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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F8777 it is the complementary color #C07888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F8777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3F8777: #448772, #559985, #66AB98, #77BDAB and #88CFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F8777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3F8777: #3F8777, #2E7564, #1D6351, #0C513E and #003F2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

Complementary color

CMYK 0 / 38 / 29 / 25

HEX #C07888

RGB 192 120 136

HSL 346.67, 0.36%, 0.61%

LAB 58.43, 30.24, 3.21

 

CMYK 50 / 0 / 16 / 47

HEX #448772

RGB 68 135 114

HSL 161.19, 0.33%, 0.4%

LAB 51.58, -26.69, 4.76

 

CMYK 44 / 0 / 13 / 40

HEX #559985

RGB 85 153 133

HSL 162.35, 0.29%, 0.47%

LAB 58.42, -26.54, 3.81

 

CMYK 40 / 0 / 11 / 33

HEX #66AB98

RGB 102 171 152

HSL 163.48, 0.29%, 0.54%

LAB 65.13, -26.36, 2.94

 

CMYK 37 / 0 / 10 / 26

HEX #77BDAB

RGB 119 189 171

HSL 164.57, 0.35%, 0.6%

LAB 71.73, -26.17, 2.14

 

CMYK 34 / 0 / 8 / 19

HEX #88CFBE

RGB 136 207 190

HSL 165.63, 0.43%, 0.67%

LAB 78.21, -25.99, 1.39

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 61 / 0 / 15 / 54

HEX #2E7564

RGB 46 117 100

HSL 165.63, 0.44%, 0.32%

LAB 44.55, -26.63, 2.77

 

CMYK 71 / 0 / 18 / 61

HEX #1D6351

RGB 29 99 81

HSL 164.57, 0.55%, 0.25%

LAB 37.44, -26.37, 3.96

 

CMYK 85 / 0 / 23 / 68

HEX #0C513E

RGB 12 81 62

HSL 163.48, 0.74%, 0.18%

LAB 30.18, -25.68, 5.4

 

CMYK 100 / 0 / 32 / 75

HEX #003F2B

RGB 0 63 43

HSL 160.95, 1%, 0.12%

LAB 22.76, -24.27, 7.17

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 53 / 0 / 4 / 47

HEX #3F8782

RGB 63 135 130

HSL 175.83, 0.36%, 0.39%

LAB 51.83, -23.73, -4.2

 

CMYK 53 / 5 / 0 / 47

HEX #3F8087

RGB 63 128 135

HSL 185.83, 0.36%, 0.39%

LAB 49.79, -18.63, -10.16

 

CMYK 53 / 14 / 0 / 47

HEX #3F7487

RGB 63 116 135

HSL 195.83, 0.36%, 0.39%

LAB 46.04, -12, -15.84

 

CMYK 53 / 23 / 0 / 47

HEX #3F6887

RGB 63 104 135

HSL 205.83, 0.36%, 0.39%

LAB 42.32, -4.98, -21.55

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 53 / 0 / 12 / 27

HEX #57BAA4

RGB 87 186 164

HSL 166.67, 0.42%, 0.54%

LAB 69.34, -34.42, 2.34

 

CMYK 53 / 0 / 12 / 7

HEX #6FEDD1

RGB 111 237 209

HSL 166.67, 0.78%, 0.68%

LAB 86.28, -41.73, 2.91

 

CMYK 55 / 0 / 12 / 87

HEX #0F211D

RGB 15 33 29

HSL 166.67, 0.38%, 0.09%

LAB 11.12, -8.72, 0.37

 

CMYK 54 / 0 / 12 / 67

HEX #27544A

RGB 39 84 74

HSL 166.67, 0.37%, 0.24%

LAB 32.41, -18.31, 1.09

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 53 / 51 / 0 / 47

HEX #3F4287

RGB 63 66 135

HSL 237.5, 0.36%, 0.39%

LAB 31.12, 19.36, -39.19

 

CMYK 0 / 34 / 53 / 47

HEX #87593F

RGB 135 89 63

HSL 21.67, 0.36%, 0.39%

LAB 42.24, 15.9, 22.72

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 13 / 53 / 0 / 47

HEX #763F87

RGB 118 63 135

HSL 285.83, 0.36%, 0.39%

LAB 36.28, 36.3, -30.62

 

CMYK 0 / 13 / 53 / 47

HEX #87763F

RGB 135 118 63

HSL 45.83, 0.36%, 0.39%

LAB 50.06, -1, 32.45

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 53 / 51 / 0 / 47

HEX #3F4287

RGB 63 66 135

HSL 237.5, 0.36%, 0.39%

LAB 31.12, 19.36, -39.19

 

CMYK 0 / 53 / 41 / 47

HEX #873F50

RGB 135 63 80

HSL 345.83, 0.36%, 0.39%

LAB 36.53, 32.63, 4.47

 

CMYK 0 / 2 / 53 / 47

HEX #87843F

RGB 135 132 63

HSL 57.5, 0.36%, 0.39%

LAB 54.04, -8.83, 37.19

 

CMYK 53 / 0 / 12 / 47

HEX #3F8777

RGB 63 135 119

HSL 166.67, 0.36%, 0.39%

LAB 51.52, -26.68, 1.74

 

CMYK 39 / 53 / 0 / 47

HEX #523F87

RGB 82 63 135

HSL 255.83, 0.36%, 0.39%

LAB 32.03, 26.08, -37.64

 

CMYK 0 / 53 / 41 / 47

HEX #873F50

RGB 135 63 80

HSL 345.83, 0.36%, 0.39%

LAB 36.53, 32.63, 4.47

 

CMYK 14 / 0 / 53 / 47

HEX #74873F

RGB 116 135 63

HSL 75.83, 0.36%, 0.39%

LAB 53.38, -18.67, 36.04

 

Description

Color code: HEX #3F8777 | qconv.com Color code: HEX #3F8777 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 135 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 135 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 12 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 12% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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