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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EC2B5 it is the complementary color #C13D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EC2B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EC2B5 shade: #43C2B0, #54D4C3, #65E6D6, #76F8E9 and #87FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EC2B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EC2B5 shade: #3EC2B5, #2DB0A2, #1C9E8F, #0B8C7C and #007A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EC2B5 shade: #3DC2B5, #3DC291, #3DC26D, #3DC249 and #55C23D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EC2B5 shade: #3DC2B5, #3DABC2, #3D87C2, #3D64C2 and #3D40C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EC2B5 shade matches the following richer shades: #3DC2B5, #29D6C5 and #14EBD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EC2B5 shade: #3DC2B5, #52ADA4, #669994, #7B8483 and #906F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EC2B5 shade: #3DC26E, #3DC291, #3DC2B5, #3DACC2 and #3D88C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EC2B5 shade: #29837A, #33A297, #3DC2B5, #5DCCC1 and #7CD6CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EC2B5 shade: #3EC2B5, #4A3DC2 and #C2803D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EC2B5 shade: #3EC2B5, #B53DC2 and #C2B53D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EC2B5 shade: #3EC2B5, #4A3DC2, #C23D4A and #B5C23D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EC2B5 shade: #3EC2B5, #723DC2, #C23D4A and #8DC23D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 7 / 24

HEX #3EC2B5

RGB 62 194 181

HSL 174.09, 0.52%, 0.5%

LAB 71.52, -38.24, -3.86

 

Complementary color

CMYK 0 / 68 / 62 / 24

HEX #C13D4A

RGB 193 61 74

HSL 354.09, 0.52%, 0.5%

LAB 45.87, 53.26, 22.57

 

CMYK 65 / 0 / 9 / 24

HEX #43C2B0

RGB 67 194 176

HSL 171.5, 0.51%, 0.51%

LAB 71.49, -38.82, -1.16

 

CMYK 60 / 0 / 8 / 17

HEX #54D4C3

RGB 84 212 195

HSL 172.03, 0.6%, 0.58%

LAB 77.82, -39.16, -2.1

 

CMYK 56 / 0 / 7 / 10

HEX #65E6D6

RGB 101 230 214

HSL 172.56, 0.72%, 0.65%

LAB 84.08, -39.37, -2.98

 

CMYK 52 / 0 / 6 / 3

HEX #76F8E9

RGB 118 248 233

HSL 173.08, 0.9%, 0.72%

LAB 90.26, -39.49, -3.78

 

CMYK 47 / 0 / 1 / 0

HEX #87FFFC

RGB 135 255 252

HSL 178.5, 1%, 0.76%

LAB 93.32, -34.51, -9.06

 

CMYK 68 / 0 / 7 / 24

HEX #3EC2B5

RGB 62 194 181

HSL 174.09, 0.52%, 0.5%

LAB 71.52, -38.24, -3.86

 

CMYK 74 / 0 / 8 / 31

HEX #2DB0A2

RGB 45 176 162

HSL 173.59, 0.59%, 0.43%

LAB 65.13, -37.56, -2.83

 

CMYK 82 / 0 / 9 / 38

HEX #1C9E8F

RGB 28 158 143

HSL 173.08, 0.7%, 0.36%

LAB 58.68, -36.57, -1.68

 

CMYK 92 / 0 / 11 / 45

HEX #0B8C7C

RGB 11 140 124

HSL 172.56, 0.85%, 0.3%

LAB 52.16, -35.14, -0.36

 

CMYK 100 / 0 / 14 / 52

HEX #007A69

RGB 0 122 105

HSL 171.64, 1%, 0.24%

LAB 45.55, -33.19, 1.14

 

CMYK 69 / 0 / 7 / 24

HEX #3DC2B5

RGB 61 194 181

HSL 174.14, 0.52%, 0.5%

LAB 71.5, -38.39, -3.9

 

CMYK 69 / 0 / 25 / 24

HEX #3DC291

RGB 61 194 145

HSL 157.89, 0.52%, 0.5%

LAB 70.61, -47.38, 14.4

 

CMYK 69 / 0 / 44 / 24

HEX #3DC26D

RGB 61 194 109

HSL 141.65, 0.52%, 0.5%

LAB 69.95, -54.55, 32.53

 

CMYK 69 / 0 / 62 / 24

HEX #3DC249

RGB 61 194 73

HSL 125.41, 0.52%, 0.5%

LAB 69.51, -59.65, 49.32

 

CMYK 56 / 0 / 69 / 24

HEX #55C23D

RGB 85 194 61

HSL 109.17, 0.52%, 0.5%

LAB 70.07, -55.5, 55.13

 

CMYK 69 / 0 / 7 / 24

HEX #3DC2B5

RGB 61 194 181

HSL 174.14, 0.52%, 0.5%

LAB 71.5, -38.39, -3.9

 

CMYK 69 / 12 / 0 / 24

HEX #3DABC2

RGB 61 171 194

HSL 190.38, 0.52%, 0.5%

LAB 64.97, -23.51, -20.84

 

CMYK 69 / 30 / 0 / 24

HEX #3D87C2

RGB 61 135 194

HSL 206.62, 0.52%, 0.5%

LAB 54.25, -3.82, -37.43

 

CMYK 69 / 48 / 0 / 24

HEX #3D64C2

RGB 61 100 194

HSL 222.41, 0.52%, 0.5%

LAB 44.24, 17.7, -53.36

 

CMYK 69 / 67 / 0 / 24

HEX #3D40C2

RGB 61 64 194

HSL 238.65, 0.52%, 0.5%

LAB 35.11, 40.54, -68.19

 

CMYK 69 / 0 / 7 / 24

HEX #3DC2B5

RGB 61 194 181

HSL 174.14, 0.52%, 0.5%

LAB 71.5, -38.39, -3.9

 

CMYK 81 / 0 / 8 / 16

HEX #29D6C5

RGB 41 214 197

HSL 174.1, 0.68%, 0.5%

LAB 77.64, -45.09, -3.55

 

CMYK 91 / 0 / 9 / 8

HEX #14EBD6

RGB 20 235 214

HSL 174.14, 0.84%, 0.5%

LAB 84.18, -50.58, -2.98

 

CMYK 69 / 0 / 7 / 24

HEX #3DC2B5

RGB 61 194 181

HSL 174.14, 0.52%, 0.5%

LAB 71.5, -38.39, -3.9

 

CMYK 53 / 0 / 5 / 32

HEX #52ADA4

RGB 82 173 164

HSL 174.07, 0.36%, 0.5%

LAB 65.25, -29.32, -3.67

 

CMYK 33 / 0 / 3 / 40

HEX #669994

RGB 102 153 148

HSL 174.12, 0.2%, 0.5%

LAB 59.66, -18.12, -2.81

 

CMYK 7 / 0 / 1 / 48

HEX #7B8483

RGB 123 132 131

HSL 173.33, 0.04%, 0.5%

LAB 54.4, -3.51, -0.61

 

CMYK 0 / 23 / 21 / 44

HEX #906F72

RGB 144 111 114

HSL 354.55, 0.13%, 0.5%

LAB 50.11, 13.53, 3.36

 

CMYK 69 / 0 / 43 / 24

HEX #3DC26E

RGB 61 194 110

HSL 142.11, 0.52%, 0.5%

LAB 69.97, -54.38, 32.04

 

CMYK 69 / 0 / 25 / 24

HEX #3DC291

RGB 61 194 145

HSL 157.89, 0.52%, 0.5%

LAB 70.61, -47.38, 14.4

 

CMYK 69 / 0 / 7 / 24

HEX #3DC2B5

RGB 61 194 181

HSL 174.14, 0.52%, 0.5%

LAB 71.5, -38.39, -3.9

 

CMYK 69 / 11 / 0 / 24

HEX #3DACC2

RGB 61 172 194

HSL 189.92, 0.52%, 0.5%

LAB 65.27, -24.02, -20.39

 

CMYK 69 / 30 / 0 / 24

HEX #3D88C2

RGB 61 136 194

HSL 206.17, 0.52%, 0.5%

LAB 54.55, -4.4, -36.97

 

CMYK 69 / 0 / 7 / 49

HEX #29837A

RGB 41 131 122

HSL 174, 0.52%, 0.34%

LAB 49.63, -28.32, -2.85

 

CMYK 69 / 0 / 7 / 36

HEX #33A297

RGB 51 162 151

HSL 174.05, 0.52%, 0.42%

LAB 60.59, -33.36, -3.36

 

CMYK 69 / 0 / 7 / 24

HEX #3DC2B5

RGB 61 194 181

HSL 174.14, 0.52%, 0.5%

LAB 71.5, -38.39, -3.9

 

CMYK 54 / 0 / 5 / 20

HEX #5DCCC1

RGB 93 204 193

HSL 174.05, 0.52%, 0.58%

LAB 75.68, -34.29, -4.15

 

CMYK 42 / 0 / 4 / 16

HEX #7CD6CD

RGB 124 214 205

HSL 174, 0.52%, 0.66%

LAB 80.06, -29.09, -4.01

 

CMYK 68 / 0 / 7 / 24

HEX #3EC2B5

RGB 62 194 181

HSL 174.09, 0.52%, 0.5%

LAB 71.52, -38.24, -3.86

 

CMYK 62 / 69 / 0 / 24

HEX #4A3DC2

RGB 74 61 194

HSL 245.86, 0.52%, 0.5%

LAB 35.38, 44.05, -67.72

 

CMYK 0 / 34 / 69 / 24

HEX #C2803D

RGB 194 128 61

HSL 30.23, 0.52%, 0.5%

LAB 59.2, 19.33, 45.71

 

CMYK 68 / 0 / 7 / 24

HEX #3EC2B5

RGB 62 194 181

HSL 174.09, 0.52%, 0.5%

LAB 71.52, -38.24, -3.86

 

CMYK 7 / 69 / 0 / 24

HEX #B53DC2

RGB 181 61 194

HSL 294.14, 0.52%, 0.5%

LAB 48.33, 64.88, -46.14

 

CMYK 0 / 7 / 69 / 24

HEX #C2B53D

RGB 194 181 61

HSL 54.14, 0.52%, 0.5%

LAB 72.8, -9.25, 59.99

 

CMYK 68 / 0 / 7 / 24

HEX #3EC2B5

RGB 62 194 181

HSL 174.09, 0.52%, 0.5%

LAB 71.52, -38.24, -3.86

 

CMYK 62 / 69 / 0 / 24

HEX #4A3DC2

RGB 74 61 194

HSL 245.86, 0.52%, 0.5%

LAB 35.38, 44.05, -67.72

 

CMYK 0 / 69 / 62 / 24

HEX #C23D4A

RGB 194 61 74

HSL 354.14, 0.52%, 0.5%

LAB 46.04, 53.58, 22.84

 

CMYK 7 / 0 / 69 / 24

HEX #B5C23D

RGB 181 194 61

HSL 65.86, 0.52%, 0.5%

LAB 75.29, -21.35, 62.16

 

CMYK 68 / 0 / 7 / 24

HEX #3EC2B5

RGB 62 194 181

HSL 174.09, 0.52%, 0.5%

LAB 71.52, -38.24, -3.86

 

CMYK 41 / 69 / 0 / 24

HEX #723DC2

RGB 114 61 194

HSL 263.91, 0.52%, 0.5%

LAB 39.26, 50.78, -61.22

 

CMYK 0 / 69 / 62 / 24

HEX #C23D4A

RGB 194 61 74

HSL 354.14, 0.52%, 0.5%

LAB 46.04, 53.58, 22.84

 

CMYK 27 / 0 / 69 / 24

HEX #8DC23D

RGB 141 194 61

HSL 83.91, 0.52%, 0.5%

LAB 72.62, -37.36, 58.58

 

Description

Color code: HEX #3EC2B5 | qconv.com Color code: HEX #3EC2B5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 194 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 194 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 7 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 7% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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