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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7EAA it is the complementary color #C18155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7EAA shade: #437EA5, #5490B8, #65A2CB, #76B4DE and #87C6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7EAA shade: #3E7EAA, #2D6C97, #1C5A84, #0B4871 and #00365E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7EAA shade: #3D7DA9, #3D60A9, #3D43A9, #543DA9 and #713DA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7EAA shade: #3D7DA9, #3D60A9, #3D43A9 and #3D3DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7EAA shade matches the following richer shades: #3D7DA9, #2A80BB, #1884CE and #0587E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7EAA shade: #3D7DA9, #4F7996, #627684, #757271 and #876F5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7EAA shade: #3DA99A, #3D9AA9, #3D7EA9, #3D61A9 and #3D44A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7EAA shade: #27506C, #32668A, #3D7DA9, #4F92C0 and #6DA5CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7EAA shade: #3E7EAA, #7E3DA9 and #A9A93D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7EAA shade: #3E7EAA, #A93D7E and #7EA93D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7EAA shade: #3E7EAA, #7E3DA9, #A9683D and #68A93D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7EAA shade: #3E7EAA, #9E3DA9, #A9683D and #48A93D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 26 / 0 / 33

HEX #3E7EAA

RGB 62 126 170

HSL 204.44, 0.47%, 0.45%

LAB 50.51, -6.61, -29.5

 

Complementary color

CMYK 0 / 33 / 56 / 24

HEX #C18155

RGB 193 129 85

HSL 24.44, 0.47%, 0.55%

LAB 59.61, 20.04, 33.73

 

CMYK 59 / 24 / 0 / 35

HEX #437EA5

RGB 67 126 165

HSL 203.88, 0.42%, 0.45%

LAB 50.49, -7.29, -26.62

 

CMYK 54 / 22 / 0 / 28

HEX #5490B8

RGB 84 144 184

HSL 204, 0.41%, 0.53%

LAB 57.36, -7.9, -26.84

 

CMYK 50 / 20 / 0 / 20

HEX #65A2CB

RGB 101 162 203

HSL 204.12, 0.5%, 0.6%

LAB 64.1, -8.37, -27.07

 

CMYK 47 / 19 / 0 / 13

HEX #76B4DE

RGB 118 180 222

HSL 204.23, 0.61%, 0.67%

LAB 70.71, -8.75, -27.3

 

CMYK 44 / 18 / 0 / 5

HEX #87C6F1

RGB 135 198 241

HSL 204.34, 0.79%, 0.74%

LAB 77.21, -9.05, -27.54

 

CMYK 64 / 26 / 0 / 33

HEX #3E7EAA

RGB 62 126 170

HSL 204.44, 0.47%, 0.45%

LAB 50.51, -6.61, -29.5

 

CMYK 70 / 28 / 0 / 41

HEX #2D6C97

RGB 45 108 151

HSL 204.34, 0.54%, 0.38%

LAB 43.53, -5.56, -29.29

 

CMYK 79 / 32 / 0 / 48

HEX #1C5A84

RGB 28 90 132

HSL 204.23, 0.65%, 0.31%

LAB 36.41, -4.1, -29.04

 

CMYK 90 / 36 / 0 / 56

HEX #0B4871

RGB 11 72 113

HSL 204.12, 0.82%, 0.24%

LAB 29.15, -1.99, -28.72

 

CMYK 100 / 43 / 0 / 63

HEX #00365E

RGB 0 54 94

HSL 205.53, 1%, 0.18%

LAB 21.75, 1.05, -28.28

 

CMYK 64 / 26 / 0 / 34

HEX #3D7DA9

RGB 61 125 169

HSL 204.44, 0.47%, 0.45%

LAB 50.13, -6.55, -29.52

 

CMYK 64 / 43 / 0 / 34

HEX #3D60A9

RGB 61 96 169

HSL 220.56, 0.47%, 0.45%

LAB 41.57, 11.24, -43.02

 

CMYK 64 / 60 / 0 / 34

HEX #3D43A9

RGB 61 67 169

HSL 236.67, 0.47%, 0.45%

LAB 33.71, 30.07, -55.68

 

CMYK 50 / 64 / 0 / 34

HEX #543DA9

RGB 84 61 169

HSL 252.78, 0.47%, 0.45%

LAB 34.16, 37.96, -54.86

 

CMYK 33 / 64 / 0 / 34

HEX #713DA9

RGB 113 61 169

HSL 268.89, 0.47%, 0.45%

LAB 37.32, 44.16, -49.6

 

CMYK 64 / 26 / 0 / 34

HEX #3D7DA9

RGB 61 125 169

HSL 204.44, 0.47%, 0.45%

LAB 50.13, -6.55, -29.52

 

CMYK 64 / 43 / 0 / 34

HEX #3D60A9

RGB 61 96 169

HSL 220.56, 0.47%, 0.45%

LAB 41.57, 11.24, -43.02

 

CMYK 64 / 60 / 0 / 34

HEX #3D43A9

RGB 61 67 169

HSL 236.67, 0.47%, 0.45%

LAB 33.71, 30.07, -55.68

 

CMYK 64 / 64 / 0 / 34

HEX #3D3DA9

RGB 61 61 169

HSL 240, 0.47%, 0.45%

LAB 32.24, 33.88, -58.07

 

CMYK 64 / 26 / 0 / 34

HEX #3D7DA9

RGB 61 125 169

HSL 204.44, 0.47%, 0.45%

LAB 50.13, -6.55, -29.52

 

CMYK 78 / 32 / 0 / 27

HEX #2A80BB

RGB 42 128 187

HSL 204.41, 0.63%, 0.45%

LAB 51.29, -4.81, -38.13

 

CMYK 88 / 36 / 0 / 19

HEX #1884CE

RGB 24 132 206

HSL 204.4, 0.79%, 0.45%

LAB 53.12, -1.67, -46.1

 

CMYK 98 / 40 / 0 / 12

HEX #0587E0

RGB 5 135 224

HSL 204.38, 0.96%, 0.45%

LAB 54.81, 2.64, -53.56

 

CMYK 64 / 26 / 0 / 34

HEX #3D7DA9

RGB 61 125 169

HSL 204.44, 0.47%, 0.45%

LAB 50.13, -6.55, -29.52

 

CMYK 47 / 19 / 0 / 41

HEX #4F7996

RGB 79 121 150

HSL 204.51, 0.31%, 0.45%

LAB 48.93, -6.32, -20.21

 

CMYK 26 / 11 / 0 / 48

HEX #627684

RGB 98 118 132

HSL 204.71, 0.15%, 0.45%

LAB 48.54, -3.94, -10.09

 

CMYK 0 / 3 / 3 / 54

HEX #757271

RGB 117 114 113

HSL 15, 0.02%, 0.45%

LAB 48.27, 0.95, 0.96

 

CMYK 0 / 18 / 30 / 47

HEX #876F5E

RGB 135 111 94

HSL 24.88, 0.18%, 0.45%

LAB 48.67, 6.76, 13.01

 

CMYK 64 / 0 / 9 / 34

HEX #3DA99A

RGB 61 169 154

HSL 171.67, 0.47%, 0.45%

LAB 63.1, -34.19, -1.33

 

CMYK 64 / 9 / 0 / 34

HEX #3D9AA9

RGB 61 154 169

HSL 188.33, 0.47%, 0.45%

LAB 58.94, -22.5, -15.97

 

CMYK 64 / 25 / 0 / 34

HEX #3D7EA9

RGB 61 126 169

HSL 203.89, 0.47%, 0.45%

LAB 50.43, -7.14, -29.05

 

CMYK 64 / 43 / 0 / 34

HEX #3D61A9

RGB 61 97 169

HSL 220, 0.47%, 0.45%

LAB 41.85, 10.6, -42.56

 

CMYK 64 / 60 / 0 / 34

HEX #3D44A9

RGB 61 68 169

HSL 236.11, 0.47%, 0.45%

LAB 33.96, 29.42, -55.27

 

CMYK 64 / 26 / 0 / 58

HEX #27506C

RGB 39 80 108

HSL 204.35, 0.47%, 0.29%

LAB 32.37, -4.96, -20.46

 

CMYK 64 / 26 / 0 / 46

HEX #32668A

RGB 50 102 138

HSL 204.55, 0.47%, 0.37%

LAB 41.24, -5.65, -25.07

 

CMYK 64 / 26 / 0 / 34

HEX #3D7DA9

RGB 61 125 169

HSL 204.44, 0.47%, 0.45%

LAB 50.13, -6.55, -29.52

 

CMYK 59 / 24 / 0 / 25

HEX #4F92C0

RGB 79 146 192

HSL 204.42, 0.47%, 0.53%

LAB 58.06, -7.57, -30.3

 

CMYK 46 / 19 / 0 / 20

HEX #6DA5CB

RGB 109 165 203

HSL 204.26, 0.47%, 0.61%

LAB 65.34, -8.12, -25.13

 

CMYK 64 / 26 / 0 / 33

HEX #3E7EAA

RGB 62 126 170

HSL 204.44, 0.47%, 0.45%

LAB 50.51, -6.61, -29.5

 

CMYK 25 / 64 / 0 / 34

HEX #7E3DA9

RGB 126 61 169

HSL 276.11, 0.47%, 0.45%

LAB 38.96, 47.18, -46.87

 

CMYK 0 / 0 / 64 / 34

HEX #A9A93D

RGB 169 169 61

HSL 60, 0.47%, 0.45%

LAB 67.39, -13.81, 53.75

 

CMYK 64 / 26 / 0 / 33

HEX #3E7EAA

RGB 62 126 170

HSL 204.44, 0.47%, 0.45%

LAB 50.51, -6.61, -29.5

 

CMYK 0 / 64 / 25 / 34

HEX #A93D7E

RGB 169 61 126

HSL 323.89, 0.47%, 0.45%

LAB 43.18, 50.96, -13.8

 

CMYK 25 / 0 / 64 / 34

HEX #7EA93D

RGB 126 169 61

HSL 83.89, 0.47%, 0.45%

LAB 64.28, -31.62, 49.5

 

CMYK 64 / 26 / 0 / 33

HEX #3E7EAA

RGB 62 126 170

HSL 204.44, 0.47%, 0.45%

LAB 50.51, -6.61, -29.5

 

CMYK 25 / 64 / 0 / 34

HEX #7E3DA9

RGB 126 61 169

HSL 276.11, 0.47%, 0.45%

LAB 38.96, 47.18, -46.87

 

CMYK 0 / 38 / 64 / 34

HEX #A9683D

RGB 169 104 61

HSL 23.89, 0.47%, 0.45%

LAB 50.3, 21.93, 34.76

 

CMYK 38 / 0 / 64 / 34

HEX #68A93D

RGB 104 169 61

HSL 96.11, 0.47%, 0.45%

LAB 63.06, -39.75, 47.81

 

CMYK 64 / 26 / 0 / 33

HEX #3E7EAA

RGB 62 126 170

HSL 204.44, 0.47%, 0.45%

LAB 50.51, -6.61, -29.5

 

CMYK 7 / 64 / 0 / 34

HEX #9E3DA9

RGB 158 61 169

HSL 293.89, 0.47%, 0.45%

LAB 43.46, 54.95, -39.42

 

CMYK 0 / 38 / 64 / 34

HEX #A9683D

RGB 169 104 61

HSL 23.89, 0.47%, 0.45%

LAB 50.3, 21.93, 34.76

 

CMYK 57 / 0 / 64 / 34

HEX #48A93D

RGB 72 169 61

HSL 113.89, 0.47%, 0.45%

LAB 61.73, -49.51, 45.97

 

Description

Color code: HEX #3E7EAA | qconv.com Color code: HEX #3E7EAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 126 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 126 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 26 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 26% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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