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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #494874 it is the complementary color #B6B78B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #494874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #494874: #4E486F, #5F5A82, #706C95, #817EA8 and #9290BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #494874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #494874: #494874, #383661, #27244E, #16123B and #050028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

Complementary color

CMYK 1 / 0 / 24 / 28

HEX #B6B78B

RGB 182 183 139

HSL 61.36, 0.23%, 0.63%

LAB 73.33, -7.63, 22.33

 

CMYK 30 / 35 / 0 / 56

HEX #4E486F

RGB 78 72 111

HSL 249.23, 0.21%, 0.36%

LAB 32.71, 12.14, -21.63

 

CMYK 27 / 31 / 0 / 49

HEX #5F5A82

RGB 95 90 130

HSL 247.5, 0.18%, 0.43%

LAB 40.18, 11.49, -21.66

 

CMYK 25 / 28 / 0 / 42

HEX #706C95

RGB 112 108 149

HSL 245.85, 0.16%, 0.5%

LAB 47.42, 10.93, -21.76

 

CMYK 23 / 25 / 0 / 34

HEX #817EA8

RGB 129 126 168

HSL 244.29, 0.19%, 0.58%

LAB 54.47, 10.45, -21.9

 

CMYK 22 / 23 / 0 / 27

HEX #9290BB

RGB 146 144 187

HSL 242.79, 0.24%, 0.65%

LAB 61.35, 10.03, -22.08

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 42 / 44 / 0 / 62

HEX #383661

RGB 56 54 97

HSL 242.79, 0.28%, 0.3%

LAB 24.77, 12.94, -25.27

 

CMYK 50 / 54 / 0 / 69

HEX #27244E

RGB 39 36 78

HSL 244.29, 0.37%, 0.22%

LAB 16.71, 14.19, -25.55

 

CMYK 63 / 69 / 0 / 77

HEX #16123B

RGB 22 18 59

HSL 245.85, 0.53%, 0.15%

LAB 8.3, 15.96, -25.92

 

CMYK 88 / 100 / 0 / 84

HEX #050028

RGB 5 0 40

HSL 247.5, 1%, 0.08%

LAB 1.68, 11.03, -22.47

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 31 / 38 / 0 / 55

HEX #504874

RGB 80 72 116

HSL 250.91, 0.23%, 0.37%

LAB 33.14, 14.21, -24.08

 

CMYK 25 / 38 / 0 / 55

HEX #574874

RGB 87 72 116

HSL 260.45, 0.23%, 0.37%

LAB 33.82, 16.49, -22.96

 

CMYK 18 / 38 / 0 / 55

HEX #5F4874

RGB 95 72 116

HSL 271.36, 0.23%, 0.37%

LAB 34.66, 19.17, -21.59

 

CMYK 12 / 38 / 0 / 55

HEX #664874

RGB 102 72 116

HSL 280.91, 0.23%, 0.37%

LAB 35.44, 21.56, -20.32

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 37 / 38 / 0 / 35

HEX #6968A7

RGB 105 104 167

HSL 240.95, 0.26%, 0.53%

LAB 46.57, 16.1, -33.73

 

CMYK 37 / 38 / 0 / 15

HEX #8987DA

RGB 137 135 218

HSL 241.45, 0.53%, 0.69%

LAB 59.62, 20.54, -42.24

 

CMYK 36 / 36 / 0 / 95

HEX #09090E

RGB 9 9 14

HSL 240, 0.22%, 0.05%

LAB 2.58, 0.76, -2.07

 

CMYK 37 / 38 / 0 / 75

HEX #292841

RGB 41 40 65

HSL 242.4, 0.24%, 0.21%

LAB 17.32, 7.55, -15.66

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 0 / 38 / 9 / 55

HEX #74486A

RGB 116 72 106

HSL 313.64, 0.23%, 0.37%

LAB 36.72, 24.43, -11.95

 

CMYK 23 / 0 / 38 / 55

HEX #597448

RGB 89 116 72

HSL 96.82, 0.23%, 0.37%

LAB 45.75, -18.6, 21.2

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 0 / 37 / 38 / 55

HEX #744948

RGB 116 73 72

HSL 1.36, 0.23%, 0.37%

LAB 35.88, 18.22, 8.23

 

CMYK 38 / 0 / 37 / 55

HEX #487449

RGB 72 116 73

HSL 121.36, 0.23%, 0.37%

LAB 44.73, -24.78, 19.1

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 0 / 38 / 9 / 55

HEX #74486A

RGB 116 72 106

HSL 313.64, 0.23%, 0.37%

LAB 36.72, 24.43, -11.95

 

CMYK 1 / 0 / 38 / 55

HEX #737448

RGB 115 116 72

HSL 61.36, 0.23%, 0.37%

LAB 47.76, -7.74, 24.21

 

CMYK 38 / 0 / 29 / 55

HEX #487452

RGB 72 116 82

HSL 133.64, 0.23%, 0.37%

LAB 44.91, -23.08, 14.11

 

CMYK 37 / 38 / 0 / 55

HEX #494874

RGB 73 72 116

HSL 241.36, 0.23%, 0.37%

LAB 32.51, 12.01, -25.11

 

CMYK 0 / 38 / 20 / 55

HEX #74485D

RGB 116 72 93

HSL 331.36, 0.23%, 0.37%

LAB 36.25, 22.06, -4.49

 

CMYK 1 / 0 / 38 / 55

HEX #737448

RGB 115 116 72

HSL 61.36, 0.23%, 0.37%

LAB 47.76, -7.74, 24.21

 

CMYK 38 / 0 / 18 / 55

HEX #48745F

RGB 72 116 95

HSL 151.36, 0.23%, 0.37%

LAB 45.21, -20.31, 6.85

 

Description

Color code: HEX #494874 | qconv.com Color code: HEX #494874 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 72 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 72 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 38 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 38% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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