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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48A2AF4C it is the complementary color #B75D504C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48A2AF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48A2AF4C shade: #4DA2AA4C, #5EB4BD4C, #6FC6D04C, #80D8E34C and #91EAF64C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48A2AF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48A2AF4C shade: #48A2AF4C, #37909C4C, #267E894C, #156C764C and #045A634C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48A2AF4C shade: #47A1AE, #4785AE, #4769AE, #474EAE and #5C47AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48A2AF4C shade: #47A1AE, #4785AE, #4769AE, #474EAE and #4747AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48A2AF4C shade matches the following richer shades: #47A1AE, #33B0C2, #1FBED5 and #0CCDE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48A2AF4C shade: #47A1AE, #5B929A, #6F8386, #827472 and #96665F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48A2AF4C shade: #47AE83, #47AE9E, #47A2AE, #4786AE and #476BAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48A2AF4C shade: #2F6B73, #3B8691, #47A1AE, #60B2BE and #7DC0CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48A2AF4C shade: #48A2AF, #6847AE and #AE9147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48A2AF4C shade: #48A2AF, #AE47A2 and #A2AE47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48A2AF4C shade: #48A2AF, #6847AE, #AE5347 and #8DAE47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48A2AF4C shade: #48A2AF, #8647AE, #AE5347 and #6EAE47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 2 / 0 / 9

HEX #48A2AF4C

RGBA 72 162 175 0.3

HSLA 187.57, 0.42%, 0.48%, 0.3

LABA 61.92, -22.81, -14.82, 0.3

 

Complementary color

CMYK 0 / 15 / 17 / 8

HEX #B75D504C

RGBA 183 93 80 0.3

HSLA 7.57, 0.42%, 0.52%, 0.3

LABA 50.07, 35.12, 24.15, 0.3

 

CMYK 16 / 1 / 0 / 10

HEX #4DA2AA4C

RGBA 77 162 170 0.3

HSLA 185.16, 0.38%, 0.48%, 0.3

LABA 61.93, -23.26, -11.98, 0.3

 

CMYK 15 / 1 / 0 / 8

HEX #5EB4BD4C

RGBA 94 180 189 0.3

HSLA 185.68, 0.42%, 0.55%, 0.3

LABA 68.53, -23.46, -12.59, 0.3

 

CMYK 14 / 1 / 0 / 6

HEX #6FC6D04C

RGBA 111 198 208 0.3

HSLA 186.19, 0.51%, 0.63%, 0.3

LABA 75.03, -23.58, -13.16, 0.3

 

CMYK 13 / 1 / 0 / 3

HEX #80D8E34C

RGBA 128 216 227 0.3

HSLA 186.67, 0.64%, 0.7%, 0.3

LABA 81.43, -23.65, -13.7, 0.3

 

CMYK 12 / 1 / 0 / 1

HEX #91EAF64C

RGBA 145 234 246 0.3

HSLA 187.13, 0.85%, 0.77%, 0.3

LABA 87.74, -23.69, -14.21, 0.3

 

CMYK 18 / 2 / 0 / 9

HEX #48A2AF4C

RGBA 72 162 175 0.3

HSLA 187.57, 0.42%, 0.48%, 0.3

LABA 61.92, -22.81, -14.82, 0.3

 

CMYK 19 / 2 / 0 / 12

HEX #37909C4C

RGBA 55 144 156 0.3

HSLA 187.13, 0.48%, 0.41%, 0.3

LABA 55.24, -22.33, -14.18, 0.3

 

CMYK 22 / 2 / 0 / 14

HEX #267E894C

RGBA 38 126 137 0.3

HSLA 186.67, 0.57%, 0.34%, 0.3

LABA 48.44, -21.62, -13.46, 0.3

 

CMYK 25 / 3 / 0 / 16

HEX #156C764C

RGBA 21 108 118 0.3

HSLA 186.19, 0.7%, 0.27%, 0.3

LABA 41.52, -20.53, -12.63, 0.3

 

CMYK 29 / 3 / 0 / 18

HEX #045A634C

RGBA 4 90 99 0.3

HSLA 185.68, 0.92%, 0.2%, 0.3

LABA 34.48, -18.94, -11.66, 0.3

 

CMYK 59 / 7 / 0 / 32

HEX #47A1AE

RGB 71 161 174

HSL 187.57, 0.42%, 0.48%

LAB 61.56, -22.79, -14.82

 

CMYK 59 / 24 / 0 / 32

HEX #4785AE

RGB 71 133 174

HSL 203.88, 0.42%, 0.48%

LAB 53.14, -7.58, -27.7

 

CMYK 59 / 40 / 0 / 32

HEX #4769AE

RGB 71 105 174

HSL 220.19, 0.42%, 0.48%

LAB 44.94, 9.26, -40.56

 

CMYK 59 / 55 / 0 / 32

HEX #474EAE

RGB 71 78 174

HSL 235.92, 0.42%, 0.48%

LAB 37.56, 26.5, -52.38

 

CMYK 47 / 59 / 0 / 32

HEX #5C47AE

RGB 92 71 174

HSL 252.23, 0.42%, 0.48%

LAB 37.55, 35.16, -52.32

 

CMYK 59 / 7 / 0 / 32

HEX #47A1AE

RGB 71 161 174

HSL 187.57, 0.42%, 0.48%

LAB 61.56, -22.79, -14.82

 

CMYK 59 / 24 / 0 / 32

HEX #4785AE

RGB 71 133 174

HSL 203.88, 0.42%, 0.48%

LAB 53.14, -7.58, -27.7

 

CMYK 59 / 40 / 0 / 32

HEX #4769AE

RGB 71 105 174

HSL 220.19, 0.42%, 0.48%

LAB 44.94, 9.26, -40.56

 

CMYK 59 / 55 / 0 / 32

HEX #474EAE

RGB 71 78 174

HSL 235.92, 0.42%, 0.48%

LAB 37.56, 26.5, -52.38

 

CMYK 59 / 59 / 0 / 32

HEX #4747AE

RGB 71 71 174

HSL 240, 0.42%, 0.48%

LAB 35.8, 30.96, -55.24

 

CMYK 59 / 7 / 0 / 32

HEX #47A1AE

RGB 71 161 174

HSL 187.57, 0.42%, 0.48%

LAB 61.56, -22.79, -14.82

 

CMYK 74 / 9 / 0 / 24

HEX #33B0C2

RGB 51 176 194

HSL 187.55, 0.58%, 0.48%

LAB 66.25, -27.36, -18.92

 

CMYK 85 / 11 / 0 / 16

HEX #1FBED5

RGB 31 190 213

HSL 187.58, 0.75%, 0.48%

LAB 70.82, -30.08, -22.44

 

CMYK 95 / 12 / 0 / 9

HEX #0CCDE9

RGB 12 205 233

HSL 187.6, 0.9%, 0.48%

LAB 75.84, -31.79, -25.62

 

CMYK 59 / 7 / 0 / 32

HEX #47A1AE

RGB 71 161 174

HSL 187.57, 0.42%, 0.48%

LAB 61.56, -22.79, -14.82

 

CMYK 41 / 5 / 0 / 40

HEX #5B929A

RGB 91 146 154

HSL 187.62, 0.26%, 0.48%

LAB 57.19, -15.97, -9.96

 

CMYK 17 / 2 / 0 / 47

HEX #6F8386

RGB 111 131 134

HSL 187.83, 0.09%, 0.48%

LAB 53.31, -6.54, -4.05

 

CMYK 0 / 11 / 12 / 49

HEX #827472

RGB 130 116 114

HSL 7.5, 0.07%, 0.48%

LAB 50.04, 5.05, 3.07

 

CMYK 0 / 32 / 37 / 41

HEX #96665F

RGB 150 102 95

HSL 7.64, 0.22%, 0.48%

LAB 48.02, 18.4, 11.78

 

CMYK 59 / 0 / 25 / 32

HEX #47AE83

RGB 71 174 131

HSL 154.95, 0.42%, 0.48%

LAB 64.36, -40.18, 13.31

 

CMYK 59 / 0 / 9 / 32

HEX #47AE9E

RGB 71 174 158

HSL 170.68, 0.42%, 0.48%

LAB 65.03, -33.63, -0.7

 

CMYK 59 / 7 / 0 / 32

HEX #47A2AE

RGB 71 162 174

HSL 186.99, 0.42%, 0.48%

LAB 61.86, -23.3, -14.36

 

CMYK 59 / 23 / 0 / 32

HEX #4786AE

RGB 71 134 174

HSL 203.3, 0.42%, 0.48%

LAB 53.43, -8.15, -27.24

 

CMYK 59 / 39 / 0 / 32

HEX #476BAE

RGB 71 107 174

HSL 219.03, 0.42%, 0.48%

LAB 45.51, 8.01, -39.66

 

CMYK 59 / 7 / 0 / 55

HEX #2F6B73

RGB 47 107 115

HSL 187.06, 0.42%, 0.32%

LAB 41.78, -16.81, -10.36

 

CMYK 59 / 8 / 0 / 43

HEX #3B8691

RGB 59 134 145

HSL 187.67, 0.42%, 0.4%

LAB 51.86, -19.7, -12.9

 

CMYK 59 / 7 / 0 / 32

HEX #47A1AE

RGB 71 161 174

HSL 187.57, 0.42%, 0.48%

LAB 61.56, -22.79, -14.82

 

CMYK 49 / 6 / 0 / 25

HEX #60B2BE

RGB 96 178 190

HSL 187.66, 0.42%, 0.56%

LAB 68.05, -21.72, -13.85

 

CMYK 38 / 5 / 0 / 21

HEX #7DC0CA

RGB 125 192 202

HSL 187.79, 0.42%, 0.64%

LAB 73.75, -18.64, -11.75

 

CMYK 59 / 7 / 0 / 31

HEX #48A2AF

RGB 72 162 175

HSL 187.57, 0.42%, 0.48%

LAB 61.92, -22.81, -14.82

 

CMYK 40 / 59 / 0 / 32

HEX #6847AE

RGB 104 71 174

HSL 259.22, 0.42%, 0.48%

LAB 38.73, 37.84, -50.35

 

CMYK 0 / 17 / 59 / 32

HEX #AE9147

RGB 174 145 71

HSL 43.11, 0.42%, 0.48%

LAB 61.4, 1.9, 42.67

 

CMYK 59 / 7 / 0 / 31

HEX #48A2AF

RGB 72 162 175

HSL 187.57, 0.42%, 0.48%

LAB 61.92, -22.81, -14.82

 

CMYK 0 / 59 / 7 / 32

HEX #AE47A2

RGB 174 71 162

HSL 306.99, 0.42%, 0.48%

LAB 47.12, 53.45, -29.35

 

CMYK 7 / 0 / 59 / 32

HEX #A2AE47

RGB 162 174 71

HSL 66.99, 0.42%, 0.48%

LAB 68.32, -18.64, 50.21

 

CMYK 59 / 7 / 0 / 31

HEX #48A2AF

RGB 72 162 175

HSL 187.57, 0.42%, 0.48%

LAB 61.92, -22.81, -14.82

 

CMYK 40 / 59 / 0 / 32

HEX #6847AE

RGB 104 71 174

HSL 259.22, 0.42%, 0.48%

LAB 38.73, 37.84, -50.35

 

CMYK 0 / 52 / 59 / 32

HEX #AE5347

RGB 174 83 71

HSL 6.99, 0.42%, 0.48%

LAB 46.5, 36.14, 24.56

 

CMYK 19 / 0 / 59 / 32

HEX #8DAE47

RGB 141 174 71

HSL 79.22, 0.42%, 0.48%

LAB 66.82, -27.24, 48.12

 

CMYK 59 / 7 / 0 / 31

HEX #48A2AF

RGB 72 162 175

HSL 187.57, 0.42%, 0.48%

LAB 61.92, -22.81, -14.82

 

CMYK 23 / 59 / 0 / 32

HEX #8647AE

RGB 134 71 174

HSL 276.7, 0.42%, 0.48%

LAB 42.2, 45.16, -44.59

 

CMYK 0 / 52 / 59 / 32

HEX #AE5347

RGB 174 83 71

HSL 6.99, 0.42%, 0.48%

LAB 46.5, 36.14, 24.56

 

CMYK 37 / 0 / 59 / 32

HEX #6EAE47

RGB 110 174 71

HSL 97.28, 0.42%, 0.48%

LAB 65, -38.89, 45.56

 

Description

Color code: HEX #48A2AF4C | qconv.com Color code: HEX #48A2AF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 162 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 162 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 2 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 2% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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