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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B5DAFBF it is the complementary color #B4A250BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B5DAFBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B5DAFBF shade: #505DAABF, #616FBDBF, #7281D0BF, #8393E3BF and #94A5F6BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B5DAFBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B5DAFBF shade: #4B5DAFBF, #3A4B9CBF, #293989BF, #182776BF and #071563BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B5DAFBF shade: #4B5DAF, #544BAF, #6F4BAF, #8A4BAF and #A54BAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B5DAFBF shade: #4B5DAF and #4B4BAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B5DAFBF shade matches the following richer shades: #4B5DAF, #3750C3, #2343D7 and #0E36EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B5DAFBF shade: #4B5DAF, #5F6A9B, #737786, #888472 and #9C915E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B5DAFBF shade: #4B93AF, #4B78AF, #4B5DAF, #534BAF and #6E4BAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B5DAFBF shade: #323E75, #3F4E92, #4B5DAF, #6676BD and #838FCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B5DAFBF shade: #4B5DAF, #AF4BAD and #85AF4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B5DAFBF shade: #4B5DAF, #AF4B5D and #5DAF4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B5DAFBF shade: #4B5DAF, #AF4BAD, #AF9D4B and #4BAF4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B5DAFBF shade: #4B5DAF, #AF4B8F, #AF9D4B and #4BAF6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 35 / 0 / 24

HEX #4B5DAFBF

RGBA 75 93 175 0.75

HSLA 229.2, 0.4%, 0.49%, 0.75

LABA 41.88, 18.03, -46.02, 0.75

 

Complementary color

CMYK 0 / 8 / 42 / 22

HEX #B4A250BF

RGBA 180 162 80 0.75

HSLA 49.2, 0.4%, 0.51%, 0.75

LABA 66.61, -4, 44.43, 0.75

 

CMYK 40 / 34 / 0 / 25

HEX #505DAABF

RGBA 80 93 170 0.75

HSLA 231.33, 0.36%, 0.49%, 0.75

LABA 41.9, 17.46, -43.01, 0.75

 

CMYK 37 / 31 / 0 / 19

HEX #616FBDBF

RGBA 97 111 189 0.75

HSLA 230.87, 0.41%, 0.56%, 0.75

LABA 48.99, 16.28, -42.76, 0.75

 

CMYK 34 / 28 / 0 / 14

HEX #7281D0BF

RGBA 114 129 208 0.75

HSLA 230.43, 0.5%, 0.63%, 0.75

LABA 55.92, 15.3, -42.57, 0.75

 

CMYK 32 / 26 / 0 / 8

HEX #8393E3BF

RGBA 131 147 227 0.75

HSLA 230, 0.63%, 0.7%, 0.75

LABA 62.71, 14.48, -42.43, 0.75

 

CMYK 30 / 25 / 0 / 3

HEX #94A5F6BF

RGBA 148 165 246 0.75

HSLA 229.59, 0.84%, 0.77%, 0.75

LABA 69.37, 13.78, -42.33, 0.75

 

CMYK 43 / 35 / 0 / 24

HEX #4B5DAFBF

RGBA 75 93 175 0.75

HSLA 229.2, 0.4%, 0.49%, 0.75

LABA 41.88, 18.03, -46.02, 0.75

 

CMYK 47 / 39 / 0 / 29

HEX #3A4B9CBF

RGBA 58 75 156 0.75

HSLA 229.59, 0.46%, 0.42%, 0.75

LABA 34.66, 19.7, -46.33, 0.75

 

CMYK 53 / 44 / 0 / 35

HEX #293989BF

RGBA 41 57 137 0.75

HSLA 230, 0.54%, 0.35%, 0.75

LABA 27.31, 21.84, -46.66, 0.75

 

CMYK 60 / 50 / 0 / 40

HEX #182776BF

RGBA 24 39 118 0.75

HSLA 230.43, 0.66%, 0.28%, 0.75

LABA 19.86, 24.6, -46.88, 0.75

 

CMYK 70 / 59 / 0 / 46

HEX #071563BF

RGBA 7 21 99 0.75

HSLA 230.87, 0.87%, 0.21%, 0.75

LABA 12.5, 27.98, -46.63, 0.75

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 52 / 57 / 0 / 31

HEX #544BAF

RGB 84 75 175

HSL 245.4, 0.4%, 0.49%

LAB 37.86, 31.32, -52.44

 

CMYK 37 / 57 / 0 / 31

HEX #6F4BAF

RGB 111 75 175

HSL 261.6, 0.4%, 0.49%

LAB 40.42, 37.46, -48.19

 

CMYK 21 / 57 / 0 / 31

HEX #8A4BAF

RGB 138 75 175

HSL 277.8, 0.4%, 0.49%

LAB 43.55, 44.31, -43

 

CMYK 6 / 57 / 0 / 31

HEX #A54BAF

RGB 165 75 175

HSL 294, 0.4%, 0.49%

LAB 47.14, 51.46, -37.09

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 57 / 57 / 0 / 31

HEX #4B4BAF

RGB 75 75 175

HSL 240, 0.4%, 0.49%

LAB 37.16, 29.51, -53.62

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 72 / 59 / 0 / 24

HEX #3750C3

RGB 55 80 195

HSL 229.29, 0.56%, 0.49%

LAB 38.71, 30.09, -62.91

 

CMYK 84 / 69 / 0 / 16

HEX #2343D7

RGB 35 67 215

HSL 229.33, 0.72%, 0.49%

LAB 36.51, 43.64, -78.11

 

CMYK 94 / 77 / 0 / 7

HEX #0E36EC

RGB 14 54 236

HSL 229.19, 0.89%, 0.49%

LAB 35.57, 57.42, -91.68

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 39 / 32 / 0 / 39

HEX #5F6A9B

RGB 95 106 155

HSL 229, 0.24%, 0.49%

LAB 45.78, 8.56, -27.95

 

CMYK 14 / 11 / 0 / 47

HEX #737786

RGB 115 119 134

HSL 227.37, 0.08%, 0.49%

LAB 50.17, 1.77, -8.69

 

CMYK 0 / 3 / 16 / 47

HEX #888472

RGB 136 132 114

HSL 49.09, 0.09%, 0.49%

LAB 55.02, -1.75, 10.26

 

CMYK 0 / 7 / 40 / 39

HEX #9C915E

RGB 156 145 94

HSL 49.35, 0.25%, 0.49%

LAB 60, -3.62, 28.54

 

CMYK 57 / 16 / 0 / 31

HEX #4B93AF

RGB 75 147 175

HSL 196.8, 0.4%, 0.49%

LAB 57.52, -14.27, -21.51

 

CMYK 57 / 31 / 0 / 31

HEX #4B78AF

RGB 75 120 175

HSL 213, 0.4%, 0.49%

LAB 49.53, 1.23, -33.9

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 53 / 57 / 0 / 31

HEX #534BAF

RGB 83 75 175

HSL 244.8, 0.4%, 0.49%

LAB 37.78, 31.11, -52.57

 

CMYK 37 / 57 / 0 / 31

HEX #6E4BAF

RGB 110 75 175

HSL 261, 0.4%, 0.49%

LAB 40.32, 37.22, -48.36

 

CMYK 57 / 47 / 0 / 54

HEX #323E75

RGB 50 62 117

HSL 229.25, 0.4%, 0.33%

LAB 27.87, 12.72, -33.2

 

CMYK 57 / 47 / 0 / 43

HEX #3F4E92

RGB 63 78 146

HSL 229.16, 0.4%, 0.41%

LAB 35.16, 15.21, -39.46

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 46 / 38 / 0 / 26

HEX #6676BD

RGB 102 118 189

HSL 228.97, 0.4%, 0.57%

LAB 51.22, 13.23, -39.21

 

CMYK 35 / 29 / 0 / 21

HEX #838FCA

RGB 131 143 202

HSL 229.86, 0.4%, 0.65%

LAB 60.55, 9.9, -31.86

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 0 / 57 / 1 / 31

HEX #AF4BAD

RGB 175 75 173

HSL 301.2, 0.4%, 0.49%

LAB 48.47, 53.79, -33.73

 

CMYK 24 / 0 / 57 / 31

HEX #85AF4B

RGB 133 175 75

HSL 85.2, 0.4%, 0.49%

LAB 66.64, -30.49, 45.93

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 0 / 57 / 47 / 31

HEX #AF4B5D

RGB 175 75 93

HSL 349.2, 0.4%, 0.49%

LAB 45.55, 42.5, 10.04

 

CMYK 47 / 0 / 57 / 31

HEX #5DAF4B

RGB 93 175 75

HSL 109.2, 0.4%, 0.49%

LAB 64.56, -44.42, 42.98

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 0 / 57 / 1 / 31

HEX #AF4BAD

RGB 175 75 173

HSL 301.2, 0.4%, 0.49%

LAB 48.47, 53.79, -33.73

 

CMYK 0 / 10 / 57 / 31

HEX #AF9D4B

RGB 175 157 75

HSL 49.2, 0.4%, 0.49%

LAB 64.75, -3.87, 44.6

 

CMYK 57 / 0 / 56 / 31

HEX #4BAF4D

RGB 75 175 77

HSL 121.2, 0.4%, 0.49%

LAB 63.91, -49.19, 41.1

 

CMYK 57 / 47 / 0 / 31

HEX #4B5DAF

RGB 75 93 175

HSL 229.2, 0.4%, 0.49%

LAB 41.88, 18.03, -46.02

 

CMYK 0 / 57 / 18 / 31

HEX #AF4B8F

RGB 175 75 143

HSL 319.2, 0.4%, 0.49%

LAB 47.14, 48.84, -17.97

 

CMYK 0 / 10 / 57 / 31

HEX #AF9D4B

RGB 175 157 75

HSL 49.2, 0.4%, 0.49%

LAB 64.75, -3.87, 44.6

 

CMYK 57 / 0 / 39 / 31

HEX #4BAF6B

RGB 75 175 107

HSL 139.2, 0.4%, 0.49%

LAB 64.34, -44.56, 26.32

 

Description

Color code: HEX #4B5DAFBF | qconv.com Color code: HEX #4B5DAFBF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 93 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 93 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 35 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 35% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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