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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ECE3D it is the complementary color #C131C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ECE3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ECE3D shade: #43CE38, #54E04B, #65F25E, #76FF71 and #87FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ECE3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ECE3D shade: #3ECE3D, #2DBC2A, #1CAA17, #0B9804 and #008600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ECE3D shade: #3CCE3B, #64CE3B, #8BCE3B, #B3CE3B and #CEC13B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ECE3D shade: #3CCE3B, #3BCE62, #3BCE89, #3BCEB1 and #3BC3CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ECE3D shade matches the following richer shades: #3CCE3B, #29E227 and #15F614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ECE3D shade: #3CCE3B, #50BA4F, #63A663, #779377 and #8A7F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ECE3D shade: #8CCE3B, #65CE3B, #3ECE3B, #3BCE60 and #3BCE87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ECE3D shade: #259225, #2EB32D, #3CCE3B, #5DD65C and #7EDF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ECE3D shade: #3ECE3D, #3BB3CE and #CE3B78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ECE3D shade: #3ECE3D, #3B3ECE and #CE3B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ECE3D shade: #3ECE3D, #3BB3CE, #CC3BCE and #CE563B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ECE3D shade: #3ECE3D, #3B87CE, #CC3BCE and #CE823B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 70 / 19

HEX #3ECE3D

RGB 62 206 61

HSL 119.59, 0.6%, 0.52%

LAB 73.22, -64.65, 58.25

 

Complementary color

CMYK 1 / 75 / 0 / 24

HEX #C131C2

RGB 193 49 194

HSL 299.59, 0.6%, 0.48%

LAB 48.8, 71.52, -45.28

 

CMYK 67 / 0 / 73 / 19

HEX #43CE38

RGB 67 206 56

HSL 115.6, 0.6%, 0.51%

LAB 73.3, -64.13, 60.19

 

CMYK 63 / 0 / 67 / 12

HEX #54E04B

RGB 84 224 75

HSL 116.38, 0.71%, 0.59%

LAB 79.45, -65.09, 59.59

 

CMYK 58 / 0 / 61 / 5

HEX #65F25E

RGB 101 242 94

HSL 117.16, 0.85%, 0.66%

LAB 85.54, -65.7, 58.66

 

CMYK 54 / 0 / 56 / 0

HEX #76FF71

RGB 118 255 113

HSL 117.89, 1%, 0.72%

LAB 90.12, -64.25, 55.84

 

CMYK 47 / 0 / 48 / 0

HEX #87FF84

RGB 135 255 132

HSL 118.54, 1%, 0.76%

LAB 90.93, -57.52, 48.26

 

CMYK 70 / 0 / 70 / 19

HEX #3ECE3D

RGB 62 206 61

HSL 119.59, 0.6%, 0.52%

LAB 73.22, -64.65, 58.25

 

CMYK 76 / 0 / 78 / 26

HEX #2DBC2A

RGB 45 188 42

HSL 118.77, 0.63%, 0.45%

LAB 67.04, -63.14, 58.56

 

CMYK 84 / 0 / 86 / 33

HEX #1CAA17

RGB 28 170 23

HSL 117.96, 0.76%, 0.38%

LAB 60.83, -60.93, 57.97

 

CMYK 93 / 0 / 97 / 40

HEX #0B9804

RGB 11 152 4

HSL 117.16, 0.95%, 0.31%

LAB 54.59, -57.78, 55.98

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 71 / 0 / 71 / 19

HEX #3CCE3B

RGB 60 206 59

HSL 119.59, 0.6%, 0.52%

LAB 73.17, -65.16, 58.92

 

CMYK 51 / 0 / 71 / 19

HEX #64CE3B

RGB 100 206 59

HSL 103.27, 0.6%, 0.52%

LAB 74.3, -56.06, 60.44

 

CMYK 33 / 0 / 71 / 19

HEX #8BCE3B

RGB 139 206 59

HSL 87.35, 0.6%, 0.52%

LAB 76.04, -43.49, 62.76

 

CMYK 13 / 0 / 71 / 19

HEX #B3CE3B

RGB 179 206 59

HSL 71.02, 0.6%, 0.52%

LAB 78.49, -28.1, 66.01

 

CMYK 0 / 6 / 71 / 19

HEX #CEC13B

RGB 206 193 59

HSL 54.69, 0.6%, 0.52%

LAB 77.03, -10.38, 65.3

 

CMYK 71 / 0 / 71 / 19

HEX #3CCE3B

RGB 60 206 59

HSL 119.59, 0.6%, 0.52%

LAB 73.17, -65.16, 58.92

 

CMYK 71 / 0 / 52 / 19

HEX #3BCE62

RGB 59 206 98

HSL 135.92, 0.6%, 0.52%

LAB 73.52, -60.94, 42.48

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE89

RGB 59 206 137

HSL 151.84, 0.6%, 0.52%

LAB 74.11, -54.18, 23.48

 

CMYK 71 / 0 / 14 / 19

HEX #3BCEB1

RGB 59 206 177

HSL 168.16, 0.6%, 0.52%

LAB 74.98, -45.01, 3.36

 

CMYK 71 / 5 / 0 / 19

HEX #3BC3CE

RGB 59 195 206

HSL 184.49, 0.6%, 0.52%

LAB 72.51, -32, -16.03

 

CMYK 71 / 0 / 71 / 19

HEX #3CCE3B

RGB 60 206 59

HSL 119.59, 0.6%, 0.52%

LAB 73.17, -65.16, 58.92

 

CMYK 82 / 0 / 83 / 11

HEX #29E227

RGB 41 226 39

HSL 119.36, 0.76%, 0.52%

LAB 79.05, -75.12, 70.62

 

CMYK 91 / 0 / 92 / 4

HEX #15F614

RGB 21 246 20

HSL 119.73, 0.93%, 0.52%

LAB 85.06, -82.79, 79.25

 

CMYK 71 / 0 / 71 / 19

HEX #3CCE3B

RGB 60 206 59

HSL 119.59, 0.6%, 0.52%

LAB 73.17, -65.16, 58.92

 

CMYK 57 / 0 / 58 / 27

HEX #50BA4F

RGB 80 186 79

HSL 119.44, 0.44%, 0.52%

LAB 67.57, -51.92, 44.5

 

CMYK 40 / 0 / 40 / 35

HEX #63A663

RGB 99 166 99

HSL 120, 0.27%, 0.52%

LAB 62.36, -35.33, 28.16

 

CMYK 19 / 0 / 19 / 42

HEX #779377

RGB 119 147 119

HSL 120, 0.11%, 0.52%

LAB 58.15, -15.58, 11.62

 

CMYK 0 / 8 / 0 / 46

HEX #8A7F8A

RGB 138 127 138

HSL 300, 0.04%, 0.52%

LAB 54.47, 6.29, -4.43

 

CMYK 32 / 0 / 71 / 19

HEX #8CCE3B

RGB 140 206 59

HSL 86.94, 0.6%, 0.52%

LAB 76.09, -43.13, 62.83

 

CMYK 51 / 0 / 71 / 19

HEX #65CE3B

RGB 101 206 59

HSL 102.86, 0.6%, 0.52%

LAB 74.33, -55.78, 60.49

 

CMYK 70 / 0 / 71 / 19

HEX #3ECE3B

RGB 62 206 59

HSL 118.78, 0.6%, 0.52%

LAB 73.21, -64.81, 58.98

 

CMYK 71 / 0 / 53 / 19

HEX #3BCE60

RGB 59 206 96

HSL 135.1, 0.6%, 0.52%

LAB 73.49, -61.22, 43.4

 

CMYK 71 / 0 / 34 / 19

HEX #3BCE87

RGB 59 206 135

HSL 151.02, 0.6%, 0.52%

LAB 74.08, -54.58, 24.48

 

CMYK 75 / 0 / 75 / 43

HEX #259225

RGB 37 146 37

HSL 120, 0.6%, 0.36%

LAB 53.04, -51.19, 46.38

 

CMYK 74 / 0 / 75 / 30

HEX #2EB32D

RGB 46 179 45

HSL 119.55, 0.6%, 0.44%

LAB 64.17, -59.92, 54.74

 

CMYK 71 / 0 / 71 / 19

HEX #3CCE3B

RGB 60 206 59

HSL 119.59, 0.6%, 0.52%

LAB 73.17, -65.16, 58.92

 

CMYK 57 / 0 / 57 / 16

HEX #5DD65C

RGB 93 214 92

HSL 119.51, 0.6%, 0.6%

LAB 76.8, -57.7, 49.42

 

CMYK 43 / 0 / 44 / 13

HEX #7EDF7D

RGB 126 223 125

HSL 119.39, 0.6%, 0.68%

LAB 81.12, -48.06, 39.23

 

CMYK 70 / 0 / 70 / 19

HEX #3ECE3D

RGB 62 206 61

HSL 119.59, 0.6%, 0.52%

LAB 73.22, -64.65, 58.25

 

CMYK 71 / 13 / 0 / 19

HEX #3BB3CE

RGB 59 179 206

HSL 191.02, 0.6%, 0.52%

LAB 67.74, -24.11, -23.26

 

CMYK 0 / 71 / 42 / 19

HEX #CE3B78

RGB 206 59 120

HSL 335.1, 0.6%, 0.52%

LAB 49.01, 61.73, -0.77

 

CMYK 70 / 0 / 70 / 19

HEX #3ECE3D

RGB 62 206 61

HSL 119.59, 0.6%, 0.52%

LAB 73.22, -64.65, 58.25

 

CMYK 71 / 70 / 0 / 19

HEX #3B3ECE

RGB 59 62 206

HSL 238.78, 0.6%, 0.52%

LAB 35.66, 45.52, -74.29

 

CMYK 0 / 71 / 70 / 19

HEX #CE3B3E

RGB 206 59 62

HSL 358.78, 0.6%, 0.52%

LAB 47.75, 57.47, 32.59

 

CMYK 70 / 0 / 70 / 19

HEX #3ECE3D

RGB 62 206 61

HSL 119.59, 0.6%, 0.52%

LAB 73.22, -64.65, 58.25

 

CMYK 71 / 13 / 0 / 19

HEX #3BB3CE

RGB 59 179 206

HSL 191.02, 0.6%, 0.52%

LAB 67.74, -24.11, -23.26

 

CMYK 1 / 71 / 0 / 19

HEX #CC3BCE

RGB 204 59 206

HSL 299.18, 0.6%, 0.52%

LAB 52.31, 72.62, -46.51

 

CMYK 0 / 58 / 71 / 19

HEX #CE563B

RGB 206 86 59

HSL 11.02, 0.6%, 0.52%

LAB 51.94, 45.95, 39.15

 

CMYK 70 / 0 / 70 / 19

HEX #3ECE3D

RGB 62 206 61

HSL 119.59, 0.6%, 0.52%

LAB 73.22, -64.65, 58.25

 

CMYK 71 / 34 / 0 / 19

HEX #3B87CE

RGB 59 135 206

HSL 208.98, 0.6%, 0.52%

LAB 54.78, 0.09, -43.42

 

CMYK 1 / 71 / 0 / 19

HEX #CC3BCE

RGB 204 59 206

HSL 299.18, 0.6%, 0.52%

LAB 52.31, 72.62, -46.51

 

CMYK 0 / 37 / 71 / 19

HEX #CE823B

RGB 206 130 59

HSL 28.98, 0.6%, 0.52%

LAB 61.14, 23.24, 49.19

 

Description

Color code: HEX #3ECE3D | qconv.com Color code: HEX #3ECE3D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 206 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 206 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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