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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464D40 it is the complementary color #B9B2BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464D40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #464D40: #4B4D3B, #5C5F4E, #6D7161, #7E8374 and #8F9587

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464D40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #464D40: #464D40, #353B2D, #24291A, #131707 and #020500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

Complementary color

CMYK 3 / 7 / 0 / 25

HEX #B9B2BF

RGB 185 178 191

HSL 272.31, 0.09%, 0.72%

LAB 73.49, 4.91, -5.72

 

CMYK 3 / 0 / 23 / 70

HEX #4B4D3B

RGB 75 77 59

HSL 66.67, 0.13%, 0.27%

LAB 32.08, -4.4, 10.43

 

CMYK 3 / 0 / 18 / 63

HEX #5C5F4E

RGB 92 95 78

HSL 70.59, 0.1%, 0.34%

LAB 39.6, -4.54, 9.35

 

CMYK 4 / 0 / 14 / 56

HEX #6D7161

RGB 109 113 97

HSL 75, 0.08%, 0.41%

LAB 46.88, -4.65, 8.37

 

CMYK 4 / 0 / 11 / 49

HEX #7E8374

RGB 126 131 116

HSL 80, 0.06%, 0.48%

LAB 53.95, -4.75, 7.47

 

CMYK 4 / 0 / 9 / 42

HEX #8F9587

RGB 143 149 135

HSL 85.71, 0.06%, 0.56%

LAB 60.86, -4.84, 6.64

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 10 / 0 / 24 / 77

HEX #353B2D

RGB 53 59 45

HSL 85.71, 0.13%, 0.2%

LAB 23.92, -5.61, 7.85

 

CMYK 12 / 0 / 37 / 84

HEX #24291A

RGB 36 41 26

HSL 80, 0.22%, 0.13%

LAB 15.67, -5.58, 9.13

 

CMYK 17 / 0 / 70 / 91

HEX #131707

RGB 19 23 7

HSL 75, 0.53%, 0.06%

LAB 6.92, -4.72, 7.41

 

CMYK 60 / 0 / 100 / 98

HEX #020500

RGB 2 5 0

HSL 96, 1%, 0.01%

LAB 1.1, -1.48, 1.62

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 12 / 0 / 17 / 70

HEX #444D40

RGB 68 77 64

HSL 101.54, 0.09%, 0.28%

LAB 31.59, -6.47, 6.51

 

CMYK 14 / 0 / 17 / 70

HEX #424D40

RGB 66 77 64

HSL 110.77, 0.09%, 0.28%

LAB 31.43, -7.3, 6.25

 

CMYK 17 / 0 / 16 / 70

HEX #404D41

RGB 64 77 65

HSL 124.62, 0.09%, 0.28%

LAB 31.3, -7.91, 5.41

 

CMYK 17 / 0 / 13 / 70

HEX #404D43

RGB 64 77 67

HSL 133.85, 0.09%, 0.28%

LAB 31.35, -7.47, 4.21

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 9 / 0 / 17 / 50

HEX #74806A

RGB 116 128 106

HSL 92.73, 0.09%, 0.46%

LAB 52.05, -8.76, 10.47

 

CMYK 9 / 0 / 17 / 30

HEX #A3B395

RGB 163 179 149

HSL 92, 0.16%, 0.64%

LAB 71.01, -11.1, 13.47

 

CMYK 9 / 0 / 17 / 10

HEX #D1E6BF

RGB 209 230 191

HSL 92.31, 0.44%, 0.83%

LAB 88.88, -13.84, 16.69

 

CMYK 8 / 0 / 15 / 90

HEX #181A16

RGB 24 26 22

HSL 90, 0.08%, 0.09%

LAB 8.92, -1.97, 2.45

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 17 / 0 / 4 / 70

HEX #404D4A

RGB 64 77 74

HSL 166.15, 0.09%, 0.28%

LAB 31.56, -5.87, 0.04

 

CMYK 0 / 17 / 1 / 70

HEX #4D404C

RGB 77 64 76

HSL 304.62, 0.09%, 0.28%

LAB 28.82, 8.09, -5.17

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 0 / 17 / 9 / 70

HEX #4D4046

RGB 77 64 70

HSL 332.31, 0.09%, 0.28%

LAB 28.61, 6.8, -1.56

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 17 / 0 / 4 / 70

HEX #404D4A

RGB 64 77 74

HSL 166.15, 0.09%, 0.28%

LAB 31.56, -5.87, 0.04

 

CMYK 8 / 17 / 0 / 70

HEX #47404D

RGB 71 64 77

HSL 272.31, 0.09%, 0.28%

LAB 28.23, 5.89, -6.76

 

CMYK 0 / 17 / 12 / 70

HEX #4D4044

RGB 77 64 68

HSL 341.54, 0.09%, 0.28%

LAB 28.54, 6.4, -0.35

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 17 / 0 / 0 / 70

HEX #404D4D

RGB 64 77 77

HSL 180, 0.09%, 0.28%

LAB 31.66, -5.14, -1.73

 

CMYK 8 / 17 / 0 / 70

HEX #47404D

RGB 71 64 77

HSL 272.31, 0.09%, 0.28%

LAB 28.23, 5.89, -6.76

 

CMYK 0 / 16 / 17 / 70

HEX #4D4140

RGB 77 65 64

HSL 4.62, 0.09%, 0.28%

LAB 28.72, 4.96, 2.52

 

Description

Color code: HEX #464D40 | qconv.com Color code: HEX #464D40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 77 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 77 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 17 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 17% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Episcopal School of ...
Link: http://www.esj.org

37% - SJF | Sungjoo Founda...
Link: http://www.sungjoofoundation.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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