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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #417782 it is the complementary color #BE887D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #417782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #417782: #46777D, #578990, #689BA3, #79ADB6 and #8ABFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #417782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #417782: #417782, #30656F, #1F535C, #0E4149 and #002F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

Complementary color

CMYK 0 / 28 / 34 / 25

HEX #BE887D

RGB 190 136 125

HSL 10.15, 0.33%, 0.62%

LAB 61.69, 19.18, 14.11

 

CMYK 44 / 5 / 0 / 51

HEX #46777D

RGB 70 119 125

HSL 186.55, 0.28%, 0.38%

LAB 46.94, -14.86, -8.5

 

CMYK 40 / 5 / 0 / 44

HEX #578990

RGB 87 137 144

HSL 187.37, 0.25%, 0.45%

LAB 53.95, -14.87, -9.06

 

CMYK 36 / 5 / 0 / 36

HEX #689BA3

RGB 104 155 163

HSL 188.14, 0.24%, 0.52%

LAB 60.81, -14.86, -9.59

 

CMYK 34 / 5 / 0 / 29

HEX #79ADB6

RGB 121 173 182

HSL 188.85, 0.29%, 0.59%

LAB 67.52, -14.84, -10.1

 

CMYK 31 / 5 / 0 / 21

HEX #8ABFC9

RGB 138 191 201

HSL 189.52, 0.37%, 0.66%

LAB 74.11, -14.81, -10.59

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 57 / 9 / 0 / 56

HEX #30656F

RGB 48 101 111

HSL 189.52, 0.4%, 0.31%

LAB 39.72, -14.48, -11.02

 

CMYK 66 / 10 / 0 / 64

HEX #1F535C

RGB 31 83 92

HSL 188.85, 0.5%, 0.24%

LAB 32.37, -14.05, -10.4

 

CMYK 81 / 11 / 0 / 71

HEX #0E4149

RGB 14 65 73

HSL 188.14, 0.68%, 0.17%

LAB 24.81, -13.23, -9.65

 

CMYK 100 / 13 / 0 / 79

HEX #002F36

RGB 0 47 54

HSL 187.78, 1%, 0.11%

LAB 16.99, -11.87, -8.74

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 50 / 16 / 0 / 50

HEX #406B80

RGB 64 107 128

HSL 199.69, 0.33%, 0.38%

LAB 43.01, -8.72, -16.27

 

CMYK 50 / 25 / 0 / 50

HEX #406080

RGB 64 96 128

HSL 210, 0.33%, 0.38%

LAB 39.6, -2.12, -21.51

 

CMYK 50 / 33 / 0 / 50

HEX #405680

RGB 64 86 128

HSL 219.38, 0.33%, 0.38%

LAB 36.56, 4.15, -26.24

 

CMYK 50 / 41 / 0 / 50

HEX #404B80

RGB 64 75 128

HSL 229.69, 0.33%, 0.38%

LAB 33.31, 11.29, -31.37

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 50 / 8 / 0 / 29

HEX #5BA6B5

RGB 91 166 181

HSL 190, 0.38%, 0.53%

LAB 64.03, -19.15, -14.94

 

CMYK 50 / 9 / 0 / 9

HEX #74D4E8

RGB 116 212 232

HSL 190.34, 0.72%, 0.68%

LAB 79.97, -23.06, -18.61

 

CMYK 50 / 7 / 0 / 89

HEX #0E1A1C

RGB 14 26 28

HSL 188.57, 0.33%, 0.08%

LAB 8.27, -4.51, -3.09

 

CMYK 49 / 9 / 0 / 69

HEX #28484F

RGB 40 72 79

HSL 190.77, 0.33%, 0.23%

LAB 28.51, -9.6, -7.87

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 31 / 50 / 0 / 50

HEX #584080

RGB 88 64 128

HSL 262.5, 0.33%, 0.38%

LAB 32.48, 25.13, -32.55

 

CMYK 0 / 12 / 50 / 50

HEX #807140

RGB 128 113 64

HSL 45.94, 0.33%, 0.38%

LAB 47.97, -1.2, 29.2

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 0 / 50 / 8 / 50

HEX #804076

RGB 128 64 118

HSL 309.38, 0.33%, 0.38%

LAB 37.05, 35.44, -18.8

 

CMYK 8 / 0 / 50 / 50

HEX #768040

RGB 118 128 64

HSL 69.38, 0.33%, 0.38%

LAB 51.45, -13.99, 33.25

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 31 / 50 / 0 / 50

HEX #584080

RGB 88 64 128

HSL 262.5, 0.33%, 0.38%

LAB 32.48, 25.13, -32.55

 

CMYK 0 / 41 / 50 / 50

HEX #804B40

RGB 128 75 64

HSL 10.31, 0.33%, 0.38%

LAB 37.83, 21.19, 16.16

 

CMYK 18 / 0 / 50 / 50

HEX #698040

RGB 105 128 64

HSL 81.56, 0.33%, 0.38%

LAB 50.47, -19.51, 31.82

 

CMYK 50 / 8 / 0 / 49

HEX #417782

RGB 65 119 130

HSL 190.15, 0.33%, 0.38%

LAB 46.88, -14.71, -11.58

 

CMYK 16 / 50 / 0 / 50

HEX #6B4080

RGB 107 64 128

HSL 280.31, 0.33%, 0.38%

LAB 34.7, 30.83, -28.88

 

CMYK 0 / 41 / 50 / 50

HEX #804B40

RGB 128 75 64

HSL 10.31, 0.33%, 0.38%

LAB 37.83, 21.19, 16.16

 

CMYK 33 / 0 / 50 / 50

HEX #568040

RGB 86 128 64

HSL 99.38, 0.33%, 0.38%

LAB 49.24, -27.04, 30.04

 

Description

Color code: HEX #417782 | qconv.com Color code: HEX #417782 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 119 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 119 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 8 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 8% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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