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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454694 it is the complementary color #BAB96B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #454694: #4A468F, #5B58A2, #6C6AB5, #7D7CC8 and #8E8EDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #454694: #454694, #343481, #23226E, #12105B and #010048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

Complementary color

CMYK 0 / 1 / 42 / 27

HEX #BAB96B

RGB 186 185 107

HSL 59.24, 0.36%, 0.57%

LAB 73.67, -11.05, 39.6

 

CMYK 48 / 51 / 0 / 44

HEX #4A468F

RGB 74 70 143

HSL 243.29, 0.34%, 0.42%

LAB 33.6, 22.01, -40.08

 

CMYK 44 / 46 / 0 / 36

HEX #5B58A2

RGB 91 88 162

HSL 242.43, 0.3%, 0.49%

LAB 40.92, 20.76, -39.79

 

CMYK 40 / 41 / 0 / 29

HEX #6C6AB5

RGB 108 106 181

HSL 241.6, 0.34%, 0.56%

LAB 48.05, 19.73, -39.56

 

CMYK 38 / 38 / 0 / 22

HEX #7D7CC8

RGB 125 124 200

HSL 240.79, 0.41%, 0.64%

LAB 55.02, 18.85, -39.4

 

CMYK 35 / 35 / 0 / 14

HEX #8E8EDB

RGB 142 142 219

HSL 240, 0.52%, 0.71%

LAB 61.84, 18.09, -39.3

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 60 / 60 / 0 / 49

HEX #343481

RGB 52 52 129

HSL 240, 0.43%, 0.35%

LAB 26.07, 24.24, -43.64

 

CMYK 68 / 69 / 0 / 57

HEX #23226E

RGB 35 34 110

HSL 240.79, 0.53%, 0.28%

LAB 18.48, 26.43, -43.94

 

CMYK 80 / 82 / 0 / 64

HEX #12105B

RGB 18 16 91

HSL 241.6, 0.7%, 0.21%

LAB 10.95, 28.92, -43.82

 

CMYK 99 / 100 / 0 / 72

HEX #010048

RGB 1 0 72

HSL 240.83, 1%, 0.14%

LAB 4.28, 28.41, -41.81

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 45 / 53 / 0 / 42

HEX #524695

RGB 82 70 149

HSL 249.11, 0.36%, 0.43%

LAB 34.69, 25.87, -41.96

 

CMYK 36 / 53 / 0 / 42

HEX #5F4695

RGB 95 70 149

HSL 258.99, 0.36%, 0.43%

LAB 35.95, 29.21, -39.87

 

CMYK 28 / 53 / 0 / 42

HEX #6C4695

RGB 108 70 149

HSL 268.86, 0.36%, 0.43%

LAB 37.37, 32.75, -37.53

 

CMYK 19 / 53 / 0 / 42

HEX #794695

RGB 121 70 149

HSL 278.73, 0.36%, 0.43%

LAB 38.92, 36.43, -34.96

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 53 / 53 / 0 / 22

HEX #5D5EC7

RGB 93 94 199

HSL 239.43, 0.49%, 0.57%

LAB 44.88, 29.04, -55.11

 

CMYK 53 / 53 / 0 / 2

HEX #7576FA

RGB 117 118 250

HSL 239.55, 0.93%, 0.72%

LAB 55.73, 35.27, -66.34

 

CMYK 54 / 52 / 0 / 82

HEX #15162E

RGB 21 22 46

HSL 237.6, 0.37%, 0.13%

LAB 8.4, 7.56, -16.31

 

CMYK 54 / 53 / 0 / 62

HEX #2D2E61

RGB 45 46 97

HSL 238.85, 0.37%, 0.28%

LAB 21.49, 15.42, -30.55

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 0 / 53 / 10 / 42

HEX #954686

RGB 149 70 134

HSL 311.39, 0.36%, 0.43%

LAB 41.99, 41.84, -20.79

 

CMYK 31 / 0 / 53 / 42

HEX #679546

RGB 103 149 70

HSL 94.94, 0.36%, 0.43%

LAB 56.9, -30.07, 36.47

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 0 / 53 / 52 / 42

HEX #954647

RGB 149 70 71

HSL 359.24, 0.36%, 0.43%

LAB 39.96, 33.28, 15.23

 

CMYK 52 / 0 / 53 / 42

HEX #479546

RGB 71 149 70

HSL 119.24, 0.36%, 0.43%

LAB 55.36, -40.7, 34.24

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 0 / 53 / 10 / 42

HEX #954686

RGB 149 70 134

HSL 311.39, 0.36%, 0.43%

LAB 41.99, 41.84, -20.79

 

CMYK 0 / 1 / 53 / 42

HEX #959346

RGB 149 147 70

HSL 58.48, 0.36%, 0.43%

LAB 59.62, -10.19, 40.5

 

CMYK 53 / 0 / 44 / 42

HEX #469554

RGB 70 149 84

HSL 130.63, 0.36%, 0.43%

LAB 55.52, -38.84, 27.08

 

CMYK 53 / 53 / 0 / 42

HEX #454694

RGB 69 70 148

HSL 239.24, 0.36%, 0.43%

LAB 33.53, 22.48, -43.28

 

CMYK 0 / 53 / 26 / 42

HEX #95466E

RGB 149 70 110

HSL 329.62, 0.36%, 0.43%

LAB 41.05, 38, -7.47

 

CMYK 0 / 1 / 53 / 42

HEX #959346

RGB 149 147 70

HSL 58.48, 0.36%, 0.43%

LAB 59.62, -10.19, 40.5

 

CMYK 53 / 0 / 28 / 42

HEX #46956C

RGB 70 149 108

HSL 148.86, 0.36%, 0.43%

LAB 55.97, -34.24, 14.41

 

Description

Color code: HEX #454694 | qconv.com Color code: HEX #454694 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 70 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 70 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 53 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 53% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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