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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464531 it is the complementary color #B9BACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #464531: #4B452C, #5C573F, #6D6952, #7E7B65 and #8F8D78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #464531: #464531, #35331E, #24210B, #130F00 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

Complementary color

CMYK 10 / 10 / 0 / 19

HEX #B9BACE

RGB 185 186 206

HSL 237.14, 0.18%, 0.77%

LAB 76, 3.56, -10.17

 

CMYK 0 / 8 / 41 / 71

HEX #4B452C

RGB 75 69 44

HSL 48.39, 0.26%, 0.23%

LAB 29.25, -1.81, 16.04

 

CMYK 0 / 5 / 32 / 64

HEX #5C573F

RGB 92 87 63

HSL 49.66, 0.19%, 0.3%

LAB 36.84, -2.25, 14.71

 

CMYK 0 / 4 / 25 / 57

HEX #6D6952

RGB 109 105 82

HSL 51.11, 0.14%, 0.37%

LAB 44.18, -2.57, 13.53

 

CMYK 0 / 2 / 20 / 51

HEX #7E7B65

RGB 126 123 101

HSL 52.8, 0.11%, 0.45%

LAB 51.31, -2.82, 12.46

 

CMYK 0 / 1 / 16 / 44

HEX #8F8D78

RGB 143 141 120

HSL 54.78, 0.09%, 0.52%

LAB 58.27, -3.03, 11.48

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 0 / 4 / 43 / 79

HEX #35331E

RGB 53 51 30

HSL 54.78, 0.28%, 0.16%

LAB 20.9, -3.05, 13.66

 

CMYK 0 / 8 / 69 / 86

HEX #24210B

RGB 36 33 11

HSL 52.8, 0.53%, 0.09%

LAB 12.52, -2.41, 13.96

 

CMYK 0 / 21 / 100 / 93

HEX #130F00

RGB 19 15 0

HSL 47.37, 1%, 0.04%

LAB 4.34, -0.69, 6.48

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 4 / 0 / 30 / 73

HEX #424530

RGB 66 69 48

HSL 68.57, 0.18%, 0.23%

LAB 28.45, -5.41, 12.31

 

CMYK 9 / 0 / 30 / 73

HEX #3F4530

RGB 63 69 48

HSL 77.14, 0.18%, 0.23%

LAB 28.18, -6.78, 11.9

 

CMYK 14 / 0 / 30 / 73

HEX #3B4530

RGB 59 69 48

HSL 88.57, 0.18%, 0.23%

LAB 27.84, -8.57, 11.38

 

CMYK 19 / 0 / 30 / 73

HEX #384530

RGB 56 69 48

HSL 97.14, 0.18%, 0.23%

LAB 27.6, -9.88, 11.01

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 0 / 2 / 30 / 53

HEX #797755

RGB 121 119 85

HSL 56.67, 0.17%, 0.4%

LAB 49.39, -5.09, 19.03

 

CMYK 0 / 1 / 30 / 33

HEX #ACAA78

RGB 172 170 120

HSL 57.69, 0.24%, 0.57%

LAB 68.66, -7.3, 26.1

 

CMYK 0 / 1 / 30 / 13

HEX #DFDC9C

RGB 223 220 156

HSL 57.31, 0.51%, 0.74%

LAB 86.64, -8.72, 31.89

 

CMYK 0 / 0 / 32 / 93

HEX #13130D

RGB 19 19 13

HSL 60, 0.19%, 0.06%

LAB 5.72, -1.14, 3.1

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 30 / 0 / 26 / 73

HEX #304533

RGB 48 69 51

HSL 128.57, 0.18%, 0.23%

LAB 27.08, -12.6, 8.28

 

CMYK 14 / 30 / 0 / 73

HEX #3B3045

RGB 59 48 69

HSL 271.43, 0.18%, 0.23%

LAB 21.85, 9.83, -11.24

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 30 / 0 / 1 / 73

HEX #304544

RGB 48 69 68

HSL 177.14, 0.18%, 0.23%

LAB 27.58, -8.44, -2.06

 

CMYK 1 / 30 / 0 / 73

HEX #443045

RGB 68 48 69

HSL 297.14, 0.18%, 0.23%

LAB 22.9, 13.39, -9.54

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 30 / 0 / 26 / 73

HEX #304533

RGB 48 69 51

HSL 128.57, 0.18%, 0.23%

LAB 27.08, -12.6, 8.28

 

CMYK 30 / 29 / 0 / 73

HEX #303145

RGB 48 49 69

HSL 237.14, 0.18%, 0.23%

LAB 21.04, 4.97, -12.59

 

CMYK 0 / 30 / 4 / 73

HEX #453042

RGB 69 48 66

HSL 308.57, 0.18%, 0.23%

LAB 22.9, 13.12, -7.5

 

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL® 7013

CMYK 30 / 0 / 17 / 73

HEX #304539

RGB 48 69 57

HSL 145.71, 0.18%, 0.23%

LAB 27.24, -11.24, 4.62

 

CMYK 30 / 29 / 0 / 73

HEX #303145

RGB 48 49 69

HSL 237.14, 0.18%, 0.23%

LAB 21.04, 4.97, -12.59

 

CMYK 0 / 30 / 14 / 73

HEX #45303B

RGB 69 48 59

HSL 328.57, 0.18%, 0.23%

LAB 22.64, 11.64, -3.16

 

Description

Color code: HEX #464531 | qconv.com Color code: HEX #464531 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 69 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 69 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 30 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 30% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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