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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B5CC9 it is the complementary color #B4A336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B5CC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B5CC9 shade: #505CC4, #616ED7, #7280EA, #8392FD and #94A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B5CC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B5CC9 shade: #4B5CC9, #3A4AB6, #2938A3, #182690 and #07147D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B5CC9 shade: #4A5BC9, #5B4AC9, #7E4AC9, #A04AC9 and #C24AC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B5CC9 shade: #4A5BC9 and #4A4AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B5CC9 shade matches the following richer shades: #4A5BC9, #374EDC and #2440EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B5CC9 shade: #4A5BC9, #5D69B6, #7077A3, #838590 and #96937D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B5CC9 shade: #4AA1C9, #4A7FC9, #4A5DC9, #594AC9 and #7B4AC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B5CC9 shade: #2C3A95, #3647B4, #4A5BC9, #6A78D3 and #8A95DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B5CC9 shade: #4B5CC9, #C94AC3 and #90C94A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B5CC9 shade: #4B5CC9, #C94A5D and #5DC94A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B5CC9 shade: #4B5CC9, #C94AC3, #C9B64A and #4AC951

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B5CC9 shade: #4B5CC9, #C94A9D, #C9B64A and #4AC977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 54 / 0 / 21

HEX #4B5CC9

RGB 75 92 201

HSL 231.9, 0.54%, 0.54%

LAB 43.31, 27.55, -58.86

 

Complementary color

CMYK 0 / 9 / 70 / 29

HEX #B4A336

RGB 180 163 54

HSL 51.9, 0.54%, 0.46%

LAB 66.65, -6.28, 56.17

 

CMYK 59 / 53 / 0 / 23

HEX #505CC4

RGB 80 92 196

HSL 233.79, 0.5%, 0.54%

LAB 43.28, 26.75, -56.01

 

CMYK 55 / 49 / 0 / 16

HEX #616ED7

RGB 97 110 215

HSL 233.39, 0.6%, 0.61%

LAB 50.22, 25.13, -55.68

 

CMYK 51 / 45 / 0 / 8

HEX #7280EA

RGB 114 128 234

HSL 233, 0.74%, 0.68%

LAB 57.03, 23.77, -55.38

 

CMYK 48 / 42 / 0 / 1

HEX #8392FD

RGB 131 146 253

HSL 232.62, 0.97%, 0.75%

LAB 63.73, 22.61, -55.12

 

CMYK 42 / 36 / 0 / 0

HEX #94A4FF

RGB 148 164 255

HSL 231.03, 1%, 0.79%

LAB 69.52, 16.82, -46.99

 

CMYK 63 / 54 / 0 / 21

HEX #4B5CC9

RGB 75 92 201

HSL 231.9, 0.54%, 0.54%

LAB 43.31, 27.55, -58.86

 

CMYK 68 / 59 / 0 / 29

HEX #3A4AB6

RGB 58 74 182

HSL 232.26, 0.52%, 0.47%

LAB 36.32, 29.69, -59.17

 

CMYK 75 / 66 / 0 / 36

HEX #2938A3

RGB 41 56 163

HSL 232.62, 0.6%, 0.4%

LAB 29.27, 32.25, -59.38

 

CMYK 83 / 74 / 0 / 44

HEX #182690

RGB 24 38 144

HSL 233, 0.71%, 0.33%

LAB 22.28, 35.22, -59.27

 

CMYK 94 / 84 / 0 / 51

HEX #07147D

RGB 7 20 125

HSL 233.39, 0.89%, 0.26%

LAB 15.62, 38.18, -58.36

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BC9

RGB 74 91 201

HSL 231.97, 0.54%, 0.54%

LAB 43, 28.01, -59.37

 

CMYK 55 / 63 / 0 / 21

HEX #5B4AC9

RGB 91 74 201

HSL 248.03, 0.54%, 0.54%

LAB 40.15, 41.39, -63.95

 

CMYK 37 / 63 / 0 / 21

HEX #7E4AC9

RGB 126 74 201

HSL 264.57, 0.54%, 0.54%

LAB 43.58, 48.29, -58.21

 

CMYK 20 / 63 / 0 / 21

HEX #A04AC9

RGB 160 74 201

HSL 280.63, 0.54%, 0.54%

LAB 47.74, 55.93, -51.31

 

CMYK 3 / 63 / 0 / 21

HEX #C24AC9

RGB 194 74 201

HSL 296.69, 0.54%, 0.54%

LAB 52.49, 63.98, -43.45

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BC9

RGB 74 91 201

HSL 231.97, 0.54%, 0.54%

LAB 43, 28.01, -59.37

 

CMYK 63 / 63 / 0 / 21

HEX #4A4AC9

RGB 74 74 201

HSL 240, 0.54%, 0.54%

LAB 38.85, 38.6, -66.12

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BC9

RGB 74 91 201

HSL 231.97, 0.54%, 0.54%

LAB 43, 28.01, -59.37

 

CMYK 75 / 65 / 0 / 14

HEX #374EDC

RGB 55 78 220

HSL 231.64, 0.7%, 0.54%

LAB 40.29, 40.27, -74.74

 

CMYK 85 / 73 / 0 / 6

HEX #2440EF

RGB 36 64 239

HSL 231.72, 0.86%, 0.54%

LAB 38.33, 53.7, -88.8

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BC9

RGB 74 91 201

HSL 231.97, 0.54%, 0.54%

LAB 43, 28.01, -59.37

 

CMYK 49 / 42 / 0 / 29

HEX #5D69B6

RGB 93 105 182

HSL 231.91, 0.38%, 0.54%

LAB 46.72, 16.83, -42.32

 

CMYK 31 / 27 / 0 / 36

HEX #7077A3

RGB 112 119 163

HSL 231.76, 0.22%, 0.54%

LAB 51.02, 7.98, -24.43

 

CMYK 9 / 8 / 0 / 44

HEX #838590

RGB 131 133 144

HSL 230.77, 0.06%, 0.54%

LAB 55.7, 1.54, -6.15

 

CMYK 0 / 2 / 17 / 41

HEX #96937D

RGB 150 147 125

HSL 52.8, 0.11%, 0.54%

LAB 60.63, -2.8, 12.06

 

CMYK 63 / 20 / 0 / 21

HEX #4AA1C9

RGB 74 161 201

HSL 198.9, 0.54%, 0.54%

LAB 62.64, -13.95, -28.28

 

CMYK 63 / 37 / 0 / 21

HEX #4A7FC9

RGB 74 127 201

HSL 214.96, 0.54%, 0.54%

LAB 52.79, 5.57, -43.69

 

CMYK 63 / 54 / 0 / 21

HEX #4A5DC9

RGB 74 93 201

HSL 231.02, 0.54%, 0.54%

LAB 43.51, 26.75, -58.54

 

CMYK 56 / 63 / 0 / 21

HEX #594AC9

RGB 89 74 201

HSL 247.09, 0.54%, 0.54%

LAB 39.98, 41.04, -64.22

 

CMYK 39 / 63 / 0 / 21

HEX #7B4AC9

RGB 123 74 201

HSL 263.15, 0.54%, 0.54%

LAB 43.25, 47.65, -58.77

 

CMYK 70 / 61 / 0 / 42

HEX #2C3A95

RGB 44 58 149

HSL 232, 0.54%, 0.38%

LAB 28.72, 26.13, -51.74

 

CMYK 70 / 61 / 0 / 29

HEX #3647B4

RGB 54 71 180

HSL 231.9, 0.54%, 0.46%

LAB 35.17, 30.34, -59.86

 

CMYK 63 / 55 / 0 / 21

HEX #4A5BC9

RGB 74 91 201

HSL 231.97, 0.54%, 0.54%

LAB 43, 28.01, -59.37

 

CMYK 50 / 43 / 0 / 17

HEX #6A78D3

RGB 106 120 211

HSL 232, 0.54%, 0.62%

LAB 53.17, 19.72, -48.66

 

CMYK 37 / 32 / 0 / 14

HEX #8A95DC

RGB 138 149 220

HSL 231.95, 0.54%, 0.7%

LAB 63.4, 13.22, -37.43

 

CMYK 63 / 54 / 0 / 21

HEX #4B5CC9

RGB 75 92 201

HSL 231.9, 0.54%, 0.54%

LAB 43.31, 27.55, -58.86

 

CMYK 0 / 63 / 3 / 21

HEX #C94AC3

RGB 201 74 195

HSL 302.83, 0.54%, 0.54%

LAB 53.23, 64.66, -38.77

 

CMYK 28 / 0 / 63 / 21

HEX #90C94A

RGB 144 201 74

HSL 86.93, 0.54%, 0.54%

LAB 74.95, -38.4, 55.84

 

CMYK 63 / 54 / 0 / 21

HEX #4B5CC9

RGB 75 92 201

HSL 231.9, 0.54%, 0.54%

LAB 43.31, 27.55, -58.86

 

CMYK 0 / 63 / 54 / 21

HEX #C94A5D

RGB 201 74 93

HSL 351.02, 0.54%, 0.54%

LAB 49.62, 51.85, 16.34

 

CMYK 54 / 0 / 63 / 21

HEX #5DC94A

RGB 93 201 74

HSL 111.02, 0.54%, 0.54%

LAB 72.62, -54.8, 52.62

 

CMYK 63 / 54 / 0 / 21

HEX #4B5CC9

RGB 75 92 201

HSL 231.9, 0.54%, 0.54%

LAB 43.31, 27.55, -58.86

 

CMYK 0 / 63 / 3 / 21

HEX #C94AC3

RGB 201 74 195

HSL 302.83, 0.54%, 0.54%

LAB 53.23, 64.66, -38.77

 

CMYK 0 / 9 / 63 / 21

HEX #C9B64A

RGB 201 182 74

HSL 51.02, 0.54%, 0.54%

LAB 73.78, -6, 55.78

 

CMYK 63 / 0 / 60 / 21

HEX #4AC951

RGB 74 201 81

HSL 123.31, 0.54%, 0.54%

LAB 72.11, -58.59, 48.82

 

CMYK 63 / 54 / 0 / 21

HEX #4B5CC9

RGB 75 92 201

HSL 231.9, 0.54%, 0.54%

LAB 43.31, 27.55, -58.86

 

CMYK 0 / 63 / 22 / 21

HEX #C94A9D

RGB 201 74 157

HSL 320.79, 0.54%, 0.54%

LAB 51.55, 58.9, -19.2

 

CMYK 0 / 9 / 63 / 21

HEX #C9B64A

RGB 201 182 74

HSL 51.02, 0.54%, 0.54%

LAB 73.78, -6, 55.78

 

CMYK 63 / 0 / 41 / 21

HEX #4AC977

RGB 74 201 119

HSL 141.26, 0.54%, 0.54%

LAB 72.6, -53.06, 30.9

 

Description

Color code: HEX #4B5CC9 | qconv.com Color code: HEX #4B5CC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 92 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 92 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 54 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 54% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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