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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4791B6 it is the complementary color #B86E49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4791B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4791B6 shade: #4C91B1, #5DA3C4, #6EB5D7, #7FC7EA and #90D9FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4791B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4791B6 shade: #4791B6, #367FA3, #256D90, #145B7D and #03496A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4791B6 shade: #4792B8, #4774B8, #4756B8, #5747B8 and #7647B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4791B6 shade: #4792B8, #4774B8, #4756B8 and #4747B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4791B6 shade matches the following richer shades: #4792B8, #3399CC, #1EA0E1 and #0AA7F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4791B6 shade: #4792B8, #5C8BA3, #71848E, #857E7A and #9A7765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4791B6 shade: #47B8A1, #47B0B8, #4792B8, #4774B8 and #4756B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4791B6 shade: #30637C, #3C7B9A, #4792B8, #65A4C3 and #83B5CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4791B6 shade: #4791B6, #8347B8 and #B8B047

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4791B6 shade: #4791B6, #B84792 and #92B847

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4791B6 shade: #4791B6, #8347B8, #B86D47 and #7CB847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4791B6 shade: #4791B6, #A547B8, #B86D47 and #5AB847

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 20 / 0 / 29

HEX #4791B6

RGB 71 145 182

HSL 200, 0.44%, 0.5%

LAB 57.04, -11.77, -26.23

 

Complementary color

CMYK 0 / 40 / 60 / 28

HEX #B86E49

RGB 184 110 73

HSL 20, 0.44%, 0.5%

LAB 53.84, 25.8, 32.92

 

CMYK 57 / 18 / 0 / 31

HEX #4C91B1

RGB 76 145 177

HSL 199.01, 0.4%, 0.5%

LAB 57.04, -12.35, -23.38

 

CMYK 53 / 17 / 0 / 23

HEX #5DA3C4

RGB 93 163 196

HSL 199.22, 0.47%, 0.57%

LAB 63.76, -12.79, -23.72

 

CMYK 49 / 16 / 0 / 16

HEX #6EB5D7

RGB 110 181 215

HSL 199.43, 0.57%, 0.64%

LAB 70.36, -13.13, -24.04

 

CMYK 46 / 15 / 0 / 8

HEX #7FC7EA

RGB 127 199 234

HSL 199.63, 0.72%, 0.71%

LAB 76.86, -13.39, -24.36

 

CMYK 43 / 14 / 0 / 1

HEX #90D9FD

RGB 144 217 253

HSL 199.82, 0.96%, 0.78%

LAB 83.26, -13.6, -24.67

 

CMYK 61 / 20 / 0 / 29

HEX #4791B6

RGB 71 145 182

HSL 200, 0.44%, 0.5%

LAB 57.04, -11.77, -26.23

 

CMYK 67 / 22 / 0 / 36

HEX #367FA3

RGB 54 127 163

HSL 199.82, 0.5%, 0.43%

LAB 50.22, -10.98, -25.9

 

CMYK 74 / 24 / 0 / 44

HEX #256D90

RGB 37 109 144

HSL 199.63, 0.59%, 0.35%

LAB 43.28, -9.9, -25.53

 

CMYK 84 / 27 / 0 / 51

HEX #145B7D

RGB 20 91 125

HSL 199.43, 0.72%, 0.28%

LAB 36.2, -8.35, -25.1

 

CMYK 97 / 31 / 0 / 58

HEX #03496A

RGB 3 73 106

HSL 199.22, 0.94%, 0.21%

LAB 28.97, -6.21, -24.59

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 61 / 37 / 0 / 28

HEX #4774B8

RGB 71 116 184

HSL 216.11, 0.44%, 0.5%

LAB 48.62, 5.87, -40.54

 

CMYK 61 / 53 / 0 / 28

HEX #4756B8

RGB 71 86 184

HSL 232.04, 0.44%, 0.5%

LAB 40.34, 24.81, -53.79

 

CMYK 53 / 61 / 0 / 28

HEX #5747B8

RGB 87 71 184

HSL 248.5, 0.44%, 0.5%

LAB 37.83, 37.18, -57.8

 

CMYK 36 / 61 / 0 / 28

HEX #7647B8

RGB 118 71 184

HSL 264.96, 0.44%, 0.5%

LAB 40.93, 43.75, -52.64

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 61 / 37 / 0 / 28

HEX #4774B8

RGB 71 116 184

HSL 216.11, 0.44%, 0.5%

LAB 48.62, 5.87, -40.54

 

CMYK 61 / 53 / 0 / 28

HEX #4756B8

RGB 71 86 184

HSL 232.04, 0.44%, 0.5%

LAB 40.34, 24.81, -53.79

 

CMYK 61 / 61 / 0 / 28

HEX #4747B8

RGB 71 71 184

HSL 240, 0.44%, 0.5%

LAB 36.57, 34.31, -59.9

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 75 / 25 / 0 / 20

HEX #3399CC

RGB 51 153 204

HSL 200, 0.6%, 0.5%

LAB 59.75, -12, -34.5

 

CMYK 87 / 29 / 0 / 12

HEX #1EA0E1

RGB 30 160 225

HSL 200, 0.76%, 0.5%

LAB 62.38, -10.41, -42.1

 

CMYK 96 / 32 / 0 / 4

HEX #0AA7F5

RGB 10 167 245

HSL 199.91, 0.92%, 0.5%

LAB 65.2, -7.95, -48.67

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 44 / 15 / 0 / 36

HEX #5C8BA3

RGB 92 139 163

HSL 200.28, 0.28%, 0.5%

LAB 55.47, -9.38, -17.71

 

CMYK 20 / 7 / 0 / 44

HEX #71848E

RGB 113 132 142

HSL 200.69, 0.11%, 0.5%

LAB 53.99, -4.57, -7.68

 

CMYK 0 / 5 / 8 / 48

HEX #857E7A

RGB 133 126 122

HSL 21.82, 0.04%, 0.5%

LAB 53.29, 1.9, 3.12

 

CMYK 0 / 23 / 34 / 40

HEX #9A7765

RGB 154 119 101

HSL 20.38, 0.21%, 0.5%

LAB 52.95, 11.04, 15.15

 

CMYK 61 / 0 / 13 / 28

HEX #47B8A1

RGB 71 184 161

HSL 167.79, 0.44%, 0.5%

LAB 68.16, -37.48, 2.22

 

CMYK 61 / 4 / 0 / 28

HEX #47B0B8

RGB 71 176 184

HSL 184.25, 0.44%, 0.5%

LAB 66.41, -27.43, -13.1

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 61 / 37 / 0 / 28

HEX #4774B8

RGB 71 116 184

HSL 216.11, 0.44%, 0.5%

LAB 48.62, 5.87, -40.54

 

CMYK 61 / 53 / 0 / 28

HEX #4756B8

RGB 71 86 184

HSL 232.04, 0.44%, 0.5%

LAB 40.34, 24.81, -53.79

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 61 / 20 / 0 / 40

HEX #3C7B9A

RGB 60 123 154

HSL 199.79, 0.44%, 0.42%

LAB 48.83, -10.59, -22.78

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 48 / 16 / 0 / 24

HEX #65A4C3

RGB 101 164 195

HSL 199.79, 0.44%, 0.58%

LAB 64.37, -11.79, -22.19

 

CMYK 37 / 13 / 0 / 19

HEX #83B5CF

RGB 131 181 207

HSL 200.53, 0.44%, 0.66%

LAB 71.13, -10, -18.4

 

CMYK 61 / 20 / 0 / 29

HEX #4791B6

RGB 71 145 182

HSL 200, 0.44%, 0.5%

LAB 57.04, -11.77, -26.23

 

CMYK 29 / 61 / 0 / 28

HEX #8347B8

RGB 131 71 184

HSL 271.86, 0.44%, 0.5%

LAB 42.45, 46.77, -50.11

 

CMYK 0 / 4 / 61 / 28

HEX #B8B047

RGB 184 176 71

HSL 55.75, 0.44%, 0.5%

LAB 70.66, -10.34, 53.29

 

CMYK 61 / 20 / 0 / 29

HEX #4791B6

RGB 71 145 182

HSL 200, 0.44%, 0.5%

LAB 57.04, -11.77, -26.23

 

CMYK 0 / 61 / 21 / 28

HEX #B84792

RGB 184 71 146

HSL 320.18, 0.44%, 0.5%

LAB 47.97, 53.79, -18.38

 

CMYK 21 / 0 / 61 / 28

HEX #92B847

RGB 146 184 71

HSL 80.18, 0.44%, 0.5%

LAB 70.07, -30.05, 51.82

 

CMYK 61 / 20 / 0 / 29

HEX #4791B6

RGB 71 145 182

HSL 200, 0.44%, 0.5%

LAB 57.04, -11.77, -26.23

 

CMYK 29 / 61 / 0 / 28

HEX #8347B8

RGB 131 71 184

HSL 271.86, 0.44%, 0.5%

LAB 42.45, 46.77, -50.11

 

CMYK 0 / 41 / 61 / 28

HEX #B86D47

RGB 184 109 71

HSL 20.18, 0.44%, 0.5%

LAB 53.58, 26.2, 33.7

 

CMYK 33 / 0 / 61 / 28

HEX #7CB847

RGB 124 184 71

HSL 91.86, 0.44%, 0.5%

LAB 68.77, -38.36, 50.02

 

CMYK 61 / 20 / 0 / 29

HEX #4791B6

RGB 71 145 182

HSL 200, 0.44%, 0.5%

LAB 57.04, -11.77, -26.23

 

CMYK 10 / 61 / 0 / 28

HEX #A547B8

RGB 165 71 184

HSL 289.91, 0.44%, 0.5%

LAB 46.93, 55.07, -42.69

 

CMYK 0 / 41 / 61 / 28

HEX #B86D47

RGB 184 109 71

HSL 20.18, 0.44%, 0.5%

LAB 53.58, 26.2, 33.7

 

CMYK 51 / 0 / 61 / 28

HEX #5AB847

RGB 90 184 71

HSL 109.91, 0.44%, 0.5%

LAB 67.21, -49.38, 47.84

 

Description

Color code: HEX #4791B6 | qconv.com Color code: HEX #4791B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 145 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 145 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 20 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 20% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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