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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C3711 it is the complementary color #C3C8EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C3711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3C3711: #41370C, #52491F, #635B32, #746D45 and #857F58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C3711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3C3711: #3C3711, #2B2500, #1A1300, #090100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

Complementary color

CMYK 18 / 16 / 0 / 7

HEX #C3C8EE

RGB 195 200 238

HSL 233.02, 0.56%, 0.85%

LAB 81.34, 5.98, -19.32

 

CMYK 0 / 15 / 82 / 75

HEX #41370C

RGB 65 55 12

HSL 48.68, 0.69%, 0.15%

LAB 23.28, -1.2, 27.17

 

CMYK 0 / 11 / 62 / 68

HEX #52491F

RGB 82 73 31

HSL 49.41, 0.45%, 0.22%

LAB 31.01, -2.36, 26.1

 

CMYK 0 / 8 / 49 / 61

HEX #635B32

RGB 99 91 50

HSL 50.2, 0.33%, 0.29%

LAB 38.49, -3.14, 24.7

 

CMYK 0 / 6 / 41 / 55

HEX #746D45

RGB 116 109 69

HSL 51.06, 0.25%, 0.36%

LAB 45.74, -3.69, 23.33

 

CMYK 0 / 5 / 34 / 48

HEX #857F58

RGB 133 127 88

HSL 52, 0.2%, 0.43%

LAB 52.81, -4.11, 22.06

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 0 / 14 / 100 / 83

HEX #2B2500

RGB 43 37 0

HSL 51.63, 1%, 0.08%

LAB 14.61, -2.25, 21.36

 

CMYK 0 / 27 / 100 / 90

HEX #1A1300

RGB 26 19 0

HSL 43.85, 1%, 0.05%

LAB 6.19, 0.31, 9.28

 

CMYK 0 / 89 / 100 / 96

HEX #090100

RGB 9 1 0

HSL 6.67, 1%, 0.02%

LAB 0.72, 1.95, 1.12

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 3 / 0 / 73 / 77

HEX #393B10

RGB 57 59 16

HSL 62.79, 0.57%, 0.15%

LAB 23.79, -7.65, 25.46

 

CMYK 15 / 0 / 73 / 77

HEX #323B10

RGB 50 59 16

HSL 72.56, 0.57%, 0.15%

LAB 23.15, -11.2, 24.58

 

CMYK 27 / 0 / 73 / 77

HEX #2B3B10

RGB 43 59 16

HSL 82.33, 0.57%, 0.15%

LAB 22.58, -14.61, 23.81

 

CMYK 39 / 0 / 73 / 77

HEX #243B10

RGB 36 59 16

HSL 92.09, 0.57%, 0.15%

LAB 22.09, -17.8, 23.13

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 0 / 8 / 72 / 56

HEX #6F661F

RGB 111 102 31

HSL 53.25, 0.56%, 0.28%

LAB 42.73, -5.48, 39.59

 

CMYK 0 / 8 / 72 / 36

HEX #A2952E

RGB 162 149 46

HSL 53.28, 0.56%, 0.41%

LAB 61.11, -7.21, 53.3

 

CMYK 0 / 8 / 72 / 16

HEX #D5C33C

RGB 213 195 60

HSL 52.94, 0.65%, 0.54%

LAB 78.17, -8.37, 66.25

 

CMYK 0 / 11 / 67 / 96

HEX #090803

RGB 9 8 3

HSL 50, 0.5%, 0.02%

LAB 2.15, -0.43, 1.98

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 73 / 0 / 66 / 77

HEX #103B14

RGB 16 59 20

HSL 125.58, 0.57%, 0.15%

LAB 21.16, -24.4, 19.62

 

CMYK 37 / 73 / 0 / 77

HEX #25103B

RGB 37 16 59

HSL 269.3, 0.57%, 0.15%

LAB 9.64, 21.21, -23.66

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 73 / 0 / 8 / 77

HEX #103B36

RGB 16 59 54

HSL 173.02, 0.57%, 0.15%

LAB 21.96, -16.05, -1.25

 

CMYK 8 / 73 / 0 / 77

HEX #36103B

RGB 54 16 59

HSL 293.02, 0.57%, 0.15%

LAB 12.42, 26.12, -19.06

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 73 / 0 / 66 / 77

HEX #103B14

RGB 16 59 20

HSL 125.58, 0.57%, 0.15%

LAB 21.16, -24.4, 19.62

 

CMYK 73 / 64 / 0 / 77

HEX #10153B

RGB 16 21 59

HSL 233.02, 0.57%, 0.15%

LAB 8.67, 12.34, -25.34

 

CMYK 0 / 73 / 5 / 77

HEX #3B1038

RGB 59 16 56

HSL 304.19, 0.57%, 0.15%

LAB 13.14, 26.99, -15.71

 

CMYK 0 / 8 / 72 / 76

HEX #3C3711

RGB 60 55 17

HSL 53.02, 0.56%, 0.15%

LAB 22.77, -3.49, 23.93

 

CMYK 73 / 0 / 44 / 77

HEX #103B21

RGB 16 59 33

HSL 143.72, 0.57%, 0.15%

LAB 21.39, -21.92, 11.89

 

CMYK 73 / 64 / 0 / 77

HEX #10153B

RGB 16 21 59

HSL 233.02, 0.57%, 0.15%

LAB 8.67, 12.34, -25.34

 

CMYK 0 / 73 / 27 / 77

HEX #3B102B

RGB 59 16 43

HSL 322.33, 0.57%, 0.15%

LAB 12.45, 24.58, -7.36

 

Description

Color code: HEX #3C3711 | qconv.com Color code: HEX #3C3711 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 55 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 55 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 72 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 72% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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