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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4949E0 it is the complementary color #B6B61F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4949E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4949E0: #4E49DB, #5F5BEE, #706DFF, #817FFF and #9291FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4949E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4949E0: #4949E0, #3837CD, #2725BA, #1613A7 and #050194

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

Complementary color

CMYK 0 / 0 / 83 / 29

HEX #B6B61F

RGB 182 182 31

HSL 60, 0.71%, 0.42%

LAB 71.89, -16.19, 68.54

 

CMYK 64 / 67 / 0 / 14

HEX #4E49DB

RGB 78 73 219

HSL 242.05, 0.67%, 0.57%

LAB 40.41, 45.63, -73.93

 

CMYK 60 / 62 / 0 / 7

HEX #5F5BEE

RGB 95 91 238

HSL 241.63, 0.81%, 0.65%

LAB 47.09, 43.62, -73.73

 

CMYK 56 / 57 / 0 / 0

HEX #706DFF

RGB 112 109 255

HSL 241.23, 1%, 0.71%

LAB 53.6, 41.18, -72.56

 

CMYK 49 / 50 / 0 / 0

HEX #817FFF

RGB 129 127 255

HSL 240.94, 1%, 0.75%

LAB 59.04, 33.9, -63.73

 

CMYK 43 / 43 / 0 / 0

HEX #9291FF

RGB 146 145 255

HSL 240.55, 1%, 0.78%

LAB 64.63, 27.25, -54.73

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 73 / 73 / 0 / 20

HEX #3837CD

RGB 56 55 205

HSL 240.4, 0.6%, 0.51%

LAB 33.94, 48.89, -76.54

 

CMYK 79 / 80 / 0 / 27

HEX #2725BA

RGB 39 37 186

HSL 240.81, 0.67%, 0.44%

LAB 27.57, 51.04, -75.95

 

CMYK 87 / 89 / 0 / 35

HEX #1613A7

RGB 22 19 167

HSL 241.22, 0.8%, 0.36%

LAB 21.68, 52.43, -74.38

 

CMYK 97 / 99 / 0 / 42

HEX #050194

RGB 5 1 148

HSL 241.63, 0.99%, 0.29%

LAB 16.46, 52.5, -71.44

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 57 / 68 / 0 / 13

HEX #6147DF

RGB 97 71 223

HSL 250.26, 0.7%, 0.58%

LAB 41.81, 50.7, -73.86

 

CMYK 45 / 68 / 0 / 13

HEX #7A47DF

RGB 122 71 223

HSL 260.13, 0.7%, 0.58%

LAB 44.19, 54.81, -69.87

 

CMYK 34 / 68 / 0 / 13

HEX #9347DF

RGB 147 71 223

HSL 270, 0.7%, 0.58%

LAB 47.02, 59.47, -65.14

 

CMYK 22 / 68 / 0 / 13

HEX #AD47DF

RGB 173 71 223

HSL 280.26, 0.7%, 0.58%

LAB 50.36, 64.71, -59.59

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 65 / 65 / 0 / 92

HEX #070714

RGB 7 7 20

HSL 240, 0.48%, 0.05%

LAB 2.24, 2.23, -6.07

 

CMYK 68 / 68 / 0 / 72

HEX #171747

RGB 23 23 71

HSL 240, 0.51%, 0.18%

LAB 10.92, 17.17, -30.15

 

CMYK 67 / 67 / 0 / 52

HEX #28287A

RGB 40 40 122

HSL 240, 0.51%, 0.32%

LAB 21.48, 27.6, -46.73

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 0 / 68 / 13 / 13

HEX #DF47C1

RGB 223 71 193

HSL 311.84, 0.7%, 0.58%

LAB 56.13, 70.86, -32.82

 

CMYK 41 / 0 / 68 / 13

HEX #84DF47

RGB 132 223 71

HSL 95.92, 0.7%, 0.58%

LAB 80.81, -52.09, 63.1

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 0 / 68 / 68 / 13

HEX #DF4747

RGB 223 71 71

HSL 0, 0.7%, 0.58%

LAB 52.56, 58.78, 33.88

 

CMYK 68 / 0 / 68 / 13

HEX #47DF47

RGB 71 223 71

HSL 120, 0.7%, 0.58%

LAB 78.79, -67.69, 60.36

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 0 / 68 / 13 / 13

HEX #DF47C1

RGB 223 71 193

HSL 311.84, 0.7%, 0.58%

LAB 56.13, 70.86, -32.82

 

CMYK 0 / 0 / 68 / 13

HEX #DFDF47

RGB 223 223 71

HSL 60, 0.7%, 0.58%

LAB 86.46, -17.66, 70.66

 

CMYK 68 / 0 / 54 / 13

HEX #47DF66

RGB 71 223 102

HSL 132.24, 0.7%, 0.58%

LAB 79.08, -64.25, 47.39

 

CMYK 67 / 67 / 0 / 12

HEX #4949E0

RGB 73 73 224

HSL 240, 0.71%, 0.58%

LAB 40.51, 46.61, -76.62

 

CMYK 0 / 68 / 34 / 13

HEX #DF4793

RGB 223 71 147

HSL 330, 0.7%, 0.58%

LAB 54.34, 64.97, -8.72

 

CMYK 0 / 0 / 68 / 13

HEX #DFDF47

RGB 223 223 71

HSL 60, 0.7%, 0.58%

LAB 86.46, -17.66, 70.66

 

CMYK 68 / 0 / 34 / 13

HEX #47DF93

RGB 71 223 147

HSL 150, 0.7%, 0.58%

LAB 79.74, -56.86, 25.94

 

Description

Color code: HEX #4949E0 | qconv.com Color code: HEX #4949E0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 73 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 73 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 67 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 67% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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