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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464557 it is the complementary color #B9BAA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #464557: #4B4552, #5C5765, #6D6978, #7E7B8B and #8F8D9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #464557: #464557, #353344, #242131, #130F1E and #02000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

Complementary color

CMYK 1 / 0 / 10 / 27

HEX #B9BAA8

RGB 185 186 168

HSL 63.33, 0.12%, 0.69%

LAB 74.99, -3.55, 9

 

CMYK 9 / 16 / 0 / 68

HEX #4B4552

RGB 75 69 82

HSL 267.69, 0.09%, 0.3%

LAB 30.31, 5.43, -6.85

 

CMYK 9 / 14 / 0 / 60

HEX #5C5765

RGB 92 87 101

HSL 261.43, 0.07%, 0.37%

LAB 37.9, 5.06, -7.32

 

CMYK 9 / 13 / 0 / 53

HEX #6D6978

RGB 109 105 120

HSL 256, 0.07%, 0.44%

LAB 45.24, 4.74, -7.79

 

CMYK 9 / 12 / 0 / 45

HEX #7E7B8B

RGB 126 123 139

HSL 251.25, 0.06%, 0.51%

LAB 52.36, 4.45, -8.26

 

CMYK 9 / 11 / 0 / 38

HEX #8F8D9E

RGB 143 141 158

HSL 247.06, 0.08%, 0.59%

LAB 59.3, 4.19, -8.72

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 22 / 25 / 0 / 73

HEX #353344

RGB 53 51 68

HSL 247.06, 0.14%, 0.23%

LAB 22.1, 5.18, -10.25

 

CMYK 27 / 33 / 0 / 81

HEX #242131

RGB 36 33 49

HSL 251.25, 0.2%, 0.16%

LAB 13.74, 5.74, -10.03

 

CMYK 37 / 50 / 0 / 88

HEX #130F1E

RGB 19 15 30

HSL 256, 0.33%, 0.09%

LAB 5.18, 5.26, -9.23

 

CMYK 82 / 100 / 0 / 96

HEX #02000B

RGB 2 0 11

HSL 250.91, 1%, 0.02%

LAB 0.33, 2.06, -3.99

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 17 / 22 / 0 / 65

HEX #494558

RGB 73 69 88

HSL 252.63, 0.12%, 0.31%

LAB 30.35, 6.14, -10.67

 

CMYK 14 / 22 / 0 / 65

HEX #4C4558

RGB 76 69 88

HSL 262.11, 0.12%, 0.31%

LAB 30.63, 7.27, -10.2

 

CMYK 10 / 22 / 0 / 65

HEX #4F4558

RGB 79 69 88

HSL 271.58, 0.12%, 0.31%

LAB 30.93, 8.42, -9.72

 

CMYK 6 / 22 / 0 / 65

HEX #534558

RGB 83 69 88

HSL 284.21, 0.12%, 0.31%

LAB 31.35, 9.97, -9.06

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 20 / 21 / 0 / 46

HEX #6F6D8A

RGB 111 109 138

HSL 244.14, 0.12%, 0.48%

LAB 47.17, 7.25, -15.62

 

CMYK 20 / 21 / 0 / 26

HEX #9896BD

RGB 152 150 189

HSL 243.08, 0.23%, 0.66%

LAB 63.48, 8.99, -19.91

 

CMYK 20 / 21 / 0 / 6

HEX #C1BEF0

RGB 193 190 240

HSL 243.6, 0.63%, 0.84%

LAB 78.73, 11.2, -24.37

 

CMYK 19 / 19 / 0 / 86

HEX #1D1D24

RGB 29 29 36

HSL 240, 0.11%, 0.13%

LAB 11.04, 1.9, -4.76

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 0 / 22 / 6 / 65

HEX #584553

RGB 88 69 83

HSL 315.79, 0.12%, 0.31%

LAB 31.71, 10.85, -5.25

 

CMYK 14 / 0 / 22 / 65

HEX #4C5845

RGB 76 88 69

HSL 97.89, 0.12%, 0.31%

LAB 35.88, -8.74, 9.48

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 0 / 20 / 22 / 65

HEX #584645

RGB 88 70 69

HSL 3.16, 0.12%, 0.31%

LAB 31.54, 7.5, 3.51

 

CMYK 22 / 0 / 20 / 65

HEX #455846

RGB 69 88 70

HSL 123.16, 0.12%, 0.31%

LAB 35.37, -11.37, 8.08

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 0 / 22 / 6 / 65

HEX #584553

RGB 88 69 83

HSL 315.79, 0.12%, 0.31%

LAB 31.71, 10.85, -5.25

 

CMYK 1 / 0 / 22 / 65

HEX #575845

RGB 87 88 69

HSL 63.16, 0.12%, 0.31%

LAB 36.81, -4.08, 10.92

 

CMYK 22 / 0 / 16 / 65

HEX #45584A

RGB 69 88 74

HSL 135.79, 0.12%, 0.31%

LAB 35.48, -10.52, 5.74

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 0 / 22 / 11 / 65

HEX #58454E

RGB 88 69 78

HSL 331.58, 0.12%, 0.31%

LAB 31.53, 9.83, -2.29

 

CMYK 1 / 0 / 22 / 65

HEX #575845

RGB 87 88 69

HSL 63.16, 0.12%, 0.31%

LAB 36.81, -4.08, 10.92

 

CMYK 22 / 0 / 10 / 65

HEX #45584F

RGB 69 88 79

HSL 151.58, 0.12%, 0.31%

LAB 35.61, -9.4, 2.82

 

Description

Color code: HEX #464557 | qconv.com Color code: HEX #464557 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 69 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 69 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 21 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 21% 0% 66% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Fran-Webs | Nasza ws...
Link: http://franwebs.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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