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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4AB8 it is the complementary color #C1B547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4AB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4AB8 shade: #434AB3, #545CC6, #656ED9, #7680EC and #8792FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4AB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4AB8 shade: #3E4AB8, #2D38A5, #1C2692, #0B147F and #00026C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4AB8 shade: #3D49B8, #523DB8, #733DB8, #943DB8 and #B53DB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4AB8 shade: #3D49B8 and #3D3DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4AB8 shade matches the following richer shades: #3D49B8, #2939CB, #1629DF and #021AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4AB8 shade: #3D49B8, #5159A4, #656990, #79797C and #8C8968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4AB8 shade: #3D8BB8, #3D6AB8, #3D49B8, #523DB8 and #723DB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4AB8 shade: #29317A, #333D99, #3D49B8, #5762C7 and #767FD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4AB8 shade: #3E4AB8, #B83DAB and #7AB83D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4AB8 shade: #3E4AB8, #B83D49 and #49B83D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4AB8 shade: #3E4AB8, #B83DAB, #B8AB3D and #3DB849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4AB8 shade: #3E4AB8, #B83D87, #B8AB3D and #3DB86E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 60 / 0 / 28

HEX #3E4AB8

RGB 62 74 184

HSL 234.1, 0.5%, 0.48%

LAB 36.71, 30.99, -59.7

 

Complementary color

CMYK 0 / 6 / 63 / 24

HEX #C1B547

RGB 193 181 71

HSL 54.1, 0.5%, 0.52%

LAB 72.79, -9.09, 55.81

 

CMYK 63 / 59 / 0 / 30

HEX #434AB3

RGB 67 74 179

HSL 236.25, 0.46%, 0.48%

LAB 36.64, 30.05, -56.85

 

CMYK 58 / 54 / 0 / 22

HEX #545CC6

RGB 84 92 198

HSL 235.79, 0.5%, 0.55%

LAB 43.68, 28.17, -56.51

 

CMYK 53 / 49 / 0 / 15

HEX #656ED9

RGB 101 110 217

HSL 235.34, 0.6%, 0.62%

LAB 50.6, 26.59, -56.17

 

CMYK 50 / 46 / 0 / 7

HEX #7680EC

RGB 118 128 236

HSL 234.92, 0.76%, 0.69%

LAB 57.41, 25.25, -55.87

 

CMYK 47 / 43 / 0 / 0

HEX #8792FF

RGB 135 146 255

HSL 234.5, 1%, 0.76%

LAB 64.1, 24.1, -55.61

 

CMYK 66 / 60 / 0 / 28

HEX #3E4AB8

RGB 62 74 184

HSL 234.1, 0.5%, 0.48%

LAB 36.71, 30.99, -59.7

 

CMYK 73 / 66 / 0 / 35

HEX #2D38A5

RGB 45 56 165

HSL 234.5, 0.57%, 0.41%

LAB 29.67, 33.45, -59.92

 

CMYK 81 / 74 / 0 / 43

HEX #1C2692

RGB 28 38 146

HSL 234.92, 0.68%, 0.34%

LAB 22.68, 36.26, -59.84

 

CMYK 91 / 84 / 0 / 50

HEX #0B147F

RGB 11 20 127

HSL 235.34, 0.84%, 0.27%

LAB 16.02, 39.01, -58.97

 

CMYK 100 / 98 / 0 / 58

HEX #00026C

RGB 0 2 108

HSL 238.89, 1%, 0.21%

LAB 10, 41.02, -56.74

 

CMYK 67 / 60 / 0 / 28

HEX #3D49B8

RGB 61 73 184

HSL 234.15, 0.5%, 0.48%

LAB 36.4, 31.48, -60.21

 

CMYK 55 / 67 / 0 / 28

HEX #523DB8

RGB 82 61 184

HSL 250.24, 0.5%, 0.48%

LAB 35.19, 42.16, -62.12

 

CMYK 38 / 67 / 0 / 28

HEX #733DB8

RGB 115 61 184

HSL 266.34, 0.5%, 0.48%

LAB 38.63, 48.4, -56.37

 

CMYK 20 / 67 / 0 / 28

HEX #943DB8

RGB 148 61 184

HSL 282.44, 0.5%, 0.48%

LAB 42.9, 55.56, -49.25

 

CMYK 2 / 67 / 0 / 28

HEX #B53DB8

RGB 181 61 184

HSL 298.54, 0.5%, 0.48%

LAB 47.78, 63.14, -41.19

 

CMYK 67 / 60 / 0 / 28

HEX #3D49B8

RGB 61 73 184

HSL 234.15, 0.5%, 0.48%

LAB 36.4, 31.48, -60.21

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB8

RGB 61 61 184

HSL 240, 0.5%, 0.48%

LAB 33.54, 38.98, -64.88

 

CMYK 67 / 60 / 0 / 28

HEX #3D49B8

RGB 61 73 184

HSL 234.15, 0.5%, 0.48%

LAB 36.4, 31.48, -60.21

 

CMYK 80 / 72 / 0 / 20

HEX #2939CB

RGB 41 57 203

HSL 234.07, 0.66%, 0.48%

LAB 33.37, 45.85, -76.34

 

CMYK 90 / 82 / 0 / 13

HEX #1629DF

RGB 22 41 223

HSL 234.33, 0.82%, 0.48%

LAB 32, 59.93, -90.2

 

CMYK 99 / 89 / 0 / 5

HEX #021AF3

RGB 2 26 243

HSL 234.02, 0.98%, 0.48%

LAB 32.31, 71.1, -101.09

 

CMYK 67 / 60 / 0 / 28

HEX #3D49B8

RGB 61 73 184

HSL 234.15, 0.5%, 0.48%

LAB 36.4, 31.48, -60.21

 

CMYK 51 / 46 / 0 / 36

HEX #5159A4

RGB 81 89 164

HSL 234.22, 0.34%, 0.48%

LAB 40.53, 18.27, -41.64

 

CMYK 30 / 27 / 0 / 44

HEX #656990

RGB 101 105 144

HSL 234.42, 0.18%, 0.48%

LAB 45.47, 7.92, -21.86

 

CMYK 2 / 2 / 0 / 51

HEX #79797C

RGB 121 121 124

HSL 240, 0.01%, 0.48%

LAB 50.91, 0.61, -1.64

 

CMYK 0 / 2 / 26 / 45

HEX #8C8968

RGB 140 137 104

HSL 55, 0.15%, 0.48%

LAB 56.55, -4.52, 18.15

 

CMYK 67 / 24 / 0 / 28

HEX #3D8BB8

RGB 61 139 184

HSL 201.95, 0.5%, 0.48%

LAB 54.99, -9.54, -30.59

 

CMYK 67 / 42 / 0 / 28

HEX #3D6AB8

RGB 61 106 184

HSL 218.05, 0.5%, 0.48%

LAB 45.3, 10.27, -45.85

 

CMYK 67 / 60 / 0 / 28

HEX #3D49B8

RGB 61 73 184

HSL 234.15, 0.5%, 0.48%

LAB 36.4, 31.48, -60.21

 

CMYK 55 / 67 / 0 / 28

HEX #523DB8

RGB 82 61 184

HSL 250.24, 0.5%, 0.48%

LAB 35.19, 42.16, -62.12

 

CMYK 38 / 67 / 0 / 28

HEX #723DB8

RGB 114 61 184

HSL 265.85, 0.5%, 0.48%

LAB 38.51, 48.19, -56.57

 

CMYK 66 / 60 / 0 / 52

HEX #29317A

RGB 41 49 122

HSL 234.07, 0.5%, 0.32%

LAB 23.91, 21.66, -42.77

 

CMYK 67 / 60 / 0 / 40

HEX #333D99

RGB 51 61 153

HSL 234.12, 0.5%, 0.4%

LAB 30.26, 26.67, -51.67

 

CMYK 67 / 60 / 0 / 28

HEX #3D49B8

RGB 61 73 184

HSL 234.15, 0.5%, 0.48%

LAB 36.4, 31.48, -60.21

 

CMYK 56 / 51 / 0 / 22

HEX #5762C7

RGB 87 98 199

HSL 234.11, 0.5%, 0.56%

LAB 45.48, 25.34, -54.18

 

CMYK 44 / 39 / 0 / 18

HEX #767FD1

RGB 118 127 209

HSL 234.07, 0.5%, 0.64%

LAB 55.72, 17.79, -43.43

 

CMYK 66 / 60 / 0 / 28

HEX #3E4AB8

RGB 62 74 184

HSL 234.1, 0.5%, 0.48%

LAB 36.71, 30.99, -59.7

 

CMYK 0 / 67 / 7 / 28

HEX #B83DAB

RGB 184 61 171

HSL 306.34, 0.5%, 0.48%

LAB 47.58, 61.72, -33.84

 

CMYK 34 / 0 / 67 / 28

HEX #7AB83D

RGB 122 184 61

HSL 90.24, 0.5%, 0.48%

LAB 68.57, -39.93, 54.03

 

CMYK 66 / 60 / 0 / 28

HEX #3E4AB8

RGB 62 74 184

HSL 234.1, 0.5%, 0.48%

LAB 36.71, 30.99, -59.7

 

CMYK 0 / 67 / 60 / 28

HEX #B83D49

RGB 184 61 73

HSL 354.15, 0.5%, 0.48%

LAB 44.25, 50.26, 20.76

 

CMYK 60 / 0 / 67 / 28

HEX #49B83D

RGB 73 184 61

HSL 114.15, 0.5%, 0.48%

LAB 66.55, -54.83, 51.26

 

CMYK 66 / 60 / 0 / 28

HEX #3E4AB8

RGB 62 74 184

HSL 234.1, 0.5%, 0.48%

LAB 36.71, 30.99, -59.7

 

CMYK 0 / 67 / 7 / 28

HEX #B83DAB

RGB 184 61 171

HSL 306.34, 0.5%, 0.48%

LAB 47.58, 61.72, -33.84

 

CMYK 0 / 7 / 67 / 28

HEX #B8AB3D

RGB 184 171 61

HSL 53.66, 0.5%, 0.48%

LAB 69.22, -8.37, 56.06

 

CMYK 67 / 0 / 60 / 28

HEX #3DB849

RGB 61 184 73

HSL 125.85, 0.5%, 0.48%

LAB 66.33, -56.16, 45.7

 

CMYK 66 / 60 / 0 / 28

HEX #3E4AB8

RGB 62 74 184

HSL 234.1, 0.5%, 0.48%

LAB 36.71, 30.99, -59.7

 

CMYK 0 / 67 / 27 / 28

HEX #B83D87

RGB 184 61 135

HSL 323.9, 0.5%, 0.48%

LAB 46.01, 56.49, -14.75

 

CMYK 0 / 7 / 67 / 28

HEX #B8AB3D

RGB 184 171 61

HSL 53.66, 0.5%, 0.48%

LAB 69.22, -8.37, 56.06

 

CMYK 67 / 0 / 40 / 28

HEX #3DB86E

RGB 61 184 110

HSL 143.9, 0.5%, 0.48%

LAB 66.82, -50.56, 27.94

 

Description

Color code: HEX #3E4AB8 | qconv.com Color code: HEX #3E4AB8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 74 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 74 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 60 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 60% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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