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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D7EDB it is the complementary color #C28124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D7EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3D7EDB: #427ED6, #5390E9, #64A2FC, #75B4FF and #86C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D7EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3D7EDB: #3D7EDB, #2C6CC8, #1B5AB5, #0A48A2 and #00368F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

Complementary color

CMYK 0 / 34 / 81 / 24

HEX #C28124

RGB 194 129 36

HSL 35.32, 0.69%, 0.45%

LAB 59.25, 17.66, 56.55

 

CMYK 69 / 41 / 0 / 16

HEX #427ED6

RGB 66 126 214

HSL 215.68, 0.64%, 0.55%

LAB 52.88, 9.38, -50.94

 

CMYK 64 / 38 / 0 / 9

HEX #5390E9

RGB 83 144 233

HSL 215.6, 0.77%, 0.62%

LAB 59.59, 7.86, -50.85

 

CMYK 60 / 36 / 0 / 1

HEX #64A2FC

RGB 100 162 252

HSL 215.53, 0.96%, 0.69%

LAB 66.2, 6.62, -50.78

 

CMYK 54 / 29 / 0 / 0

HEX #75B4FF

RGB 117 180 255

HSL 212.61, 1%, 0.73%

LAB 71.99, 0.68, -43.24

 

CMYK 47 / 22 / 0 / 0

HEX #86C6FF

RGB 134 198 255

HSL 208.26, 1%, 0.76%

LAB 77.68, -5.43, -34.32

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 78 / 46 / 0 / 22

HEX #2C6CC8

RGB 44 108 200

HSL 215.38, 0.64%, 0.48%

LAB 46.22, 12.57, -53.67

 

CMYK 85 / 50 / 0 / 29

HEX #1B5AB5

RGB 27 90 181

HSL 215.45, 0.74%, 0.41%

LAB 39.38, 15.21, -53.67

 

CMYK 94 / 56 / 0 / 36

HEX #0A48A2

RGB 10 72 162

HSL 215.53, 0.88%, 0.34%

LAB 32.5, 18.55, -53.54

 

CMYK 100 / 62 / 0 / 44

HEX #00368F

RGB 0 54 143

HSL 217.34, 1%, 0.28%

LAB 25.63, 22.67, -53.17

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 72 / 54 / 0 / 14

HEX #3D64DB

RGB 61 100 219

HSL 225.19, 0.69%, 0.55%

LAB 45.94, 26.76, -64.95

 

CMYK 72 / 66 / 0 / 14

HEX #3D4ADB

RGB 61 74 219

HSL 235.06, 0.69%, 0.55%

LAB 39.59, 42.99, -75.31

 

CMYK 66 / 72 / 0 / 14

HEX #4A3DDB

RGB 74 61 219

HSL 244.94, 0.69%, 0.55%

LAB 37.68, 51.88, -78.42

 

CMYK 54 / 72 / 0 / 14

HEX #643DDB

RGB 100 61 219

HSL 254.81, 0.69%, 0.55%

LAB 39.85, 55.22, -74.77

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 73 / 40 / 0 / 94

HEX #04090F

RGB 4 9 15

HSL 212.73, 0.58%, 0.04%

LAB 2.31, -0.37, -3.01

 

CMYK 73 / 42 / 0 / 74

HEX #122642

RGB 18 38 66

HSL 215, 0.57%, 0.16%

LAB 15, 2.7, -20.13

 

CMYK 72 / 43 / 0 / 54

HEX #214375

RGB 33 67 117

HSL 215.71, 0.56%, 0.29%

LAB 28.44, 5.82, -32.34

 

CMYK 72 / 42 / 0 / 34

HEX #2F61A8

RGB 47 97 168

HSL 215.21, 0.56%, 0.42%

LAB 41.19, 7.88, -43.07

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 16 / 72 / 0 / 14

HEX #B93DDB

RGB 185 61 219

HSL 287.09, 0.69%, 0.55%

LAB 50.41, 70.28, -57.14

 

CMYK 13 / 0 / 72 / 14

HEX #BEDB3D

RGB 190 219 61

HSL 71.01, 0.69%, 0.55%

LAB 82.89, -29.7, 69.85

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 0 / 72 / 42 / 14

HEX #DB3D7F

RGB 219 61 127

HSL 334.94, 0.69%, 0.55%

LAB 51.76, 65.34, -0.71

 

CMYK 42 / 0 / 72 / 14

HEX #7FDB3D

RGB 127 219 61

HSL 94.94, 0.69%, 0.55%

LAB 79.34, -52.8, 65.16

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 16 / 72 / 0 / 14

HEX #B93DDB

RGB 185 61 219

HSL 287.09, 0.69%, 0.55%

LAB 50.41, 70.28, -57.14

 

CMYK 0 / 30 / 72 / 14

HEX #DB993D

RGB 219 153 61

HSL 34.94, 0.69%, 0.55%

LAB 68.15, 16.43, 56.08

 

CMYK 57 / 0 / 72 / 14

HEX #5FDB3D

RGB 95 219 61

HSL 107.09, 0.69%, 0.55%

LAB 78.13, -61.95, 63.56

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 0 / 72 / 6 / 14

HEX #DB3DCE

RGB 219 61 206

HSL 304.94, 0.69%, 0.55%

LAB 54.92, 75.21, -42.22

 

CMYK 0 / 30 / 72 / 14

HEX #DB993D

RGB 219 153 61

HSL 34.94, 0.69%, 0.55%

LAB 68.15, 16.43, 56.08

 

CMYK 72 / 0 / 66 / 14

HEX #3DDB4A

RGB 61 219 74

HSL 124.94, 0.69%, 0.55%

LAB 77.37, -67.83, 57.59

 

Description

Color code: HEX #3D7EDB | qconv.com Color code: HEX #3D7EDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 126 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 126 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 42 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 42% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

74% - Inscripciones VRCEC ...
Link: http://inscripciones.sgeuc.cl

57% - Educación Continua U...
Link: http://www.educacioncontinua.uc.cl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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