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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49485C it is the complementary color #B6B7A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49485C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #49485C: #4E4857, #5F5A6A, #706C7D, #817E90 and #9290A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49485C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #49485C: #49485C, #383649, #272436, #161223 and #050010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

Complementary color

CMYK 1 / 0 / 11 / 28

HEX #B6B7A3

RGB 182 183 163

HSL 63, 0.12%, 0.68%

LAB 73.84, -3.9, 10.05

 

CMYK 10 / 17 / 0 / 66

HEX #4E4857

RGB 78 72 87

HSL 264, 0.09%, 0.31%

LAB 31.68, 5.86, -7.97

 

CMYK 10 / 15 / 0 / 58

HEX #5F5A6A

RGB 95 90 106

HSL 258.75, 0.08%, 0.38%

LAB 39.22, 5.49, -8.41

 

CMYK 10 / 14 / 0 / 51

HEX #706C7D

RGB 112 108 125

HSL 254.12, 0.07%, 0.46%

LAB 46.51, 5.16, -8.85

 

CMYK 10 / 13 / 0 / 44

HEX #817E90

RGB 129 126 144

HSL 250, 0.08%, 0.53%

LAB 53.6, 4.87, -9.29

 

CMYK 10 / 12 / 0 / 36

HEX #9290A3

RGB 146 144 163

HSL 246.32, 0.09%, 0.6%

LAB 60.52, 4.6, -9.73

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 23 / 26 / 0 / 71

HEX #383649

RGB 56 54 73

HSL 246.32, 0.15%, 0.25%

LAB 23.54, 5.68, -11.37

 

CMYK 28 / 33 / 0 / 79

HEX #272436

RGB 39 36 54

HSL 250, 0.2%, 0.18%

LAB 15.27, 6.25, -11.19

 

CMYK 37 / 49 / 0 / 86

HEX #161223

RGB 22 18 35

HSL 254.12, 0.32%, 0.1%

LAB 6.54, 6.63, -10.97

 

CMYK 69 / 100 / 0 / 94

HEX #050010

RGB 5 0 16

HSL 258.75, 1%, 0.03%

LAB 0.63, 3.68, -6

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 16 / 22 / 0 / 64

HEX #4C475B

RGB 76 71 91

HSL 255, 0.12%, 0.32%

LAB 31.34, 6.73, -11.05

 

CMYK 13 / 22 / 0 / 64

HEX #4F475B

RGB 79 71 91

HSL 264, 0.12%, 0.32%

LAB 31.63, 7.86, -10.58

 

CMYK 10 / 22 / 0 / 64

HEX #52475B

RGB 82 71 91

HSL 273, 0.12%, 0.32%

LAB 31.93, 9, -10.1

 

CMYK 7 / 22 / 0 / 64

HEX #55475B

RGB 85 71 91

HSL 282, 0.12%, 0.32%

LAB 32.24, 10.15, -9.6

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 21 / 22 / 0 / 44

HEX #71708F

RGB 113 112 143

HSL 241.94, 0.12%, 0.5%

LAB 48.36, 7.36, -16.75

 

CMYK 21 / 22 / 0 / 24

HEX #9A98C2

RGB 154 152 194

HSL 242.86, 0.26%, 0.68%

LAB 64.34, 9.66, -21.38

 

CMYK 21 / 22 / 0 / 4

HEX #C2C0F5

RGB 194 192 245

HSL 242.26, 0.73%, 0.86%

LAB 79.48, 11.53, -25.9

 

CMYK 20 / 22 / 0 / 84

HEX #212029

RGB 33 32 41

HSL 246.67, 0.12%, 0.14%

LAB 12.71, 2.87, -5.86

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 0 / 22 / 5 / 64

HEX #5B4756

RGB 91 71 86

HSL 315, 0.12%, 0.32%

LAB 32.71, 11.42, -5.65

 

CMYK 14 / 0 / 22 / 64

HEX #4E5B47

RGB 78 91 71

HSL 99, 0.12%, 0.32%

LAB 37.03, -9.29, 9.88

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 0 / 21 / 22 / 64

HEX #5B4847

RGB 91 72 71

HSL 3, 0.12%, 0.32%

LAB 32.51, 7.9, 3.66

 

CMYK 22 / 0 / 21 / 64

HEX #475B48

RGB 71 91 72

HSL 123, 0.12%, 0.32%

LAB 36.54, -11.9, 8.49

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 0 / 22 / 5 / 64

HEX #5B4756

RGB 91 71 86

HSL 315, 0.12%, 0.32%

LAB 32.71, 11.42, -5.65

 

CMYK 1 / 0 / 22 / 64

HEX #5A5B47

RGB 90 91 71

HSL 63, 0.12%, 0.32%

LAB 38.04, -4.24, 11.43

 

CMYK 22 / 0 / 16 / 64

HEX #475B4C

RGB 71 91 76

HSL 135, 0.12%, 0.32%

LAB 36.64, -11.06, 6.16

 

CMYK 21 / 22 / 0 / 64

HEX #49485C

RGB 73 72 92

HSL 243, 0.12%, 0.32%

LAB 31.4, 5.23, -11.63

 

CMYK 0 / 22 / 12 / 64

HEX #5B4750

RGB 91 71 80

HSL 333, 0.12%, 0.32%

LAB 32.5, 10.2, -2.11

 

CMYK 1 / 0 / 22 / 64

HEX #5A5B47

RGB 90 91 71

HSL 63, 0.12%, 0.32%

LAB 38.04, -4.24, 11.43

 

CMYK 22 / 0 / 10 / 64

HEX #475B52

RGB 71 91 82

HSL 153, 0.12%, 0.32%

LAB 36.8, -9.73, 2.68

 

Description

Color code: HEX #49485C | qconv.com Color code: HEX #49485C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 72 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 72 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 22 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 22% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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