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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454EB6 it is the complementary color #BAB149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #454EB6 shade: #4A4EB1, #5B60C4, #6C72D7, #7D84EA and #8E96FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #454EB6 shade: #454EB6, #343CA3, #232A90, #12187D and #01066A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #454EB6 shade: #454EB5, #5A45B5, #7845B5, #9745B5 and #B545B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #454EB6 shade: #454EB5 and #4545B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #454EB6 shade matches the following richer shades: #454EB5, #313DC9, #1C2CDE and #081BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #454EB6 shade: #454EB5, #595FA1, #6D708D, #818179 and #969264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #454EB6 shade: #458AB5, #456CB5, #454EB5, #5945B5 and #7745B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #454EB6 shade: #2E3479, #394197, #454EB5, #6068C3 and #7E85CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #454EB6 shade: #454EB6, #B545A8 and #7BB545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #454EB6 shade: #454EB6, #B5454E and #4EB545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #454EB6 shade: #454EB6, #B545A8, #B5AC45 and #45B552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #454EB6 shade: #454EB6, #B54586, #B5AC45 and #45B574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 57 / 0 / 29

HEX #454EB6

RGB 69 78 182

HSL 235.22, 0.45%, 0.49%

LAB 38.01, 28.88, -56.4

 

Complementary color

CMYK 0 / 5 / 61 / 27

HEX #BAB149

RGB 186 177 73

HSL 55.22, 0.45%, 0.51%

LAB 71.12, -9.87, 52.95

 

CMYK 58 / 56 / 0 / 31

HEX #4A4EB1

RGB 74 78 177

HSL 237.67, 0.41%, 0.49%

LAB 37.98, 28.09, -53.47

 

CMYK 54 / 51 / 0 / 23

HEX #5B60C4

RGB 91 96 196

HSL 237.14, 0.47%, 0.56%

LAB 45.05, 26.43, -53.12

 

CMYK 50 / 47 / 0 / 16

HEX #6C72D7

RGB 108 114 215

HSL 236.64, 0.57%, 0.63%

LAB 51.98, 25.04, -52.8

 

CMYK 47 / 44 / 0 / 8

HEX #7D84EA

RGB 125 132 234

HSL 236.15, 0.72%, 0.7%

LAB 58.79, 23.86, -52.53

 

CMYK 44 / 41 / 0 / 1

HEX #8E96FD

RGB 142 150 253

HSL 235.68, 0.97%, 0.77%

LAB 65.48, 22.84, -52.3

 

CMYK 62 / 57 / 0 / 29

HEX #454EB6

RGB 69 78 182

HSL 235.22, 0.45%, 0.49%

LAB 38.01, 28.88, -56.4

 

CMYK 68 / 63 / 0 / 36

HEX #343CA3

RGB 52 60 163

HSL 235.68, 0.52%, 0.42%

LAB 30.89, 31.07, -56.7

 

CMYK 76 / 71 / 0 / 44

HEX #232A90

RGB 35 42 144

HSL 236.15, 0.61%, 0.35%

LAB 23.76, 33.67, -56.81

 

CMYK 86 / 81 / 0 / 51

HEX #12187D

RGB 18 24 125

HSL 236.64, 0.75%, 0.28%

LAB 16.81, 36.44, -56.39

 

CMYK 99 / 94 / 0 / 58

HEX #01066A

RGB 1 6 106

HSL 237.14, 0.98%, 0.21%

LAB 10.39, 38.42, -54.77

 

CMYK 62 / 57 / 0 / 29

HEX #454EB5

RGB 69 78 181

HSL 235.18, 0.45%, 0.49%

LAB 37.93, 28.53, -55.93

 

CMYK 50 / 62 / 0 / 29

HEX #5A45B5

RGB 90 69 181

HSL 251.25, 0.45%, 0.49%

LAB 37.42, 38.04, -56.68

 

CMYK 34 / 62 / 0 / 29

HEX #7845B5

RGB 120 69 181

HSL 267.32, 0.45%, 0.49%

LAB 40.55, 44.52, -51.47

 

CMYK 17 / 62 / 0 / 29

HEX #9745B5

RGB 151 69 181

HSL 283.93, 0.45%, 0.49%

LAB 44.48, 51.94, -44.95

 

CMYK 0 / 62 / 0 / 29

HEX #B545B5

RGB 181 69 181

HSL 300, 0.45%, 0.49%

LAB 48.78, 59.4, -37.86

 

CMYK 62 / 57 / 0 / 29

HEX #454EB5

RGB 69 78 181

HSL 235.18, 0.45%, 0.49%

LAB 37.93, 28.53, -55.93

 

CMYK 62 / 62 / 0 / 29

HEX #4545B5

RGB 69 69 181

HSL 240, 0.45%, 0.49%

LAB 35.71, 34.22, -59.54

 

CMYK 62 / 57 / 0 / 29

HEX #454EB5

RGB 69 78 181

HSL 235.18, 0.45%, 0.49%

LAB 37.93, 28.53, -55.93

 

CMYK 76 / 70 / 0 / 21

HEX #313DC9

RGB 49 61 201

HSL 235.26, 0.61%, 0.49%

LAB 34.41, 43.44, -73.45

 

CMYK 87 / 80 / 0 / 13

HEX #1C2CDE

RGB 28 44 222

HSL 235.05, 0.78%, 0.49%

LAB 32.53, 58.38, -88.74

 

CMYK 97 / 89 / 0 / 5

HEX #081BF2

RGB 8 27 242

HSL 235.13, 0.94%, 0.49%

LAB 32.36, 70.58, -100.44

 

CMYK 62 / 57 / 0 / 29

HEX #454EB5

RGB 69 78 181

HSL 235.18, 0.45%, 0.49%

LAB 37.93, 28.53, -55.93

 

CMYK 45 / 41 / 0 / 37

HEX #595FA1

RGB 89 95 161

HSL 235, 0.29%, 0.49%

LAB 42.58, 15.54, -36.56

 

CMYK 23 / 21 / 0 / 45

HEX #6D708D

RGB 109 112 141

HSL 234.38, 0.13%, 0.49%

LAB 47.96, 5.52, -16.21

 

CMYK 0 / 0 / 6 / 49

HEX #818179

RGB 129 129 121

HSL 60, 0.03%, 0.49%

LAB 53.76, -1.54, 4.33

 

CMYK 0 / 3 / 33 / 41

HEX #969264

RGB 150 146 100

HSL 55.2, 0.2%, 0.49%

LAB 59.85, -5.93, 24.96

 

CMYK 62 / 24 / 0 / 29

HEX #458AB5

RGB 69 138 181

HSL 203.04, 0.45%, 0.49%

LAB 54.84, -8.54, -29.08

 

CMYK 62 / 40 / 0 / 29

HEX #456CB5

RGB 69 108 181

HSL 219.11, 0.45%, 0.49%

LAB 46.08, 9.4, -42.85

 

CMYK 62 / 57 / 0 / 29

HEX #454EB5

RGB 69 78 181

HSL 235.18, 0.45%, 0.49%

LAB 37.93, 28.53, -55.93

 

CMYK 51 / 62 / 0 / 29

HEX #5945B5

RGB 89 69 181

HSL 250.71, 0.45%, 0.49%

LAB 37.33, 37.84, -56.83

 

CMYK 34 / 62 / 0 / 29

HEX #7745B5

RGB 119 69 181

HSL 266.79, 0.45%, 0.49%

LAB 40.43, 44.29, -51.66

 

CMYK 62 / 57 / 0 / 53

HEX #2E3479

RGB 46 52 121

HSL 235.2, 0.45%, 0.33%

LAB 25.01, 20.17, -40.34

 

CMYK 62 / 57 / 0 / 41

HEX #394197

RGB 57 65 151

HSL 234.89, 0.45%, 0.41%

LAB 31.54, 24.34, -48.35

 

CMYK 62 / 57 / 0 / 29

HEX #454EB5

RGB 69 78 181

HSL 235.18, 0.45%, 0.49%

LAB 37.93, 28.53, -55.93

 

CMYK 51 / 47 / 0 / 24

HEX #6068C3

RGB 96 104 195

HSL 235.15, 0.45%, 0.57%

LAB 47.4, 22.24, -48.75

 

CMYK 39 / 35 / 0 / 19

HEX #7E85CE

RGB 126 133 206

HSL 234.75, 0.45%, 0.65%

LAB 57.72, 15.46, -38.55

 

CMYK 62 / 57 / 0 / 29

HEX #454EB6

RGB 69 78 182

HSL 235.22, 0.45%, 0.49%

LAB 38.01, 28.88, -56.4

 

CMYK 0 / 62 / 7 / 29

HEX #B545A8

RGB 181 69 168

HSL 306.96, 0.45%, 0.49%

LAB 48.14, 57.21, -31.23

 

CMYK 32 / 0 / 62 / 29

HEX #7BB545

RGB 123 181 69

HSL 91.07, 0.45%, 0.49%

LAB 67.79, -37.57, 49.8

 

CMYK 62 / 57 / 0 / 29

HEX #454EB6

RGB 69 78 182

HSL 235.22, 0.45%, 0.49%

LAB 38.01, 28.88, -56.4

 

CMYK 0 / 62 / 57 / 29

HEX #B5454E

RGB 181 69 78

HSL 355.18, 0.45%, 0.49%

LAB 45.12, 46.11, 18.77

 

CMYK 57 / 0 / 62 / 29

HEX #4EB545

RGB 78 181 69

HSL 115.18, 0.45%, 0.49%

LAB 65.82, -51.67, 47.06

 

CMYK 62 / 57 / 0 / 29

HEX #454EB6

RGB 69 78 182

HSL 235.22, 0.45%, 0.49%

LAB 38.01, 28.88, -56.4

 

CMYK 0 / 62 / 7 / 29

HEX #B545A8

RGB 181 69 168

HSL 306.96, 0.45%, 0.49%

LAB 48.14, 57.21, -31.23

 

CMYK 0 / 5 / 62 / 29

HEX #B5AC45

RGB 181 172 69

HSL 55.18, 0.45%, 0.49%

LAB 69.3, -9.68, 52.62

 

CMYK 62 / 0 / 55 / 29

HEX #45B552

RGB 69 181 82

HSL 126.96, 0.45%, 0.49%

LAB 65.69, -52.25, 40.76

 

CMYK 62 / 57 / 0 / 29

HEX #454EB6

RGB 69 78 182

HSL 235.22, 0.45%, 0.49%

LAB 38.01, 28.88, -56.4

 

CMYK 0 / 62 / 26 / 29

HEX #B54586

RGB 181 69 134

HSL 325.18, 0.45%, 0.49%

LAB 46.71, 52.11, -13.12

 

CMYK 0 / 5 / 62 / 29

HEX #B5AC45

RGB 181 172 69

HSL 55.18, 0.45%, 0.49%

LAB 69.3, -9.68, 52.62

 

CMYK 62 / 0 / 36 / 29

HEX #45B574

RGB 69 181 116

HSL 145.18, 0.45%, 0.49%

LAB 66.19, -46.68, 23.96

 

Description

Color code: HEX #454EB6 | qconv.com Color code: HEX #454EB6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 78 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 78 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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