / 29

HEX #7E4AB5

RGB 126 74 181

HSL 269.16, 0.42%, 0.5%

LAB 42.26, 43.23, -48.68

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 59 / 40 / 0 / 29

HEX #4A6DB5

RGB 74 109 181

HSL 220.37, 0.42%, 0.5%

LAB 46.62, 9.77, -41.97

 

CMYK 59 / 56 / 0 / 29

HEX #4A50B5

RGB 74 80 181

HSL 236.64, 0.42%, 0.5%

LAB 38.78, 28.16, -54.54

 

CMYK 59 / 59 / 0 / 29

HEX #4A4AB5

RGB 74 74 181

HSL 240, 0.42%, 0.5%

LAB 37.28, 31.95, -56.97

 

CMYK 59 / 40 / 0 / 29

HEX #4A6DB5

RGB 74 109 181

HSL 220.37, 0.42%, 0.5%

LAB 46.62, 9.77, -41.97

 

CMYK 74 / 50 / 0 / 21

HEX #3566CA

RGB 53 102 202

HSL 220.27, 0.58%, 0.5%

LAB 44.98, 18.23, -56.8

 

CMYK 85 / 57 / 0 / 13

HEX #215FDE

RGB 33 95 222

HSL 220.32, 0.74%, 0.5%

LAB 43.92, 28.35, -69.98

 

CMYK 95 / 64 / 0 / 5

HEX #0C58F3

RGB 12 88 243

HSL 220.26, 0.91%, 0.5%

LAB 43.55, 39.82, -82.46

 

CMYK 59 / 40 / 0 / 29

HEX #4A6DB5

RGB 74 109 181

HSL 220.37, 0.42%, 0.5%

LAB 46.62, 9.77, -41.97

 

CMYK 41 / 28 / 0 / 37

HEX #5F74A0

RGB 95 116 160

HSL 220.62, 0.25%, 0.5%

LAB 48.84, 3.95, -26.14

 

CMYK 18 / 12 / 0 / 45

HEX #737B8C

RGB 115 123 140

HSL 220.8, 0.1%, 0.5%

LAB 51.5, 0.82, -10.22

 

CMYK 0 / 4 / 13 / 47

HEX #888277

RGB 136 130 119

HSL 38.82, 0.07%, 0.5%

LAB 54.59, 0.24, 6.75

 

CMYK 0 / 12 / 37 / 39

HEX #9C8A63

RGB 156 138 99

HSL 41.05, 0.22%, 0.5%

LAB 58.18, 0.86, 23.39

 

CMYK 59 / 8 / 0 / 29

HEX #4AA7B5

RGB 74 167 181

HSL 187.85, 0.42%, 0.5%

LAB 63.7, -23.23, -15.5

 

CMYK 59 / 24 / 0 / 29

HEX #4A8AB5

RGB 74 138 181

HSL 204.11, 0.42%, 0.5%

LAB 55.04, -7.56, -28.75

 

CMYK 59 / 39 / 0 / 29

HEX #4A6EB5

RGB 74 110 181

HSL 219.81, 0.42%, 0.5%

LAB 46.9, 9.15, -41.52

 

CMYK 59 / 55 / 0 / 29

HEX #4A51B5

RGB 74 81 181

HSL 236.07, 0.42%, 0.5%

LAB 39.03, 27.53, -54.13

 

CMYK 48 / 59 / 0 / 29

HEX #5F4AB5

RGB 95 74 181

HSL 251.78, 0.42%, 0.5%

LAB 39.01, 36.1, -54.08

 

CMYK 59 / 39 / 0 / 52

HEX #324A7A

RGB 50 74 122

HSL 220, 0.42%, 0.34%

LAB 31.76, 6.44, -30.14

 

CMYK 59 / 40 / 0 / 40

HEX #3E5B98

RGB 62 91 152

HSL 220.67, 0.42%, 0.42%

LAB 39.2, 8.63, -36.67

 

CMYK 59 / 40 / 0 / 29

HEX #4A6DB5

RGB 74 109 181

HSL 220.37, 0.42%, 0.5%

LAB 46.62, 9.77, -41.97

 

CMYK 47 / 31 / 0 / 24

HEX #6785C1

RGB 103 133 193

HSL 220, 0.42%, 0.58%

LAB 55.59, 5.7, -34.63

 

CMYK 35 / 24 / 0 / 20

HEX #859CCD

RGB 133 156 205

HSL 220.83, 0.42%, 0.66%

LAB 64.3, 3.81, -27.72

 

CMYK 59 / 40 / 0 / 29

HEX #4B6EB6

RGB 75 110 182

HSL 220.37, 0.42%, 0.5%

LAB 47.01, 9.69, -41.93

 

CMYK 8 / 59 / 0 / 29

HEX #A74AB5

RGB 167 74 181

HSL 292.15, 0.42%, 0.5%

LAB 47.56, 53.61, -39.92

 

CMYK 16 / 0 / 59 / 29

HEX #98B54A

RGB 152 181 74

HSL 76.26, 0.42%, 0.5%

LAB 69.62, -25.98, 50.11

 

CMYK 59 / 40 / 0 / 29

HEX #4B6EB6

RGB 75 110 182

HSL 220.37, 0.42%, 0.5%

LAB 47.01, 9.69, -41.93

 

CMYK 0 / 59 / 39 / 29

HEX #B54A6E

RGB 181 74 110

HSL 339.81, 0.42%, 0.5%

LAB 46.77, 46.85, 1.54

 

CMYK 39 / 0 / 59 / 29

HEX #6EB54A

RGB 110 181 74

HSL 99.81, 0.42%, 0.5%

LAB 67.17, -41.63, 46.67

 

CMYK 59 / 40 / 0 / 29

HEX #4B6EB6

RGB 75 110 182

HSL 220.37, 0.42%, 0.5%

LAB 47.01, 9.69, -41.93

 

CMYK 8 / 59 / 0 / 29

HEX #A74AB5

RGB 167 74 181

HSL 292.15, 0.42%, 0.5%

LAB 47.56, 53.61, -39.92

 

CMYK 0 / 20 / 59 / 29

HEX #B5914A

RGB 181 145 74

HSL 39.81, 0.42%, 0.5%

LAB 62.14, 5.19, 42.22

 

CMYK 51 / 0 / 59 / 29

HEX #58B54A

RGB 88 181 74

HSL 112.15, 0.42%, 0.5%

LAB 66.23, -48.43, 45.34

 

CMYK 59 / 40 / 0 / 29

HEX #4B6EB6

RGB 75 110 182

HSL 220.37, 0.42%, 0.5%

LAB 47.01, 9.69, -41.93

 

CMYK 0 / 59 / 10 / 29

HEX #B54AA3

RGB 181 74 163

HSL 310.09, 0.42%, 0.5%

LAB 48.72, 54.2, -27.38

 

CMYK 0 / 20 / 59 / 29

HEX #B5914A

RGB 181 145 74

HSL 39.81, 0.42%, 0.5%

LAB 62.14, 5.19, 42.22

 

CMYK 59 / 0 / 49 / 29

HEX #4AB55C

RGB 74 181 92

HSL 130.09, 0.42%, 0.5%

LAB 65.96, -49.68, 36.19

 

Description

Color code: HEX #4B6EB6 | qconv.com Color code: HEX #4B6EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 110 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 110 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 40 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 40% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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