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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C71A6 it is the complementary color #C38E59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C71A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C71A6 shade: #4171A1, #5283B4, #6395C7, #74A7DA and #85B9ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C71A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C71A6 shade: #3C71A6, #2B5F93, #1A4D80, #093B6D and #00295A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C71A6 shade: #3B70A5, #3B54A5, #403BA5, #5C3BA5 and #783BA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C71A6 shade: #3B70A5, #3B54A5 and #3B3BA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C71A6 shade matches the following richer shades: #3B70A5, #2970B7, #1770C9 and #0570DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C71A6 shade: #3B70A5, #4E7093, #607081, #72706E and #84705C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C71A6 shade: #3BA5A1, #3B8CA5, #3B70A5, #3B54A5 and #3F3BA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C71A6 shade: #264768, #315C87, #3B70A5, #4B85BE and #6A99C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C71A6 shade: #3C71A6, #853BA5 and #9AA53B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C71A6 shade: #3C71A6, #A53B70 and #70A53B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C71A6 shade: #3C71A6, #853BA5, #A5703B and #5BA53B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C71A6 shade: #3C71A6, #A53BA5, #A5703B and #3BA53B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 32 / 0 / 35

HEX #3C71A6

RGB 60 113 166

HSL 210, 0.47%, 0.44%

LAB 46.34, -0.63, -33.69

 

Complementary color

CMYK 0 / 27 / 54 / 24

HEX #C38E59

RGB 195 142 89

HSL 30, 0.47%, 0.56%

LAB 63.07, 14.06, 35.93

 

CMYK 60 / 30 / 0 / 37

HEX #4171A1

RGB 65 113 161

HSL 210, 0.42%, 0.44%

LAB 46.32, -1.35, -30.78

 

CMYK 54 / 27 / 0 / 29

HEX #5283B4

RGB 82 131 180

HSL 210, 0.4%, 0.51%

LAB 53.3, -2.14, -30.86

 

CMYK 50 / 25 / 0 / 22

HEX #6395C7

RGB 99 149 199

HSL 210, 0.47%, 0.58%

LAB 60.13, -2.75, -30.96

 

CMYK 47 / 23 / 0 / 15

HEX #74A7DA

RGB 116 167 218

HSL 210, 0.58%, 0.65%

LAB 66.83, -3.24, -31.09

 

CMYK 44 / 22 / 0 / 7

HEX #85B9ED

RGB 133 185 237

HSL 210, 0.74%, 0.73%

LAB 73.41, -3.64, -31.23

 

CMYK 64 / 32 / 0 / 35

HEX #3C71A6

RGB 60 113 166

HSL 210, 0.47%, 0.44%

LAB 46.34, -0.63, -33.69

 

CMYK 71 / 35 / 0 / 42

HEX #2B5F93

RGB 43 95 147

HSL 210, 0.55%, 0.37%

LAB 39.25, 0.66, -33.63

 

CMYK 80 / 40 / 0 / 50

HEX #1A4D80

RGB 26 77 128

HSL 210, 0.66%, 0.3%

LAB 32, 2.44, -33.56

 

CMYK 92 / 46 / 0 / 57

HEX #093B6D

RGB 9 59 109

HSL 210, 0.85%, 0.23%

LAB 24.61, 5, -33.42

 

CMYK 100 / 54 / 0 / 65

HEX #00295A

RGB 0 41 90

HSL 212.67, 1%, 0.18%

LAB 17.1, 8.7, -33.11

 

CMYK 64 / 32 / 0 / 35

HEX #3B70A5

RGB 59 112 165

HSL 210, 0.47%, 0.44%

LAB 45.95, -0.56, -33.72

 

CMYK 64 / 49 / 0 / 35

HEX #3B54A5

RGB 59 84 165

HSL 225.85, 0.47%, 0.44%

LAB 37.82, 17.21, -46.65

 

CMYK 61 / 64 / 0 / 35

HEX #403BA5

RGB 64 59 165

HSL 242.83, 0.47%, 0.44%

LAB 31.66, 34.26, -56.62

 

CMYK 44 / 64 / 0 / 35

HEX #5C3BA5

RGB 92 59 165

HSL 258.68, 0.47%, 0.44%

LAB 34.23, 39.57, -52.32

 

CMYK 27 / 64 / 0 / 35

HEX #783BA5

RGB 120 59 165

HSL 274.53, 0.47%, 0.44%

LAB 37.55, 45.84, -46.79

 

CMYK 64 / 32 / 0 / 35

HEX #3B70A5

RGB 59 112 165

HSL 210, 0.47%, 0.44%

LAB 45.95, -0.56, -33.72

 

CMYK 64 / 49 / 0 / 35

HEX #3B54A5

RGB 59 84 165

HSL 225.85, 0.47%, 0.44%

LAB 37.82, 17.21, -46.65

 

CMYK 64 / 64 / 0 / 35

HEX #3B3BA5

RGB 59 59 165

HSL 240, 0.47%, 0.44%

LAB 31.29, 33.46, -57.24

 

CMYK 64 / 32 / 0 / 35

HEX #3B70A5

RGB 59 112 165

HSL 210, 0.47%, 0.44%

LAB 45.95, -0.56, -33.72

 

CMYK 78 / 39 / 0 / 28

HEX #2970B7

RGB 41 112 183

HSL 210, 0.63%, 0.44%

LAB 46.28, 3.27, -43.75

 

CMYK 89 / 44 / 0 / 21

HEX #1770C9

RGB 23 112 201

HSL 210, 0.79%, 0.44%

LAB 46.96, 8.62, -53.08

 

CMYK 98 / 49 / 0 / 14

HEX #0570DB

RGB 5 112 219

HSL 210, 0.96%, 0.44%

LAB 47.92, 14.97, -61.79

 

CMYK 64 / 32 / 0 / 35

HEX #3B70A5

RGB 59 112 165

HSL 210, 0.47%, 0.44%

LAB 45.95, -0.56, -33.72

 

CMYK 47 / 24 / 0 / 42

HEX #4E7093

RGB 78 112 147

HSL 210.43, 0.31%, 0.44%

LAB 46.06, -2.18, -22.86

 

CMYK 26 / 13 / 0 / 49

HEX #607081

RGB 96 112 129

HSL 210.91, 0.15%, 0.44%

LAB 46.53, -1.85, -11.35

 

CMYK 0 / 2 / 4 / 55

HEX #72706E

RGB 114 112 110

HSL 30, 0.02%, 0.44%

LAB 47.35, 0.37, 1.38

 

CMYK 0 / 15 / 30 / 48

HEX #84705C

RGB 132 112 92

HSL 30, 0.18%, 0.44%

LAB 48.59, 4.62, 14.04

 

CMYK 64 / 0 / 2 / 35

HEX #3BA5A1

RGB 59 165 161

HSL 177.74, 0.47%, 0.44%

LAB 62.01, -30.69, -6.86

 

CMYK 64 / 15 / 0 / 35

HEX #3B8CA5

RGB 59 140 165

HSL 194.15, 0.47%, 0.44%

LAB 54.45, -16.68, -20.54

 

CMYK 64 / 32 / 0 / 35

HEX #3B70A5

RGB 59 112 165

HSL 210, 0.47%, 0.44%

LAB 45.95, -0.56, -33.72

 

CMYK 64 / 49 / 0 / 35

HEX #3B54A5

RGB 59 84 165

HSL 225.85, 0.47%, 0.44%

LAB 37.82, 17.21, -46.65

 

CMYK 62 / 64 / 0 / 35

HEX #3F3BA5

RGB 63 59 165

HSL 242.26, 0.47%, 0.44%

LAB 31.58, 34.1, -56.75

 

CMYK 63 / 32 / 0 / 59

HEX #264768

RGB 38 71 104

HSL 210, 0.46%, 0.28%

LAB 29.2, -0.85, -22.88

 

CMYK 64 / 32 / 0 / 47

HEX #315C87

RGB 49 92 135

HSL 210, 0.47%, 0.36%

LAB 37.94, -0.74, -28.41

 

CMYK 64 / 32 / 0 / 35

HEX #3B70A5

RGB 59 112 165

HSL 210, 0.47%, 0.44%

LAB 45.95, -0.56, -33.72

 

CMYK 61 / 30 / 0 / 25

HEX #4B85BE

RGB 75 133 190

HSL 209.74, 0.47%, 0.52%

LAB 54.01, -1.53, -35.49

 

CMYK 47 / 24 / 0 / 21

HEX #6A99C9

RGB 106 153 201

HSL 210.32, 0.47%, 0.6%

LAB 61.71, -2.75, -29.61

 

CMYK 64 / 32 / 0 / 35

HEX #3C71A6

RGB 60 113 166

HSL 210, 0.47%, 0.44%

LAB 46.34, -0.63, -33.69

 

CMYK 19 / 64 / 0 / 35

HEX #853BA5

RGB 133 59 165

HSL 281.89, 0.47%, 0.44%

LAB 39.29, 48.94, -43.9

 

CMYK 7 / 0 / 64 / 35

HEX #9AA53B

RGB 154 165 59

HSL 66.23, 0.47%, 0.44%

LAB 65.04, -18.32, 51.75

 

CMYK 64 / 32 / 0 / 35

HEX #3C71A6

RGB 60 113 166

HSL 210, 0.47%, 0.44%

LAB 46.34, -0.63, -33.69

 

CMYK 0 / 64 / 32 / 35

HEX #A53B70

RGB 165 59 112

HSL 330, 0.47%, 0.44%

LAB 41.68, 48.78, -7.49

 

CMYK 32 / 0 / 64 / 35

HEX #70A53B

RGB 112 165 59

HSL 90, 0.47%, 0.44%

LAB 62.23, -35.27, 47.9

 

CMYK 64 / 32 / 0 / 35

HEX #3C71A6

RGB 60 113 166

HSL 210, 0.47%, 0.44%

LAB 46.34, -0.63, -33.69

 

CMYK 19 / 64 / 0 / 35

HEX #853BA5

RGB 133 59 165

HSL 281.89, 0.47%, 0.44%

LAB 39.29, 48.94, -43.9

 

CMYK 0 / 32 / 64 / 35

HEX #A5703B

RGB 165 112 59

HSL 30, 0.47%, 0.44%

LAB 51.73, 15.53, 37.37

 

CMYK 45 / 0 / 64 / 35

HEX #5BA53B

RGB 91 165 59

HSL 101.89, 0.47%, 0.44%

LAB 61.18, -42.59, 46.45

 

CMYK 64 / 32 / 0 / 35

HEX #3C71A6

RGB 60 113 166

HSL 210, 0.47%, 0.44%

LAB 46.34, -0.63, -33.69

 

CMYK 0 / 64 / 0 / 35

HEX #A53BA5

RGB 165 59 165

HSL 300, 0.47%, 0.44%

LAB 44.01, 56.81, -36.12

 

CMYK 0 / 32 / 64 / 35

HEX #A5703B

RGB 165 112 59

HSL 30, 0.47%, 0.44%

LAB 51.73, 15.53, 37.37

 

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

Description

Color code: HEX #3C71A6 | qconv.com Color code: HEX #3C71A6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 113 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 113 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 32 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 32% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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