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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #494875 it is the complementary color #B6B78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #494875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #494875: #4E4870, #5F5A83, #706C96, #817EA9 and #9290BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #494875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #494875: #494875, #383662, #27244F, #16123C and #050029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

Complementary color

CMYK 1 / 0 / 25 / 28

HEX #B6B78A

RGB 182 183 138

HSL 61.33, 0.24%, 0.63%

LAB 73.32, -7.77, 22.84

 

CMYK 30 / 36 / 0 / 56

HEX #4E4870

RGB 78 72 112

HSL 249, 0.22%, 0.36%

LAB 32.75, 12.43, -22.18

 

CMYK 27 / 31 / 0 / 49

HEX #5F5A83

RGB 95 90 131

HSL 247.32, 0.19%, 0.43%

LAB 40.22, 11.75, -22.2

 

CMYK 25 / 28 / 0 / 41

HEX #706C96

RGB 112 108 150

HSL 245.71, 0.17%, 0.51%

LAB 47.46, 11.19, -22.29

 

CMYK 24 / 25 / 0 / 34

HEX #817EA9

RGB 129 126 169

HSL 244.19, 0.2%, 0.58%

LAB 54.5, 10.7, -22.42

 

CMYK 22 / 23 / 0 / 26

HEX #9290BC

RGB 146 144 188

HSL 242.73, 0.25%, 0.65%

LAB 61.38, 10.27, -22.59

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 43 / 45 / 0 / 62

HEX #383662

RGB 56 54 98

HSL 242.73, 0.29%, 0.3%

LAB 24.83, 13.27, -25.82

 

CMYK 51 / 54 / 0 / 69

HEX #27244F

RGB 39 36 79

HSL 244.19, 0.37%, 0.23%

LAB 16.78, 14.54, -26.11

 

CMYK 63 / 70 / 0 / 76

HEX #16123C

RGB 22 18 60

HSL 245.71, 0.54%, 0.15%

LAB 8.39, 16.34, -26.49

 

CMYK 88 / 100 / 0 / 84

HEX #050029

RGB 5 0 41

HSL 247.32, 1%, 0.08%

LAB 1.74, 11.47, -23.14

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 31 / 39 / 0 / 55

HEX #504774

RGB 80 71 116

HSL 252, 0.24%, 0.37%

LAB 32.86, 14.85, -24.51

 

CMYK 25 / 39 / 0 / 55

HEX #574774

RGB 87 71 116

HSL 261.33, 0.24%, 0.37%

LAB 33.55, 17.12, -23.38

 

CMYK 18 / 39 / 0 / 55

HEX #5F4774

RGB 95 71 116

HSL 272, 0.24%, 0.37%

LAB 34.4, 19.79, -22

 

CMYK 12 / 39 / 0 / 55

HEX #664774

RGB 102 71 116

HSL 281.33, 0.24%, 0.37%

LAB 35.19, 22.18, -20.71

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 38 / 39 / 0 / 34

HEX #6967A8

RGB 105 103 168

HSL 241.85, 0.27%, 0.53%

LAB 46.35, 17, -34.66

 

CMYK 37 / 38 / 0 / 14

HEX #8987DB

RGB 137 135 219

HSL 241.43, 0.54%, 0.69%

LAB 59.67, 20.82, -42.72

 

CMYK 40 / 40 / 0 / 94

HEX #09090F

RGB 9 9 15

HSL 240, 0.25%, 0.05%

LAB 2.6, 0.94, -2.55

 

CMYK 38 / 38 / 0 / 74

HEX #292942

RGB 41 41 66

HSL 240, 0.23%, 0.21%

LAB 17.69, 7.15, -15.77

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 0 / 39 / 8 / 55

HEX #74476B

RGB 116 71 107

HSL 312, 0.24%, 0.37%

LAB 36.52, 25.22, -12.89

 

CMYK 23 / 0 / 39 / 55

HEX #597447

RGB 89 116 71

HSL 96, 0.24%, 0.37%

LAB 45.73, -18.76, 21.75

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 0 / 38 / 39 / 55

HEX #744847

RGB 116 72 71

HSL 1.33, 0.24%, 0.37%

LAB 35.6, 18.68, 8.47

 

CMYK 39 / 0 / 38 / 55

HEX #477448

RGB 71 116 72

HSL 121.33, 0.24%, 0.37%

LAB 44.66, -25.31, 19.57

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 0 / 39 / 8 / 55

HEX #74476B

RGB 116 71 107

HSL 312, 0.24%, 0.37%

LAB 36.52, 25.22, -12.89

 

CMYK 0 / 0 / 39 / 55

HEX #747447

RGB 116 116 71

HSL 60, 0.24%, 0.37%

LAB 47.83, -7.43, 24.88

 

CMYK 39 / 0 / 30 / 55

HEX #477451

RGB 71 116 81

HSL 133.33, 0.24%, 0.37%

LAB 44.84, -23.62, 14.58

 

CMYK 38 / 38 / 0 / 54

HEX #494875

RGB 73 72 117

HSL 241.33, 0.24%, 0.37%

LAB 32.56, 12.31, -25.65

 

CMYK 0 / 39 / 20 / 55

HEX #74475D

RGB 116 71 93

HSL 330.67, 0.24%, 0.37%

LAB 36, 22.66, -4.86

 

CMYK 0 / 0 / 39 / 55

HEX #747447

RGB 116 116 71

HSL 60, 0.24%, 0.37%

LAB 47.83, -7.43, 24.88

 

CMYK 39 / 0 / 18 / 55

HEX #47745F

RGB 71 116 95

HSL 152, 0.24%, 0.37%

LAB 45.16, -20.63, 6.76

 

Description

Color code: HEX #494875 | qconv.com Color code: HEX #494875 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 72 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 72 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 38 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 38% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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