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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A7DAC it is the complementary color #B58253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A7DAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4A7DAC: #4F7DA7, #608FBA, #71A1CD, #82B3E0 and #93C5F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A7DAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4A7DAC: #4A7DAC, #396B99, #285986, #174773 and #063560

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

Complementary color

CMYK 0 / 28 / 54 / 29

HEX #B58253

RGB 181 130 83

HSL 28.78, 0.4%, 0.52%

LAB 58.43, 14.24, 33.04

 

CMYK 53 / 25 / 0 / 35

HEX #4F7DA7

RGB 79 125 167

HSL 208.64, 0.36%, 0.48%

LAB 50.83, -3.42, -27.21

 

CMYK 48 / 23 / 0 / 27

HEX #608FBA

RGB 96 143 186

HSL 208.67, 0.39%, 0.55%

LAB 57.73, -3.94, -27.36

 

CMYK 45 / 21 / 0 / 20

HEX #71A1CD

RGB 113 161 205

HSL 208.7, 0.48%, 0.62%

LAB 64.49, -4.35, -27.52

 

CMYK 42 / 20 / 0 / 12

HEX #82B3E0

RGB 130 179 224

HSL 208.72, 0.6%, 0.69%

LAB 71.12, -4.69, -27.71

 

CMYK 40 / 19 / 0 / 5

HEX #93C5F3

RGB 147 197 243

HSL 208.75, 0.8%, 0.76%

LAB 77.64, -4.97, -27.9

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 63 / 30 / 0 / 40

HEX #396B99

RGB 57 107 153

HSL 208.75, 0.46%, 0.41%

LAB 43.78, -2.08, -30.06

 

CMYK 70 / 34 / 0 / 47

HEX #285986

RGB 40 89 134

HSL 208.72, 0.54%, 0.34%

LAB 36.59, -0.9, -29.96

 

CMYK 80 / 38 / 0 / 55

HEX #174773

RGB 23 71 115

HSL 208.7, 0.67%, 0.27%

LAB 29.23, 0.78, -29.85

 

CMYK 94 / 45 / 0 / 62

HEX #063560

RGB 6 53 96

HSL 208.67, 0.88%, 0.2%

LAB 21.69, 3.26, -29.69

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 57 / 36 / 0 / 33

HEX #496DAB

RGB 73 109 171

HSL 217.96, 0.4%, 0.48%

LAB 46.03, 6.17, -37.07

 

CMYK 57 / 46 / 0 / 33

HEX #495DAB

RGB 73 93 171

HSL 227.76, 0.4%, 0.48%

LAB 41.51, 16.25, -44.25

 

CMYK 57 / 56 / 0 / 33

HEX #494CAB

RGB 73 76 171

HSL 238.16, 0.4%, 0.48%

LAB 36.98, 27.15, -51.54

 

CMYK 50 / 57 / 0 / 33

HEX #5649AB

RGB 86 73 171

HSL 247.96, 0.4%, 0.48%

LAB 37.27, 31.73, -51.02

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 57 / 27 / 0 / 13

HEX #60A2DF

RGB 96 162 223

HSL 208.82, 0.66%, 0.63%

LAB 64.69, -3.38, -37.25

 

CMYK 58 / 26 / 0 / 93

HEX #080E13

RGB 8 14 19

HSL 207.27, 0.41%, 0.05%

LAB 3.73, -0.72, -3.24

 

CMYK 57 / 27 / 0 / 73

HEX #1E3346

RGB 30 51 70

HSL 208.5, 0.4%, 0.2%

LAB 20.38, -1.95, -14.38

 

CMYK 57 / 27 / 0 / 53

HEX #345879

RGB 52 88 121

HSL 208.7, 0.4%, 0.34%

LAB 36.16, -2.48, -22.62

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 19 / 57 / 0 / 33

HEX #8A49AB

RGB 138 73 171

HSL 279.8, 0.4%, 0.48%

LAB 42.93, 44.46, -41.63

 

CMYK 4 / 0 / 57 / 33

HEX #A4AB49

RGB 164 171 73

HSL 64.29, 0.4%, 0.48%

LAB 67.65, -16.11, 48.59

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 0 / 57 / 27 / 33

HEX #AB497D

RGB 171 73 125

HSL 328.16, 0.4%, 0.48%

LAB 45.5, 45.93, -9.65

 

CMYK 27 / 0 / 57 / 33

HEX #7DAB49

RGB 125 171 73

HSL 88.16, 0.4%, 0.48%

LAB 64.94, -31.86, 44.78

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 19 / 57 / 0 / 33

HEX #8A49AB

RGB 138 73 171

HSL 279.8, 0.4%, 0.48%

LAB 42.93, 44.46, -41.63

 

CMYK 0 / 30 / 57 / 33

HEX #AB7749

RGB 171 119 73

HSL 28.16, 0.4%, 0.48%

LAB 54.38, 15.26, 33.21

 

CMYK 38 / 0 / 57 / 33

HEX #6AAB49

RGB 106 171 73

HSL 99.8, 0.4%, 0.48%

LAB 63.89, -38.73, 43.3

 

CMYK 57 / 27 / 0 / 33

HEX #4A7DAC

RGB 74 125 172

HSL 208.78, 0.4%, 0.48%

LAB 50.81, -2.95, -30.16

 

CMYK 2 / 57 / 0 / 33

HEX #A849AB

RGB 168 73 171

HSL 298.16, 0.4%, 0.48%

LAB 47.01, 52.47, -34.9

 

CMYK 0 / 30 / 57 / 33

HEX #AB7749

RGB 171 119 73

HSL 28.16, 0.4%, 0.48%

LAB 54.38, 15.26, 33.21

 

CMYK 56 / 0 / 57 / 33

HEX #4CAB49

RGB 76 171 73

HSL 118.16, 0.4%, 0.48%

LAB 62.63, -47.87, 41.51

 

Description

Color code: HEX #4A7DAC | qconv.com Color code: HEX #4A7DAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 125 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 125 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 27 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 27% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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